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Healy - The Travels of Sorrow

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Healy The Travels of Sorrow

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Poem formatting, including line breaks, stanza breaks etc, may change according to reading device and font size. For this reason The Gallery Press encourages readers to calibrate their settings in order to achieve optimal viewing. This will ensure the most accurate reproduction of the layout of the text as intended by the author.
Healy had the rare ability to listen and hear things in our speech and our speechifying. His poems give the words we use back to us, with a new dimension to them Any reader would wish there were more to come. More heartbreak, more (terrible) jokes (zen koans like Fetch: If you want/ to break a dogs heart/ throw a stone// into the sea.), more transcriptions of the Sligo coast and clouds he wrote his books from.

John McAuliffe, The Irish Times Healy was renowned as a novelist, memoirist, and playwright as well as a poet, and I think its fair to say that there was a touch of poetry in everything he wrote and, furthermore, that Healy was a poet at heart Healy is a man who hears the whispering of shells, who finds silence in the mirror, who sees into the depth of things. His worldview is often perfectly humane and yet slightly askance disconcerting, even The Travels of Sorrow generally gravitates around themes of ageing and death and their attendant profundities and absurdities. Theres also a great sense of kinship, of the importance of friendship and indeed of the bond that exists between humanity and nature. A number of the poems are elegies, hinting at vital words that were simply never said an especially poignant subtext in a posthumous collection I believe that Healy is a very fine poet indeed maybe even one of Irelands greatest writers of recent times. Whether bringing to life birdsong or silence (Love, silence is the hardest song to sing), presences or absences personified moons or skeletons of trees, healy is a poet of the visceral and the ineffable, both With The Travels of Sorrow, Healy packs so much life and death into his work that the reader feels mentally and emotionally enlarged for the reading of it. In a just world, this collection would be celebrated as a final gift from an enormously talented and underrated mind.

For all its elegiac melancholy, The Travels of Sorrow is strangely uplifting; its morbidity is tempered by vitality. Kevin McNeil, Poetry Ireland Review Gallery Books Editor Peter Fallon THE TRAVELS OF SORROW

Contents


Prior to his death on 29 June 2014 Dermot and I had been talking about what would be his fifth collection. I have shaped this book out of the draft manuscript he sent to me and out of the poems he wrote in the months afterwards. I pay special thanks to Dermot's widow, Helen Gillard, for her help and trust in the preparation of The Travels of Sorrow. The Whispering Shells reprises, and condenses, a poem of the same name, for Inor, in The Reed Bed (2001). Acknowledgments are due to The Irish Times (Gerard Smyth), Poetry Ireland Review (Vona Groarke) and the Stony Thursday Book (Peter Sirr) where a few of these poems were published first.

Peter Fallon
Loughcrew
March 2015

for the McSweeneys
Years ago, one of the two brothers, Pat Donlon, who did the cooking in the house in a long apron to below the knee, went into a rage and took the china in the house the flower vase, the milk jug, the big plates and threw them onto the rocks on the beach. Years later, as I built up a wall of stone against the sea, I began to find here a handle, there a small flower, set in delph. And they were all the one style of porcelain that came with the house. A thousand, thousand high tides have been and gone and, with a terrible sadness, these broken remains of an old argument on the alt are coming in amongst the gravel, petals from the dresser and the mantelpiece, the little fractures of despair shouting, Ive had enough! Take it, take it all! are gathering in the surf. For years theyve been going out and in with the tide.
All the rumours ended when the drowned man rose in the reeds at Rosses.
All the rumours ended when the drowned man rose in the reeds at Rosses.

At last the dog left the spot and came home shaking, then went to the house of a friend of his master and lay down. The only true witness to what had really happened, he shed hair on the mat and ate the leavings of their first breakfast together.

As you get older and the pen begins to run out you begin without thinking to thank the god you do not believe in. Its the man who does not believe believes most by saying, over and over, in a repetitive prayer, I do not believe, I do not believe in anything out there. So when you start cursing the god that does not exist and the pen fills with anger thats when faith and tyranny begin.
Listen to this and remember it always.

John Conway often told me over the years these are the wonders of Maugherow A blanket to fillthe bed of the ocean,a boot to fitthe foot of the mountain,a jennets foal,a square arsehole,and the tops of the rushes green.

On the way to a funeral in Cavan a crow flew into the windscreen. On the way to another funeral in Cavan a rabbit went under the wheel. Listen! I heard souls shoot up with a thump straight to heaven, then I sat in the seat wondering what was coming on the next straight stretch. It seems the men and women Ive grown up with have sprouted wings or turned into hares for a split second at the final reckoning. So Im going to no more funerals in Cavan. Soon there wont be a bird or a badger left alive in the country.

And if you happen to be coming over the Curlews and kill a ferret, turn back, friend, the chances are youll meet my hearse.

The new plough in the sky has moved to the sea side of the house to dig a white furrow through the long acres of clouds and star nests in the sky. The old plough of the earth has come to rest at the gable, to question the heavens, with feet and ribcage gone skeletal. There the symbol sits rusting under its new coat of blue while the shape it once threw moves on along the lazy beds of the constellations, like a letter in an old alphabet whose sound is lost to the tongue; till, at daybreak, the work of the metaphor is done.
If you want to break a dogs heart throw a stone into the sea.
for Helen, in memory of Bert
When you stood mouthing the hymns in the school choir you sang harder than all the rest.

When the nuns put the girls that were out of tune into the organ loft or onto the stage of the Town Hall to sing October Winds you entered the world of mime, to sing, without singing, and still keep time. It must have been tough to shape the lips and make a face like an angel and still stay silent as the singers entered the chant, heads to the side, the hymn sheet folded at a slant. Love, silence is the hardest song to sing. It has more notes than sound and is only heard years later as you hum in your head the words for sorrow as you will tomorrow that, like the words of those songs, will never be heard, but for the echo that travels through all of our heads into the silence of words that never got said.

in memory of Clifford
When I got the dry eye the cat was blamed for all the years she had spent sitting on my shoulder or on the arm of the chair. She was put outside and not let in again.
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