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Charles Dickens - Our Mutual Friend (Modern Library Classics)

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Charles Dickens Our Mutual Friend (Modern Library Classics)

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A satiric masterpiece about the allure and peril of money, Our Mutual Friend revolves around the inheritance of a dust-heap where the rich throw their trash. When the body of John Harmon, the dust-heaps expected heir, is found in the Thames, fortunes change hands surprisingly, raising to new heights Noddy Boffin, a low-born but kindly clerk who becomes the Golden Dustman. Charles Dickenss last complete novel, Our Mutual Friend encompasses the great themes of his earlier works: the pretensions of the nouveaux riches, the ingenuousness of the aspiring poor, and the unfailing power of wealth to corrupt all who crave it. With its flavorful cast of characters and numerous subplots, Our Mutual Friend is one of Dickenss most complexand satisfyingnovels.

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OUR MUTUAL FRIEND Charles Dickens Contents BOOK THE FIRST THE CUP - photo 1

OUR MUTUAL FRIEND

Charles Dickens


Contents

BOOK THE FIRST THE CUP AND THE LIP

Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17

ON THE LOOK OUT
THE MAN FROM SOMEWHERE
ANOTHER MAN
THE R. WILFER FAMILY
BOFFIN'S BOWER
CUT ADRIFT
MR WEGG LOOKS AFTER HIMSELF
MR BOFFIN IN CONSULTATION
MR AND MRS BOFFIN IN CONSULTATION
A MARRIAGE CONTRACT
PODSNAPPERY
THE SWEAT OF AN HONEST MAN'S BROW
TRACKING THE BIRD OF PREY
THE BIRD OF PREY BROUGHT DOWN
TWO NEW SERVANTS
MINDERS AND RE-MINDERS
A DISMAL SWAMP

BOOK THE SECOND BIRDS OF A FEATHER

Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16

OF AN EDUCATIONAL CHARACTER
STILL EDUCATIONAL
A PIECE OF WORK
CUPID PROMPTED
MERCURY PROMPTING
A RIDDLE WITHOUT AN ANSWER
IN WHICH A FRIENDLY MOVE IS ORIGINATED
IN WHICH AN INNOCENT ELOPEMENT OCCURS
IN WHICH THE ORPHAN MAKES HIS WILL
A SUCCESSOR
SOME AFFAIRS OF THE HEART
MORE BIRDS OF PREY
A SOLO AND A DUETT
STRONG OF PURPOSE
THE WHOLE CASE SO FAR
AN ANNIVERSARY OCCASION

BOOK THE THIRD A LONG LANE

Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17

LODGERS IN QUEER STREET
A RESPECTED FRIEND IN A NEW ASPECT
THE SAME RESPECTED FRIEND IN MORE ASPECTS THAN ONE
A HAPPY RETURN OF THE DAY
THE GOLDEN DUSTMAN FALLS INTO BAD COMPANY
THE GOLDEN DUSTMAN FALLS INTO WORSE COMPANY
THE FRIENDLY MOVE TAKES UP A STRONG POSITION
THE END OF A LONG JOURNEY
SOMEBODY BECOMES THE SUBJECT OF A PREDICTION
SCOUTS OUT
IN THE DARK
MEANING MISCHIEF
GIVE A DOG A BAD NAME, AND HANG HIM
MR WEGG PREPARES A GRINDSTONE FOR MR BOFFIN'S NOSE
THE GOLDEN DUSTMAN AT HIS WORST
THE FEAST OF THE THREE HOBGOBLINS
A SOCIAL CHORUS

BOOK THE FOURTH A TURNING

Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17

SETTING TRAPS
THE GOLDEN DUSTMAN RISES A LITTLE
THE GOLDEN DUSTMAN SINKS AGAIN
A RUNAWAY MATCH
CONCERNING THE MENDICANT'S BRIDE
A CRY FOR HELP
BETTER TO BE ABEL THAN CAIN
A FEW GRAINS OF PEPPER
TWO PLACES VACATED
THE DOLLS' DRESSMAKER DISCOVERS A WORD
EFFECT IS GIVEN TO THE DOLLS' DRESSMAKER'S DISCOVERY
THE PASSING SHADOW
SHOWING HOW THE GOLDEN DUSTMAN HELPED TO SCATTER DUST
CHECKMATE TO THE FRIENDLY MOVE
WHAT WAS CAUGHT IN THE TRAPS THAT WERE SET
PERSONS AND THINGS IN GENERAL
THE VOICE OF SOCIETY


BOOK THE FIRST THE CUP AND THE LIP


Chapter 1

ON THE LOOK OUT

In these times of ours, though concerning the exact year there is no need to be precise, a boat of dirty and disreputable appearance, with two figures in it, floated on the Thames, between Southwark bridge which is of iron, and London Bridge which is of stone, as an autumn evening was closing in.

The figures in this boat were those of a strong man with ragged grizzled hair and a sun-browned face, and a dark girl of nineteen or twenty, sufficiently like him to be recognizable as his daughter. The girl rowed, pulling a pair of sculls very easily; the man, with the rudder-lines slack in his hands, and his hands loose in his waistband, kept an eager look out. He had no net, hook, or line, and he could not be a fisherman; his boat had no cushion for a sitter, no paint, no inscription, no appliance beyond a rusty boathook and a coil of rope, and he could not be a waterman; his boat was too crazy and too small to take in cargo for delivery, and he could not be a lighterman or river-carrier; there was no clue to what he looked for, but he looked for something, with a most intent and searching gaze. The tide, which had turned an hour before, was running down, and his eyes watched every little race and eddy in its broad sweep, as the boat made slight head-way against it, or drove stern foremost before it, according as he directed his daughter by a movement of his head. She watched his face as earnestly as he watched the river. But, in the intensity of her look there was a touch of dread or horror.

Allied to the bottom of the river rather than the surface, by reason of the slime and ooze with which it was covered, and its sodden state, this boat and the two figures in it obviously were doing something that they often did, and were seeking what they often sought. Half savage as the man showed, with no covering on his matted head, with his brown arms bare to between the elbow and the shoulder, with the loose knot of a looser kerchief lying low on his bare breast in a wilderness of beard and whisker, with such dress as he wore seeming to be made out of the mud that begrimed his boat, still there was a business-like usage in his steady gaze. So with every lithe action of the girl, with every turn of her wrist, perhaps most of all with her look of dread or horror; they were things of usage.

'Keep her out, Lizzie. Tide runs strong here. Keep her well afore the sweep of it.'

Trusting to the girl's skill and making no use of the rudder, he eyed the coming tide with an absorbed attention. So the girl eyed him. But, it happened now, that a slant of light from the setting sun glanced into the bottom of the boat, and, touching a rotten stain there which bore some resemblance to the outline of a muffled human form, coloured it as though with diluted blood. This caught the girl's eye, and she shivered.

'What ails you?' said the man, immediately aware of it, though so intent on the advancing waters; 'I see nothing afloat.'

The red light was gone, the shudder was gone, and his gaze, which had come back to the boat for a moment, travelled away again. Wheresoever the strong tide met with an impediment, his gaze paused for an instant. At every mooring-chain and rope, at every stationery boat or barge that split the current into a broad-arrowhead, at the offsets from the piers of Southwark Bridge, at the paddles of the river steamboats as they beat the filthy water, at the floating logs of timber lashed together lying off certain wharves, his shining eyes darted a hungry look. After a darkening hour or so, suddenly the rudder-lines tightened in his hold, and he steered hard towards the Surrey shore.

Always watching his face, the girl instantly answered to the action in her sculling; presently the boat swung round, quivered as from a sudden jerk, and the upper half of the man was stretched out over the stern.

The girl pulled the hood of a cloak she wore, over her head and over her face, and, looking backward so that the front folds of this hood were turned down the river, kept the boat in that direction going before the tide. Until now, the boat had barely held her own, and had hovered about one spot; but now, the banks changed swiftly, and the deepening shadows and the kindling lights of London Bridge were passed, and the tiers of shipping lay on either hand.

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