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Tim Lawrence - Samuel Becketts Critical Aesthetics

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Tim Lawrence
Samuel Becketts Critical Aesthetics
Tim Lawrence University of York York UK ISBN 978-3-319-75398-0 e-ISBN - photo 1
Tim Lawrence
University of York, York, UK
ISBN 978-3-319-75398-0 e-ISBN 978-3-319-75399-7
https://doi.org/10.1007/978-3-319-75399-7
Library of Congress Control Number: 2018937888
The Editor(s) (if applicable) and The Author(s) 2018
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.
Cover illustration: Storm at Sea Julie Lawrence
Printed on acid-free paper
This Palgrave Macmillan imprint is published by the registered company Springer International Publishing AG part of Springer Nature.
The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
For Alex
Abbreviations
The following abbreviations are used in references to works by Samuel Beckett:
C
The Calmative. In Poems, Short Fiction, Criticism . Vol. 4 of The Grove Centenary Edition , 261274. Edited by Paul Auster. 4 vols. New York: Grove, 2006.
CDW
Complete Dramatic Works . London: Faber, 2006.
CP
The Collected Poems of Samuel Beckett . Edited by Sen Lawlor and John Pilling. London: Faber, 2012.
D
Disjecta: Miscellaneous Writings and a Dramatic Fragment . Edited by Ruby Cohn. London: Calder, 1983.
DB
Dante Bruno. Vico.. Joyce. In Poems, Short Fiction, Criticism . Vol. 4 of The Grove Centenary Edition , 495510.
E
The End. In Poems, Short Fiction, Criticism . Vol. 4 of The Grove Centenary Edition , 275293.
El
Eleutheria . Translated by Barbara Wright. London: Faber, 1996.
ElF
Eleutheria . Paris: Les ditions de Minuit, 1995.
Ex
The Expelled. In Poems, Short Fiction, Criticism . Vol. 4 of The Grove Centenary Edition , 247259.
FL
First Love. In Poems, Short Fiction, Criticism . Vol. 4 of The Grove Centenary Edition , 229246.
I
LInnommable . Paris: Les ditions de Minuit, 2004.
IS
Ill Seen Ill Said . In Poems, Short Fiction, Criticism . Vol. 4 of The Grove Centenary Edition , 451470.
LI
The Letters of Samuel Beckett . Vol. 1, 19291940 . Edited by Martha Dow Fehsenfeld and Lois More Overbeck. Cambridge: Cambridge University Press, 2008.
LII
The Letters of Samuel Beckett . Vol. 2, 19411956 . Edited by George Craig, Martha Dow Fehsenfeld, Dan Gunn and Lois More Overbeck. Cambridge: Cambridge University Press, 2011.
LIII
The Letters of Samuel Beckett . Vol. 3, 19571965 . Edited by George Craig, Martha Dow Fehsenfeld, Dan Gunn and Lois More Overbeck. Cambridge: Cambridge University Press, 2014.
LIV
The Letters of Samuel Beckett . Vol. 4, 19661989 . Edited by George Craig, Martha Dow Fehsenfeld, Dan Gunn and Lois More Overbeck. Cambridge: Cambridge University Press, 2016.
M
Molloy . In Novels II . Vol. 2 of The Grove Centenary Edition , 1170.
MC
Mercier and Camier . In Novels I . Vol. 1 of The Grove Centenary Edition , 381479.
MCF
Mercier et Camier . Paris: Les ditions de Minuit, 1970.
MD
Malone Dies . In Novels II . Vol. 2 of The Grove Centenary Edition , 171281.
MF
Molloy . Paris: Les ditions de Minuit, 1982.
Mu
Murphy . In Novels I . Vol. 1 of The Grove Centenary Edition , 1168.
MuF
Murphy . Paris: Les ditions de Minuit, 1965.
MV
Mal vu mal dit . Paris: Les ditions de Minuit, 1981.
NO
The New Object. In Samuel Beckett: Out of the Archive. Edited by Bryan Radley and Peter Fifield. Special issue, Modernism/modernity 18, no. 4 (2012): 873880.
NT
Nouvelles et Textes pour rien, avec 6 illustrations dAvigdor Arikha . Paris: Les ditions de Minuit, 1958.
P
Proust . In Poems, Short Fiction, Criticism . Vol. 4 of The Grove Centenary Edition , 511554.
PA
Premier Amour . Paris: Les ditions de Minuit, 1970.
PFE
Pour finir encore et autres foirades . Paris: Les ditions de Minuit, 1976.
TD
Three Dialogues with Georges Duthuit. In Poems, Short Fiction, Criticism . Vol. 4 of The Grove Centenary Edition , 555563.
TFN
Texts for Nothing and other shorter prose 19501976 . Edited by Mark Nixon. London: Faber and Faber, 2010.
TM
Ttes-Mortes . Rev. ed. Paris: Les ditions de Minuit, 1972.
U
The Unnamable . In Novels II . Vol. 2 of The Grove Centenary Edition , 285407.
W
Watt . In Novels I . Vol. 1 of The Grove Centenary Edition , 169479.
WF
Watt . Translated by Ludovic and Agns Janvier, in collaboration with Samuel Beckett. Paris: Les ditions de Minuit, 2007.
Acknowledgments
This book would not have been possible without the inexhaustible support of family, friends and colleagues. I am especially grateful to Dr Stephanie Lambert and Lucy Potter, for editorial support as well as galvanising conversations; Dr Emilie Morin, who opened this area of study to me with efforts both Herculean and more generous than I deserved; Dr Mark Nixon, for guidance with the archives and publication; my PhD examiners, Dr Ulrika Maude and Professor Hugh Haughton, whose feedback helped immeasurably with the work leading into the present volume; Professor Peter Lamarque, for attentive guidance on philosophical matters; Dr Adam Winstanley, who offered kind feedback on my work and helpful archival pointers; and Alexa Ratzlaff for advanced French lessons. My editors at Palgrave, Vicky Bates and series editor Tomas Ren, have been unwaveringly attentive and patient, in a spirit shared by the feedback from my peer-reviewers. I thank the Humanities Research Centre and Department of English and Related Literature at the University of York for providing funds and research space without which I could not have undertaken this project. I am also thankful to Georges Matisse for accommodating access to letters by Georges Duthuit. This study is also indebted to the companionship of friends over the years: Andy, Anna, Cat, Chris, Craig, Jacqui, Paul and Sam. Finally, Robyn and my parents merit more thanks than I can offer for their steadfast calm, wisdom and love.
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