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Ehrlich - ISLANDS, THE UNIVERSE, HOME: essays

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Ehrlich ISLANDS, THE UNIVERSE, HOME: essays

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Ten essays on nature, ritual, and philosophy that are so point-blank vital you nearly need to put the book down to settle yourself (San Francisco Chronicle). Gretel Ehrlichs world is one of solitude and wonder, pain and beauty, and these elements give life to her stunning prose. Ever since her acclaimed debut, The Solace of Open Spaces, she has illuminated the particular qualities of nature and the self with graceful precision. In Islands, the Universe, Home, Ehrlich expands her explorations, traveling to the remote reaches of the earth and deep into her soul. She tells of a voyage of discovery in northern Japan, where she finds her bridge to heaven. She captures a light moving down a mountain slope. She sees a ruined city in the face of a fire-scarred mountain. Above all, she recalls what a painter once told her about art when she was twelve years old, as she sat for her portrait: You have to mix death into everything. Then you have to mix life into that. In this unforgettable collection, Ehrlich mixes life and death, real and sacred, to offer a stunning vision of our world that is both achingly familiar and miraculously strange. According to National Book Award--winning author Andrea Barrett, these essays are as spare and beautiful as the landscape from which theyve grown ... Each one is a pilgrimage into the secrets of the heart.;Cover Page; Title Page; Contents; Epigraph; Looking for a Lost Dog; Spring; The Source of a River; Summer; Island; This Autumn Morning; The Bridge to Heaven; Home Is How Many Places; Architecture; The Fasting Heart; Acknowledgments; About the Author; Copyright Page.

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Islands the Universe Home Essays Gretel Ehrlich CONTENTS How hard - photo 1

Islands, the Universe, Home

Essays

Gretel Ehrlich

CONTENTS How hard to make ashes of the mind to still the body Sugawara no - photo 2

CONTENTS

How hard to make ashes of the mind, to still the body!

Sugawara no Michizane

LOOKING FOR A LOST DOG

The most valuable thoughts which I entertain are anything but what I thought. Nature abhors a vacuum, and if I can only walk with sufficient carelessness I am sure to be filled.

T HOREAU

I started off this morning looking for a lost dog. Hes a red heeler, blotched brown and white, and I tell people he looks like a big saddle shoe. Born at Christmas on a thirty-below-zero night, hes tough, though his right front leg is crooked where it froze to the ground.

Its the old needle-in-the-haystack routine: small doghuge landscape and rugged terrain. I go one way, my husband the other. I walk and I listen. While moving cows once, the dog fell in a hole and disappeared. We heard him whining but couldnt see where he had gone. I crouched down, put my ear to the ground, and crawled toward the whines.

Its no wonder human beings are so narcissistic. The way our ears are constructed, we can hear only what is right next to us or else the internal monologue inside. Ive taken to cupping my hands behind my earsmulelikeand pricking them all the way forward or back to hear whats happened or whats ahead.

Life is polyphonic, a Hungarian friend in her eighties said. She was a child prodigy from Budapest who had soloed on the violin in Paris and Berlin by the time she was twelve. Childishly, I once thought hearing had mostly to do with music. Now that Im too old to play the fiddle, I know it has to do with the great suspiration of life everywhere.

But back to the dog. Im walking and looking and listening for him, though there is no trail, no clue, no direction to the search. Whimsically, I head north toward the falls. Theyre set in a deep gorge where Precambrian rock piles up to ten thousand feet on either side. A raven creaks overhead, flies into the cleft, glides toward a panel of white water splashing over a ledge, and comes out cawing.

To find what is lost is an art in some cultures. The Navajos employ hand tremblersusually womenwho go into a trance and see where the lost article or person is located. When I asked one such diviner what it was like when she was in trance, she said, Lots of noise but noise thats hard to hear.

Near the falls the ground flattens out into a high-altitude valley before the mountain rises vertically. The falls roar, but they are overgrown with spruce, pine, and willow, and the closer I get, the harder it is to see them. Perhaps that is how it will be in my search for the dog.

Were worried about Frenchy, because last summer he was bitten three times by rattlesnakes. After the first bite he walked toward me, reeled, and collapsed. His eyes rolled back, and he drooled. I could see the two holes where the fangs went in. They looked like little eyes spying on me. I was sure the dog was dying. He lay in my arms for a long time, while I crooned to him. My last rites, however, seemed to have had the opposite effect: he perked up suddenly, then gave me a funny look as if to say, Shut up, you fool. I drove him twenty miles to the vets house. By the time we arrived, he resembled a monster. His nose and neck had swollen as though a football had been sewn under the skin.

I walk and walk. Past the falls, through a pass, toward a larger, rowdier creek. The sky goes black. In the distance, snow on the Owl Creek Mountains glares. A blue ocean seems to stretch between, and the black sky hangs over like a frown.

A string of cottonwoods whose tender leaves are the color of limes pulls me downstream. I come to the meadow with the abandoned apple orchard. Its trees have lost most of their blossoms; I feel as if I had caught them undressed.

The sun comes back, and the wind. It brings no dog, but ducks slide overhead. An Eskimo from Barrow told me the reason spring has such fierce winds is so the birds coming north will have something to fly on.

To find what is lost; to lose what is found. Several times Ive thought I was losing my mind. Of course, minds arent literally misplaced; on the contrary, we live too much in them. We listen gullibly, then feel severed because of the minds clever tyrannies. As with viewing the falls, we can lose sight of what is too close, and the struggle between impulse and reason, passion and logic, occurs as we saunter from distant to close-up views.

The feet move; the mind wanders. In his essay on walking, Thoreau said, The saunterer, in the good sense, is no more vagrant than the meandering river, which is all the while sedulously seeking the shortest course to the sea.

Today Im filled with longingsfor what Im not, for all the other lives I cant lead, for what is impossible, for people I love who cant be in my life. Passions of all sorts struggle soundlessly, or else, like the falls, they are all noise but cant be seen.

Now Im following a game trail up a sidehill. Its a mosaic of trackselk and deer, rabbit and bird. If city dwellers could imprint cement as they walked, it would look this way: tracks overlap, go backward and forward like the peregrine saunterings of the mind.

I see a dog track, or is it a coyotes? I get down on my hands and knees to sniff out a scent. What am I doing? I entertain preposterous expectations of myself as when I landed in Tokyo, where I felt so at home I thought I would break into fluent Japanese. Now I sniff the ground and smell only dirt. If I tried and tried, would the instinct regenerate inside me?

The tracks veer off the trail and disappear. Descending into a dry wash whose elegant tortured junipers resemble bonsai, I trip on a sagebrush root, and look. Deep in the center, there is a birds nest. Instead of eggs, a locust stares up at me.

Some days I think this one place isnt enough. Thats when nothing is enough, when I want to live multiple lives and have the know-how and guts to love without limits. Those days, like today, I walk with a purpose but no destination. Only then do I see, at least momentarily, that most everything is here. To my left a towering cottonwood is lunatic with bird song. Under it, Im a listening post while its great, gray trunklike a batonheaves its green symphony into the air.

I walk and walk, from the falls, over Grouse Hill, to the dry wash. Today it is enough to make a shadow.

SPRING

We have a nine-acre lake on our ranch and a warm spring that feeds it all winter. By mid-March the lake ice begins to melt where the spring feeds in, and every year the same pair of mallards come ahead of the others and wait. Though there is very little open water, they seem content. They glide back and forth through a thin estuary, brushing watercress with their elegant, folded wings, then tip end-up to eat and, after, clamber onto the lip of ice that retreats, hardens forward, and retreats again.

Mornings, a transparent pane of ice lies over the melt-water. I peer through and see some kind of waterbugperhaps a leechpaddling like a sea turtle between green ladders of lakeweed. Cattails and sweet grass from the previous summer are bone dry, marked with black mold spots, and bend like elbows into the ice. They are swords that cut away the hard tenancy of winter. At the wide end, a mat of dead water plants has rolled back into a thick, impregnable breakwater. Near it, bubbles trapped under the ice are lenses focused straight up to catch the coming season.

Its spring again, and I wasnt finished with winter. Thats what I said at the end of summer too. I stood on the ten-foot-high haystack and yelled, No! as the first snow fell. We had been up since four in the morning, picking the last bales of hay from the oat field by hand, slipping under the weight of them in the mud, and by the time we finished the stack, six inches of snow had fallen.

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