Healy - The Travels of Sorrow
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John McAuliffe, The Irish Times Healy was renowned as a novelist, memoirist, and playwright as well as a poet, and I think its fair to say that there was a touch of poetry in everything he wrote and, furthermore, that Healy was a poet at heart Healy is a man who hears the whispering of shells, who finds silence in the mirror, who sees into the depth of things. His worldview is often perfectly humane and yet slightly askance disconcerting, even The Travels of Sorrow generally gravitates around themes of ageing and death and their attendant profundities and absurdities. Theres also a great sense of kinship, of the importance of friendship and indeed of the bond that exists between humanity and nature. A number of the poems are elegies, hinting at vital words that were simply never said an especially poignant subtext in a posthumous collection I believe that Healy is a very fine poet indeed maybe even one of Irelands greatest writers of recent times. Whether bringing to life birdsong or silence (Love, silence is the hardest song to sing), presences or absences personified moons or skeletons of trees, healy is a poet of the visceral and the ineffable, both With The Travels of Sorrow, Healy packs so much life and death into his work that the reader feels mentally and emotionally enlarged for the reading of it. In a just world, this collection would be celebrated as a final gift from an enormously talented and underrated mind.
For all its elegiac melancholy, The Travels of Sorrow is strangely uplifting; its morbidity is tempered by vitality. Kevin McNeil, Poetry Ireland Review Gallery Books Editor Peter Fallon THE TRAVELS OF SORROW
Peter Fallon
Loughcrew
March 2015
At last the dog left the spot and came home shaking, then went to the house of a friend of his master and lay down. The only true witness to what had really happened, he shed hair on the mat and ate the leavings of their first breakfast together.
John Conway often told me over the years these are the wonders of Maugherow A blanket to fillthe bed of the ocean,a boot to fitthe foot of the mountain,a jennets foal,a square arsehole,and the tops of the rushes green.
And if you happen to be coming over the Curlews and kill a ferret, turn back, friend, the chances are youll meet my hearse.
When the nuns put the girls that were out of tune into the organ loft or onto the stage of the Town Hall to sing October Winds you entered the world of mime, to sing, without singing, and still keep time. It must have been tough to shape the lips and make a face like an angel and still stay silent as the singers entered the chant, heads to the side, the hymn sheet folded at a slant. Love, silence is the hardest song to sing. It has more notes than sound and is only heard years later as you hum in your head the words for sorrow as you will tomorrow that, like the words of those songs, will never be heard, but for the echo that travels through all of our heads into the silence of words that never got said.
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