Praise for A Lovely Way to Burn
I was with Louise Welshs gutsy gripping heroine Stevie Flint every terrifying step of the way. Kirsty Wark, author of The Legacy of Elizabeth Pringle
I read it in two sittings, pausing only to sleep and dream about it. Gripping, perfectly paced and beautifully written. Erin Kelly, author of The Poison Tree
A terrifying journey into the possible, this is dystopia for today. Feral, frightening and fascinating, A Lovely Way to Burn gripped and chilled me in equal measure. Val McDermid
This intelligent thriller creates an alarmingly convincing picture of London on the brink of disintegration; it reminds us how fragile we are. Andrew Taylor, The Spectator
Ive felt for a while that we are in the mood for an intelligent slice of London-based dystopia, and I think Louise Welsh has cracked it with A Lovely Way to Burn... it kept me up all night nervously turning the pages. Cathy Rentzenbrink, Bookseller
The London of the novel at once recalls sci-fi dystopia, Dantes Inferno and accounts of the 1665 great plague... Welshs plot is ably handled... She has in Stevie... an engaging, stroppy heroine. Sunday Times
A thrillingly dystopian mystery... Its a fine setup, and Stevie is a strong character, a forthright blend of sales sass and reporter brass. Welsh is particularly good at describing the institutional and social disorder that accompanies the outbreak of the sweats. Guardian
This is a novel rich in the kind of iridescent word painting that has long been Welshs speciality, and the vulnerable, often maladroit Stevie is a wonderful protagonist. Independent
Welsh plays brilliantly on our worst fears, and the pace never lets up. Seriously scary. The Times
Scary, shocking and touching by turns, this apocalyptic thriller will enthrall. I havent been so buried in a book in a while. Irish Independent
Suspenseful and intelligent dystopian fiction. Welsh writes snappily and with filmic precision... Her setting, vivid and initially familiar, grows increasingly alien as the crisis worsens. Sunday Business Post
Welsh develops a fantastically written mystery which keeps you hanging on to every word... A must read, which will leave you dreamingor having nightmaresof apocalyptic London for weeks. Irish Examiner
The writer [Louise Welsh] reminds me of most is Ian McEwan: both specialize in secrets, rather chilly sexuality, sudden reversals of fortune, and uneasy intimations of doom... A Lovely Way to Burn is superb popular fictiona box-set waiting to happen. Independent on Sunday
Louise Welsh writes elegantly and has visualized London in extremis with immense and detailed clarity. Literary Review
The relentlessly taut suspense of A Lovely Way to Burn still lingers on my psyche. Such an apocalyptic crisis does not seem improbable and heres hoping freakishly foul weather and tube strikes are not an omen of things to come. Stylist
A propulsive read, written in lean sentences and snappy cliffhanging chapters... Most impressive of all is the Scottish writers evocation of a London that, with a Dickensian swagger, emerges as a pulsating untamable beast in its own right. Metro
You know youre in for a seriously chilling read in this apocalyptic thriller when three very unlikely killersan MP, a hedge fund manager and a vicargo on a murderous rampage in the sweltering capital. Marie Claire
A scary vision of London falling apart thats addictively readable. Saga
A tense, claustrophobic medical whodunit with an apocalyptic tone that cranks the stakes ever higher. Herald
The descriptions of London and society unraveling into chaos are utterly compelling and scarily realistic... Great if you like tense thrillers. Heat
A taut thriller so involving that I missed my bus stop! Woman & Home
A brilliantly imaginative thriller with a compelling heroine and well-paced plot that keeps the tension high. Hello
Also by Louise Welsh
The Cutting Room
The Bullet Trick
Naming the Bones
Tamburlaine Must Die
The Girl on the Stairs
A Lovely Way to Burn
Death is a Welcome Guest
New York London
2016 by Louise Welsh
First published in the United States by Quercus in 2016
Cover photograph Marhieu Jouve-Villard
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e-ISBN 978-1-68144-453-6
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This book is a work of fiction. Names, characters, institutions, places, and events are either the product of the authors imagination or are used fictitiously. Any resemblance to actual personsliving or deadevents, or locales is entirely coincidental.
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For my nephew Zack Welsh
... darkness shades me,
On thy bosom let me rest,
More I would, but death invades me;
Death is now a welcome guest.
Didos Lament from Dido and Aeneas, libretto, Nahum Tate
On the second day
The radios failed; we turned the knobs; no answer.
On the third day a warship passed us, heading north,
Dead bodies piled on the deck. On the sixth day
A plane plunged over us into the sea. Thereafter
Nothing. The radios dumb...
The Horses, Edwin Muir
T he Oleander left Southampton on May 24 under the command of Captain Richard Greene for a fourteen-day Mediterranean cruise. The liner had a crew of 1,150 and a passenger list of 2,300 souls. Many of the crew would be engaged in the essential business of sailing the ship, rather than catering to passengers whims, but the cruise was advertised as luxurious and the Oleanders brochures made a feature of the ratio of one crew member to every two passengers.
The first casualties appeared on day three, not far from Monte Carlo. Travel is well known for broadening the mind and upsetting the tummy, but many of the Oleanders guests were elderly and so Captain Greene radioed ahead to let the harbormaster know that there was a possibility of unplanned disembarkations.
The weather in the Mediterranean was bright and warm, the seas calm. Over the next two days more passengers and crew were confined to their cabins with vomiting, diarrhea and worrying respiratory complaints. The sick people huddled in bed in their air-conditioned cabins, soaking their sheets with sweat and all the time shivering like it was winter in Alaska.
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