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Voigt - Messenger: new and selected poems, 1976-2006

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Voigt Messenger: new and selected poems, 1976-2006
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From Claiming kin (1976) -- From The forces of plenty (1983) -- From The lotus flowers (1987) -- From Two trees (1992) -- From Kyrie (1995) -- From Shadow of heaven (2002) -- Messenger: new poems (2006).

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Messenger
ALSO BY ELLEN BRYANT VOIGT
POETRY Claiming Kin The Forces of Plenty The Lotus Flowers Two Trees Kyrie Shadow of Heaven ESSAYS The Flexible Lyric
Messenger
New and Selected Poems 19762006
Ellen Bryant Voigt
Picture 1
W. W. NORTON & COMPANY
NEW YORK LONDON Ellen Bryant Voigt, The Hen, Harvest, Dialogue Poetics, Stork, Damage, The Letter, The Visit, Snakeskin, and Tropics from Claiming Kin 1976 by Ellen Bryant Voigt and reprinted by permission of Wesleyan University Press. Copyright 2007 by Ellen Bryant Voigt All rights reserved For information about permission to reproduce selections from this book, write to Permissions, W. W. cm.
ISBN: 978-0-393-06982-2
I. Title. Title.

PS3572.O34M47 2007
811'.54dc22 2006024613 W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, N.Y. 10110 www.wwnorton.com W. W. Norton & Company Ltd., Castle House, 75/76 Wells Street, London W1T 3QT Francis

Contents
Acknowledgments
The new poems first appeared in The American Poetry Review, The Atlantic, Blackbird, The Kenyon Review, The New England Review , and TriQuarterly .

The Feeder was reprinted in The Pushcart Prize (vol. xxx) and Harvesting the Cows in The Best American Poetry 2005 . Thanks to these editors. Thanks to the Rockefeller Foundation for a months stay at Bellagio; to the Academy of American Poets for its James Merrill Fellowship; and, at W. W. Norton, to Amy Cherry, David Stanford Burr, and Carol Houck Smith, who has brought so much poetry to the world.

I want also to acknowledge poets whose work prompted or enabled some of these poems. In earlier books, Stephen Dobyns (the narratives in The Lotus Flowers ), William Meredith (Effort at Speech), Allen Grossman (Song and Story), and Agha Shahid Ali (Himalaya). In this one, Reg Gibbons and Michael Ryan (Rubato), Carl Phillips (Redbud), and Michael Collier (The Feeder). Finally, my deep gratitude for the acute, candid, instructive responses I have received from generous readers over the years, too many to be listed here; from my canny newest reader, James Longenbach; from my first reader, my touchstone, Louise Glck.

from
CLAIMING KIN
1976
THE HEN
The neck lodged under a stick, the stick under her foot, she held the full white breast with both hands, yanked up and out, and the head was delivered of the body. Brain stuck like a lens; the profile fringed with red feathers.

Deposed, abstracted, the head lay on the ground like a coin. But the rest, released into the yard, language and direction wrung from it, flapped the insufficient wings and staggered forward, convulsed, instinctive I thought it was sobbing to see it hump the dust, pulsing out those muddy juices, as if something, deep in the gizzard, in the sack of soft nuggets, drove it toward the amputated member. Even then, watching it litter the ground with snowy refusals, I knew it was this that held life, gave life, and not the head with its hard contemplative eye.

HARVEST
The farmer circles the pasture checking fences. Deep in the broomstraw, the dove withholds her three notes. The sky to the southwest is uniformly blue.

Years of plowing under have brought this red clay to its green conclusion. Down back, the herd clusters to the loading pen. Only disease or dogpack could alter such order. Is that what he asks for in the late fields, the falling afternoon?

DIALOGUE: POETICS
1st Voice Admiring the web, do we forget the spider? The real poem is a knife-edge, quick and clean. The bird needs no extra feather, the stone sits in its own shape. Consider the weather.

We could say that snow fills the crotches of the birch and makes a webbed hand. We could say, Look at the graceful line of falling snow! The point is: It falls and falls on trees and houses, with or without comment. 2nd Voice ITEM: Should we record snow falling on the tamaracks beside the black Winooski River, and not the trapper crouched on the far bank, who thinks: Such silence, such order. ITEM: Seven stones in a circle make eight shapes. ITEM: Not being birds, we seek our own windpatterns, fashion the lute, discover language.

STORK
There are seventeen species of stork.
STORK
There are seventeen species of stork.

The painted stork is pink in his nuptial plumage. The milky stork woos with his large flat bill. The marabou offers her carrion, as does the adjutant. Due to irregular throat structure, storks have no voice; they strike their beaks together in lovesong. Newborns know to swallow the fish headfirst. In the myth of the moon-bird, storks impregnate women.

All storks adhere to serial monogamy. In the mating season, two species are migratory: the black stork who roosts in platforms in the forests of Poland; the familiar white stork (good luck in Western Europe). They are surpassed in endurance by none but the arctic tern. They travel a thousand miles to Africa. They soar on the thermal current. They precede the rainy season.

They carry the unborn in from the marshland. If a stork nests in your chimney, a son will be born. If a stork nests in your chimney, your house will be empty. If a stork leaves the nest, that is an omen. If a stork leaves the nest forever, disaster will strike the area. If a storks shadow falls on the rosebush, grief descends to the village.

If a stork is damaged, the weather darkens. If you kill a stork, kinsmen surround you, clacking long sticks together like knives.

DAMAGE
It didnt suckle. That was the first indication. Looking back, I know how much I knew. The repetitious bloodfall, the grating at the door of bone, the afterbirth stuck in my womb like a scab.

Others were lucky, response was taken from them. Each time I bathe him in his little tub, I think How easy to let go Let go

THE LETTER
She sits at the table with her small collection of treasure. Chooses from it a shell whose delicate edges whorl inward to a palm, a lifeprint. Inside this pastel saucer, parsley and chives recall a Japanese garden: clean, immutable. If only she were there, a single tiny figure by the pool, holding the letter.
THE VISIT
The afternoon spreads its fingers on the lawn, and such light as penetrates the shrubs enters the house with hesitation.
THE VISIT
The afternoon spreads its fingers on the lawn, and such light as penetrates the shrubs enters the house with hesitation.

I have come from a great distance to find my father asleep in his large brown chair. Why isnt he out in the fields, our common passion? I want to wake him with kisses, I want to reach out and stroke his hand. But I turn away, without speech or gesture, having for so long withheld my body from him.

SNAKESKIN
Down on the porch, the blacksnake sits like a thick fist. His back is flexed and slick. The wedge of his forehead turns to the sun.

He does not remember the skin shucked in the attic, the high branches of our family tree. The moth will not recall the flannel cocoon. The snail empties the endless convolutions of its shell. Think of the husk of the locust, sewn like an ear to the elm. How easily they leave old lives, as an eager lover steps from the skirts at her ankles.

TROPICS
In the still morning when you move toward me in sleep, for love, I dream of an island where long-stemmed cranes, serious weather vanes, turn slowly on one foot.
TROPICS
In the still morning when you move toward me in sleep, for love, I dream of an island where long-stemmed cranes, serious weather vanes, turn slowly on one foot.
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