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LeFavour - Lights On, Rats Out

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LeFavour Lights On, Rats Out
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    Lights On, Rats Out
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A harrowing, beautiful, searching, and deeply literary memoir. In these pages, we watch Cree LeFavour evolve from a wounded (and wounding) lost girl to a woman who can at last regard her existence with a modicum of mercy and forgiveness...a story of true self-salvation and transformation.?Elizabeth Gilbert As a young college graduate a year into treatment with a psychiatrist, Cree LeFavours began to organize her days around the cruel, compulsive logic of self-harm: with each newly lit cigarette, the world would drop away as her focus narrowed to an unblemished patch of skin calling out for attention and the fierce, blooming release of pleasure-pain as the burning tip was applied to the skin. Her body was a canvas of cruelty; each scar a mark of pride and shame. In sharp and shocking language, Lights On, Rats Out brings us closely into these years, allowing us to feel the pull of a stark compulsion taking over a mind. We see the world as Cree did?turned upside down, the richness of life muted and dulled, its pleasures perverted. The heady, vertiginous thrill of meeting with her psychiatrist, Dr. X?whose relationship with Cree is at once sustaining and paralyzing?comes to be the only bright spot in her mental solitude. Her extraordinary access to and inclusion of the notes kept by Dr. X during treatment offer concrete evidence of Crees transformation over 3 years of therapy. But it is her own evocative and razor-sharp prose that traces a path from a lonely and often sad childhood to her reluctant commitment to and emergence from a psychiatric hospital, to the saving refuge of literature and eventual acceptance of love. Moving deftly between the dialogue and observations from psychiatric records and elegant, incisive reflection on youth and early adulthood, Lights On, Rats Out illuminates a fiercely bright and independent womans charged attachment to a mental health professional and the dangerous compulsion to keep him in her life at all costs.

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Lights On Rats Out - image 1
LIGHTS ON,
RATS OUT
A MEMOIR
C REE L E F AVOUR

Lights On Rats Out - image 2

Copyright 2017 by Cree LeFavour

Cover design by Gretchen Mergenthaler

Cover layout by Becca Fox Design

All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of such without the permission of the publisher is prohibited. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the authors rights is appreciated. Any member of educational institutions wishing to photocopy part or all of the work for classroom use, or anthology, should send inquiries to Grove Atlantic, 154 West 14th Street, New York, NY 10011 or .

Excerpts from The Magic Mountain by Thomas Mann, translated by H. T. Lowe-Porter, translation copyright 1927, copyright renewed 1955 by Alfred A. Knopf, a division of Penguin Random House LLC. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Thomas Mann, Der Zauberberg. S. Fischer Verlag, Berlin 1924. All rights reserved by S. Fischer Verlag GmbH, Frankfurt am Main.

Every effort has been made to trace copyright holders and to obtain their permission for the use of copyright material. The publisher apologizes for any errors or omissions and would be grateful if notified of any corrections that should be incorporated in future reprints or editions of this book.

FIRST EDITION

Published simultaneously in Canada

Printed in the United States of America

Text Design by Ashley Prine

This book was set in Scala with Frutiger by Tandem Books

First Grove Atlantic hardcover edition: August 2017

ISBN 978-0-8021-2596-5

eISBN 978-0-8021-8915-8

Library of Congress Cataloging-in-Publication Data is available for this title.

Grove Press

an imprint of Grove Atlantic

154 West 14th Street

New York, NY 10011

Distributed by Publishers Group West

groveatlantic.com

17 18 19 20 10 9 8 7 6 5 4 3 2 1

For Nicole LeFavour

So meshed in nerves and hesitation, it could not be a thing to be afraid of; yet it was a real beast, and this book its mangy skin, dried, stuffed and set up squarely for men to stare at.

T.E. Lawrence, Seven Pillars of Wisdom

Im somewhere in the sprawling mess of suburban New Jersey, sitting on damp earth. Shielded from the road by a gravestone, I put a flame to my Camel Light. Whatever irony or black humor my location offers, the graveyard is the only privacy I can find in this ugly matrix of unknowable highways, roundabouts, turn lanes, and exits. No more than one hundred yards away my thirteen-year-old daughter moves pointlessly up and down the soccer field in her cheery yellow-and-blue uniform, long brown hair pulled back in a slick ponytail, trying her best to get to the ball.

Its been twenty years. Would it be as good as ever? Taking a drag to fire up the ember. Choosing my spot. Holding the burning cigarette to my skin. Feeling my brain bleed out in a state of perfect concentration. Id go inside the sensation, will it into pleasure until it became just that. Bliss. Time at rest. The world stopped in a pinprick of pain-pleasure. I might stay, light and use a second cigarette on the spot, then rest on the interior of my mind where that inky calm holds.

I guess I never finished the task of knowing my own mind well enough to see this day coming. What misshapen root bears the strange urge that makes holding a cigarette to my skin seem not just a good idea, but necessary? Theres only one person who knows this particular kind of crazy because hes been through it with me before, my former psychiatrist, Dr. Kohl. Its been more than two decades since I left Burlington, Vermont, for New York City after three years in treatment with him. What had this fetish meant to me then and how did I stop only to feel it quicken now? The answer flaps about somewhere in the past, snapping now and again like a flag in a strong wind.

I wouldnt care so much about solving the riddle of my desire but for the pain of reconciling it with the reality of my beautiful daughter just over there. I cant match the impulse with what I am to her and how I want her to know me: strong, reliable, with ample belief in this wonderful, strange life. Im pulled outside myself by the refs whistle mixing with the claps and yells of doting, vaguely bored parents positioned, as I should be, in a row of folding chairs on the sideline. I long for Dr. Kohl as I crush out my cigarette on the wet grass.

The whistle is my cue to dodge the busy traffic, step onto the field, find my daughter, and envelop her with whatever it is she needs. I can do this and whatevers necessary to maintain normalcy and I will. But I need to reclaim the self I once was, the one I left with Dr. Kohl, if Im going to avoid the 3rd degree burn I suddenly want so badly to imprint on myself.

At home, untouched in the attic all these years, is the fat file Dr. Kohl kept during my treatmenteach of our sessions written out in dialogue along with his notes to himself. He copied the documents and handed them to me when I departed. Ive left the radioactive pages untouched all these years. Now I need them to take me back to my younger self, the one who would make her mark and cover it with transparent Band-Aids, long sleeves, and anything she could find to keep her secrets.

11/11/2012

I have written this memoir using all evidence at hand including files of physicians notes, hospital records, and my own journals. Ive quoted from these documents verbatim. Some include grammatical and spelling errors that I have retained for accuracy. I have changed the name of my psychiatrist and several identifying details to preserve his anonymity.

POTTER : Oooo. It damn well urts.

LAWRENCE : Certainly it hurts.

POTTER : Whats the trick, then?

LAWRENCE : The trick, William Potter, is not minding

Harry Fowler as William Potter and Peter OToole as T.E. Lawrence in Lawrence of Arabia

To cease utterly, to give it all up and not know anything morethis idea was as sweet as the vision of a cool bath in a marble tank, in a darkened chamber, in a hot land.

Henry James, The Portrait of a Lady

Pain has an element of blank;

It cannot recollect

When it began, or if there were

A day when it was not.

Emily Dickinson, The Mystery of Pain

1st degree: a superficial burn of the epidermis. Grazing the bare forearm against a hot baking sheet loaded with sugar cookies might cause such a minor infliction. 1sts heal in days and leave no scar. Baby stuff. At the other extreme, the most severe 4th degree extends through the epidermis and dermis, damaging the subcutaneous tissue, including muscle and bone. House-on-fire-and-no-way-out bad. This meanie requires excision, a word as hideous as the procedure: cutting away and removing dead flesh and damaged bone only to repair the gap with grafts of healthy skin harvested from elsewhere on the body.

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