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King Ross - Mad enchantment: Claude Monet and the painting of the water lilies

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    Mad enchantment: Claude Monet and the painting of the water lilies
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Acclaimed historian Ross King paints the most nuanced, riveting and humane portrait yet of Claude Monet, arguably the most famous artist of the 20th century. We have all seen live, in photographs, on postcards some of Claude Monets legendary water lily paintings. They are in museums all over the world, and are among the most admired paintings of our time. Yet nobody knows the extraordinarily dramatic story behind their creation. Telling that story is the brilliant historian, Ross King and in the process, he presents a compelling and original portrait of perhaps the most beloved artist in history.
As World War I exploded within hearing distance of his house at Giverny, Monet was facing his own personal crucible. In 1911, his adored wife, Alice, had died, plunging him into deep mourning at age 71. A year later he began going blind. Then, his eldest son, Jean, fell ill and died of syphilis, and his other son was sent to the front to fight for France. Within months, a violent storm destroyed much of the garden that had been his inspiration for some 20 years. At the same time, his reputation was under attack, as a new generation of artists, led by Pablo Picasso and Henri Matisse, were dazzling the art world and expressing disgust with Impressionism. Against all this, fighting his own self-doubt, depression and age, Monet found the wherewithal to construct a massive new studio, 70 feet long and 50 feet high, to accommodate the gigantic canvases that would, he hoped, revive him.
Using letters, memoirs and other sources not employed by other biographers, and focusing on this remarkable period in the artists life, Ross King reveals a more complex, more human, more intimate Claude Monet than has ever been portrayed, and firmly places his water lily project among the greatest achievements in the history of art.

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Contents
Copyright 2016 Ross King All rights reserved The use of any part of this publi - photo 1
Copyright 2016 Ross King All rights reserved The use of any part of this - photo 2Copyright 2016 Ross King All rights reserved The use of any part of this - photo 3

Copyright 2016 Ross King

All rights reserved. The use of any part of this publication, reproduced, transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise, or stored in a retrieval system without the prior written consent of the publisheror in the case of photocopying or other reprographic copying, license from the Canadian Copyright Licensing Agencyis an infringement of the copyright law.

Bond Street Books and colophon are registered trademarks of Penguin Random House Canada Limited

Library and Archives Canada Cataloguing in Publication

King, Ross, 1962-, author

Mad enchantment : Claude Monet and the painting of the water lilies / Ross King.

Issued in print and electronic formats.

ISBN 978-0-385-68462-0 (bound).ISBN 978-0-385-68463-7 (epub)

1. Monet, Claude, 1840-1926Criticism and interpretation.

2. Monet, Claude, 1840-1926Last years. 3. Water lilies in art.

I. Title.

ND553.M7K53 2016 759.4 C2016-900692-1

C2016-900693-X

Ebook design adapted from book design by Sara Stemen

Cover design: Patti Ratchford

Cover art: Fine Art Images/Heritage Images/Getty Images

Published in Canada by Bond Street Books, a division of Penguin Random House Canada Limited

www.penguinrandomhouse.ca

v41 a BY THE SAME AUTHOR NONFICTION Brunelleschis Dome How a - photo 4v41 a BY THE SAME AUTHOR NONFICTION Brunelleschis Dome How a - photo 5

v4.1

a

BY THE SAME AUTHOR

NONFICTION

Brunelleschis Dome: How a Renaissance Genius Reinvented Architecture

Michelangelo and the Popes Ceiling

The Judgment of Paris: The Revolutionary Decade That Gave the World Impressionism

Machiavelli: Philosopher of Power

Leonardo and The Last Supper

Defiant Spirits: The Modernist Revolution of the Group of Seven

Florence: The Paintings & Frescoes, 12501743

FICTION

Ex-Libris

Domino

In loving memory of Claire King

CONTENTS
Mad enchantment Claude Monet and the painting of the water lilies - photo 6Mad enchantment Claude Monet and the painting of the water lilies - photo 7
Mad enchantment Claude Monet and the painting of the water lilies - photo 8Mad enchantment Claude Monet and the painting of the water lilies - photo 9
Mad enchantment Claude Monet and the painting of the water lilies - photo 10Mad enchantment Claude Monet and the painting of the water lilies - photo 11
Mad enchantment Claude Monet and the painting of the water lilies - photo 12CHAPTER ONE THE TIGER AND TH - photo 13
CHAPTER ONE THE TIGER AND THE HEDGEHOG - photo 14CHAPTER ONE THE TIGER AND THE HEDGEHOG - photo 15
CHAPTER ONE
THE TIGER AND THE HEDGEHOG
WHERE WAS GEORGES CLEMENCEAU The day of the French election had - photo 16WHERE WAS GEORGES CLEMENCEAU The day of the French election had - photo 17

WHERE WAS GEORGES CLEMENCEAU ? The day of the French election had arrivedSunday, April 26, 1914and the newspaper Gil Blas announced in astonishment that the seventy-two-year-old former prime minister had disappeared from Paris. His departure does not fail to cause surprise, reported the paper. Is this vigorous polemicist no longer interested in the political battle?

Gil Blas was always remarkably well informed about the comings and goings of Clemenceau, whose fearsome personality had earned him the nickname the Tiger. Two years earlier the paper had reported how firefighters came to Clemenceaus rescue when his bathroom caught fire as he took a hot soak; another time it informed readers how, despite the fact that he was Frances most notorious anti-Catholic, he had recuperated from an operation at a convalescent home run by nuns. And indeed, on this occasion, the paper quickly managed to track him down, reporting that he had gone to enjoy springtime in the countryside. It is whispered that he wants rest at all costs, and that, little concerned with electoral results, he will sleep late, in rustic silence.

Clemenceaus rustic retreat was fifty miles northwest of Paris, in the Normandy village of Bernouville. Six years earlier, while still prime minister, he had bought a half-timbered hunting lodge whose garden he planted with white poplars and Spanish broom, and whose ponds he stocked with trout and sturgeon. A few weeks after he left office in the summer of 1909, Gil Blas ran an admiring poem describing how, spry as a stripling, he was hard at work in his garden. It was no doubt this love of gardening that, as the election loomed, drew him to Bernouville and that, so he could talk flowers instead of politics, then took him to Giverny to see his friend, the painter Claude Monet.

GIVERNY WAS TWENTY miles from Bernouville, but the chauffeur would have covered the distance quickly: Clemenceau, who loved speed, always urged his drivers to go faster, racing along bone-shaking country roads at speeds in excess of 100 kilometers (62 miles) per hour. Beyond, a line of tall poplars snaked across meadows that in May were stippled by poppies and that in autumn were populated by towering stacks of wheat.

A couple of miles from Vernonnet, a cluster of houses suddenly appeared. Clemenceaus driver would have swung left at the fork, heading toward a small church with a squat, octagonal tower and a black witchs hat of a steeple. Giverny was a village of some 250 inhabitants, with one hundred or so rustic cottages interspersed with more imposing homes set in orchards behind moss-covered walls.

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