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Prikryl - No matter: poems

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Prikryl No matter: poems
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    No matter: poems
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An urgent, visionary collection of poems from the author of The After Party Jana Prikryls No Matter argues for the necessity of vision in a time of darkness. Set in cities toppling past the point of decline-and-fall-Rome, London, Dublin, and most of all New York-these poems capture the experience of being human in the late days of empire, when the laws protecting weak from strong are being torn away. Ranging from free verse through sonnets and invented forms, Prikryls poems insist that every demolition also builds something new and unforeseen. In poems whose one-word titles give the book a percussive rhythm, Prikryl gives voice to the shifting anxieties and fortitude of the powerless. An ancient Sibyl is the presiding spirit, tired of being the conscience of a people addicted to ancient codes of domination. Dido gets the last word on the male lust for conquest. The American tradition of self-reliance shrivels into the narcissism of the survivalist. Scraps of Moby-Dick, Coriolanus, Virginia Woolf, and Heraclitus drift through the poems like ghosts. New York City is taken hostage by the super-rich, and a scramble for resources infects each relationship. Yet the citys glamour and importance cant be denied: there are love poems for friends, for David Bowie, for all kinds of new arrivals who make every city worth saving. In reactionary times, these poems say, we all have a responsibility to use our imagination. No Matter is an elegy for our ongoing moment, when what seemed permanent suddenly appears to be on the brink of collapse.

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Copyright 2019 by Jana Prikryl All rights reserved Published in the United - photo 1
Copyright 2019 by Jana Prikryl All rights reserved Published in the United - photo 2
Copyright 2019 by Jana Prikryl All rights reserved. Published in the United States by Tim Duggan Books, an imprint of the Crown Publishing Group, a division of Penguin Random House LLC, New York. crownpublishing.com TIM DUGGAN BOOKS and the Crown colophon are trademarks of Penguin Random House LLC. Selected material previously appeared in The American Poetry Review, The Baffler, Brick, Critical Quarterly, Five Dials, Granta, Harpers, The New Republic, The Paris Review, Poetry, Provincetown Arts, Raritan, Subtropics, The TLS, and The Walrus. Library of Congress Cataloging-in-Publication Data Names: Prikryl, Jana, author. Title: No matter / Jana Prikryl. | New York : Tim Duggan Books, 2019. | New York : Tim Duggan Books, 2019.

Identifiers: LCCN 2018043688 | ISBN 9781984825117 (pbk.) Classification: LCC PS3616.R538 A6 2019 | DDC 811/.6dc23 LC record available at https://lccn.loc.gov/2018043688 ISBN9781984825117 Ebook ISBN9781984825124 Cover design by Elena Giavaldi Cover photograph by Sren Solkr v5.4_r1 ep

Contents
And when the parts disappeared their intelligent properties ceased being intelligent, and their unintelligent properties ceased being unintelligent. Daniil Kharms
(translated by Matvei Yankelevich)
Got
off a stop early but no harm. A pleasant walk. This is a different place. Lady at the counter doesnt know it either, no use asking. Lucky you turned when you did and saw the ceiling of the Brooklyn Bridge not ten feet above.

Never noticed the whole things umber, made of brownstone. How same this town is, same as itself, unyielding. It gives you time, almost, to make observations such as this, it draws them out like the East River pretending to be a river when its merely an appetite. Ill take it from here, you think, I know the way. Just barely convincing. Then you saw St.

Peters down below, confirming this is Dumbo and thought yes, finally theyve made it right with Malta: set forth on the long downward path of sandy steps a touch too long and shallow for human locomotion faster than deep reluctance southwest, Spanish gravel, attractive, toward the church, when houses along the way start exploding.

Anonymous
Her hair is parted in the center and this side wall of the house ends just above her part. The seam between the house and not-house seems to rise out of the part in her hair. Dandelions on the lawn are playing sundials, their globes give out the time of year. Shes not smiling so much as grimacing against the pull of the brush and squinting against the sun. Nowhere are her feet more than tacit.

She is the tallest one.

Waves
on the Hudson just a few inches above the crown of my head, its fall but the leaves as green as the afternoons humid, they fall from the trees a halfhearted yellow, unswayed by the unforthcoming change. How you crossed that island I dont know, one of the blasts must have nudged you. The Hudson is a river though, with genuine water going one way most of the time, a true expression. Not much else here, of the city I knew. The doggerel place, a place you pray to be delivered from through not too much exertion of your own.

I designate the gondola to Hog Island my second home, may I get carried away in perpetuity. Deliver me as down along a zip line these piles, these ornate cornices best seen if not in enlargements of scenes of Myrna Loys xmas eve between martinis then through the blinds of function rooms where hopefuls in colorless uniforms circulate edible miniatures even if the view going down differs from the view going up. The city welcomes you. The cathedral perhaps, its smoking dome still visible over the charred fastnesses of Village and East Village, still visible when I turn. And here we reach the shores of speculation.

Real
In which the studio grows L-shaped, with an alcove for the bed, you modest dream, in which the railroad widens sideways, new door a sudden wing ought to invade the brownstone next door, but that brownstone loses nothing in the dream in which another room its huge, with grand piano and French doors opening on a view of my private beach, why have I never bothered going in this room before? Those years obedient to time is money when its space thats time, every tenant diligently building out the common night
Waves
And the orderly whitecaps continue pushing the weather to assert itself.

In hindsight the way those brownstones go off in sequence seems quoted. If original perceptions what you want, go In no hurry? Why, theres always a bodega with some bottles of water left. Bodega city, you tried thus to pelt me with convenience in small ways knowing the big conveniences would be withheld, I think your effort was sincere. I needed no Twix or bused-in muffins in cellophane, but their availability everywhere translated into a kind of human warmth. Like human warmth, it was too much. The pale skinny one had that aim with punchlines that after an hour of shooting things down Im positive weand later waiting for a car a girl just as thin and mean turned out to be his ex, I liked her just as much, she could not hold it in when I pointed him out, hed be married in three weeks.

I laughed, happy to just observe in this for most second city, encamped between then and then. Life would start another time, meanwhile the capital always another time, a constant prospect. The girls I know look long and hard, make lists, to-do, two columns pros and cons.

Anonymous
The whitecaps blink like second thoughts or action captured through a fledgling medium, made sweet and anterior, already posthumous, trinkets. A building of pale stone stretching out behind. Stately, in other words.

Modillions between windows even at ground level and awnings pulled in. Shadows short as a breath caught short, midday. To the right of these two, a third girl is centered in the center of the picture. She seems to sway, making a window between her waist and that of the tallest girl. We see through this window to a window behind. But she leans toward the tall girl, cocks her head, and looks at you.

Its the look of a friend who knows you well.

Fit
Its the magnetic nearness to centers of power that makes nearness a kind of sameness and sends the needles haywire, ordeal to just find a good tailor. That Russian lady without a huge amount of tact knew what to do with a velvet dress the color of fire bought on consignment and the handsome Algerian near Tompkins Square all hands-off deference carved a linen dress three sizes too big to just my shapes and knobs, and then I sent my boyfriend there with a Hugo Boss suit equally too big, and he hacked it into something like a joke so that was the end of that. A shy person so razed by the occasional leap beyond shyness that years pass before she can smooth the bodice of her dress down with both hands, at last convinced being ridiculous is not what they could accuse her of. Shyness, not reservethe reserved have less to fear of what comes next, the meadows, the shepherds discoursing on the fitness of the lobby of the Pierre for their upland bivouacsthe reserved not only sidestep facts but deal in forms the shy find beneath them, scattered about underfoot, common.
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