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Hackston David - Crossing

Here you can read online Hackston David - Crossing full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Albania, year: 2019, publisher: Pushkin Press, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Hackston David Crossing

Crossing: summary, description and annotation

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The critically acclaimed novel about two young men on a fearless journey across cities, borders and identities

Imagine . . . we can do anything now, we can be anyone, we can go anywhere

Bujars world is collapsing. His father is dying and his homeland, Albania, bristles with hunger and unrest. When his fearless friend Agim is discovered wearing his mothers red dress and beaten with his fathers belt, he persuades Bujar that there is no place for them in their country. Desperate for a chance to shape their own lives, they flee.

This is the beginning of a journey across cities, borders and identities, from the bazaars of Tirana to the monuments of Rome and the drag bars of New York. It is also a search through shifting gender and social personae, for acceptance and love.

But faced with marginalization at home and only precarious means of escape and survival, what chance do the young pair have of forging a new life? Pursued by memories of...

Hackston David: author's other books


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Sometimes the facts threaten the truth.

AMOS OZ , A Tale of Love and Darkness

(trans. Nicholas de Lange)

CONTENTS
ROME 1998 W hen I think about my own death the moment it happens is always - photo 1
ROME, 1998

W hen I think about my own death, the moment it happens is always the same. Im wearing a plain, colored shirt and a matching pair of pants, cut from thin material thats easy to pull on. Its early in the morning and I am happy, I feel the same sense of contentment and satisfaction as I do at the first mouthfuls of my favorite meal. There are certain people around me, I dont know them yet, but one day I will, and Im in a certain place, lying on my hospital bed in my own room, nobody is dying around me, outside the day is slowly struggling to its feet like a rheumatic old man, I hear certain words from the mouths of my loved ones, a certain touch on my hand, and the kiss on my cheek feels like the home I have built around me like a shrine.

Then one by one my organs give up and my bodily functions begin to close down: my brain no longer sends messages to the rest of my body, the flow of blood is cut off, and my heart stops, mercilessly and irreparably, and just like that I no longer exist. Where my body once was now there is only skin and tissue, and beneath the tissue there are fluids, bones, and meaningless organs. Dying is as easy as a gentle downhill stroll.

I am a twenty-two-year-old man who at times behaves like the men of my imagination: my name could be Anton or Adam or Gideon, whatever pleases my ear at any given moment. I am French or German or Greek, but never Albanian, and I walk in a particular way, the way my father taught me to walk, to follow his example, flat-footed and with a wide gait, aware of how to hold my chest and shoulders, my jaw tight, as though to ensure nobody trespasses on my territory. At times like this the woman within me burns on a pyre. When Im sitting at a caf or a restaurant and the waiter brings me the bill and doesnt ask why Im eating alone, the woman inside me smolders. When I look for flaws in my dish and send it back to the kitchen or when I walk into a store and the assistants approach me, she bursts once again into flames, becoming part of a continuum that started at the moment we were told that woman was born of mans rib, not as a man but to live alongside him, at his left-hand side.

Sometimes I am a twenty-two-year-old woman who behaves however she pleases. I am Amina or Anastasia, the name is irrelevant, and I move the way I remember my mother moving, my heels not touching the ground. I never argue with men, I paint my face with foundation, dust my cheeks with powder, carefully etch eyeliner around my eyes, fill in my brows, dab on some mascara and coif my lashes, put in a set of blue contact lenses to be born again, and at that moment the man within me does not burn, not at all, but joins me as I walk around the town. When I go into the same restaurant, order the same dish, and make the same complaint about the food the waiter does not take it back to the kitchen but tells me the meat is cooked just the way I asked, and when he brings me the check he watches me as if I were a child as I rummage in my handbag and pull out the correct sum of money, then disappears into the kitchen with a cursory Thank you. The man within me wants to follow him, but when I look at what Im wearing, my black summer dress and dark-brown flats, I see that such behavior would be inappropriate for a woman, and so I leave the restaurant and step out onto the street, where Italian men shout and whistle at me, at times so much that the man inside me curses at them in a low, gruff voice, and at that they shut up and raise their hands into the air as though they have come face-to-face with a challenger of equal stature.

I am a man who cannot be a woman but who can sometimes look like a woman. This is my greatest quality, the game of dress up that I can start and stop whenever it suits me. Some-times the game begins when I pull on an androgynous garment, a formless cape, and step outside, and then people start making assumptions, they find it disconcerting that they dont know one way or the other, sitting on public transport and in restaurants, cafs, it irritates them like a splinter beneath their fingernail, and they whisper among themselves or ask me directly: Are you a man or a woman? Sometimes I tell them I am a man, sometimes I say Im a woman. Sometimes I dont answer them at all, sometimes I ask them what they think I am, and they are happy to answer, as though this were a game to them too, they are eager to construct me, and once Ive given them an answer order is finally restored to the world. I can choose what I am, I can choose my gender, choose my nationality and my name, my place of birth, all simply by opening my mouth. Nobody has to remain the person they were born; we can put ourselves together like a jigsaw.

But you have to prepare yourself. To live so many lives, you have to cover up the lies youve already told with new lies to avoid being caught up in the maelstrom that ensues when your lies are uncovered. I believe that people in my country grow old beyond their years and die so young precisely because of their lies. They hide their faces the way a mother shields her newly born child and avoid being seen in an unflattering light with almost military precision: there is no falsehood, no story they wont tell about themselves to maintain the faade and ensure that their dignity and honor remain intact and untarnished until they are in their graves. Throughout my childhood I hated this about my parents, despised it like the sting of an atopic rash or the feeling of being consumed with anxiety, and I swore I would never become like them, I would never care what other people think of me, never invite the neighbors for dinner simply to feed them with food I could never afford for myself. I would not be an Albanian, not in any way, but someone else, anyone else.

At my weakest moments I feel a crushing sense of sorrow, because I know I mean nothing to other people, I am nobody, and this is like death itself. If death were a sensation, it would be this: invisibility, living your life in ill-fitting clothes, walking in shoes that pinch.

In the evenings I sometimes hold my hands out before me, clasp them together, and pray, because everybody in Rome prays and asks God to help them resolve difficult situations. A thing like that can catch on so easily, and so I pray that I might wake up the next morning in a different life, even though I dont even believe in God. I do, however, believe that a persons desire to look a particular way and behave in a certain manner can directly impact the breadth of a shoulder, the amount of body hair, the size of a foot, ones talent and choice of profession. Everything else can be learned, acquireda new way of walking, a new body language, you can practice speaking at a higher pitch or dressing differently, telling lies in such a way that its not lying at all. Its just a way of being. Thats why its best to focus on wanting things and never on what might happen once youve got them.

When I first arrived in Italy I was sure I would be able to secure a job I enjoyed, I would meet a partner who loved me and start a family for whom I would be prepared to give my life. I was convinced that somebody would find me and see the potential I had, appreciate everything I could give to the world. I waited and waited, a year, a second and third, waited for these things to start happening, waited for someone to see my uniqueness, but the authorities and social workers didnt care for my plans and hopes, they scoffed at my dreams of studying psychology at the University of Rome, though I explained Id read the basic texts many times.

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