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Gloria Fossi - In Search of Van Gogh: Capturing the Life of the Artist Through Photographs and Paintings

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Gloria Fossi In Search of Van Gogh: Capturing the Life of the Artist Through Photographs and Paintings
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In Search of Van Gogh: Capturing the Life of the Artist Through Photographs and Paintings: summary, description and annotation

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Follow in the footsteps of Vincent Van Gogh, from his birthplace in Zundert, Netherlands, to his last days in Auvers-sur-Oise, France, and explore the hidden inspirations behind the world-renowned artists most famous paintings in this beautiful art book and travelogue, illustrated with more than 250 black-and-white and full-color images throughout.
In 1990, two photographers and art enthusiasts, Danilo De Marco and Mario Dondero, set out to explore the details of Vincent Van Goghs life, retracing his journey across Europe by foot and by train. Armed with the love and knowledge of Van Goghs work, they traveled from the Netherlands to England, Belgium, and France to take in the sights as Van Gogh might have seen them a century earlier. They also turned to art historian Gloria Fossi to better understand, experience, and contextualize Van Goghs brilliant mind, drawing insights from his personal letters and other historical documents.

Van Goghs well-documented travels come alive in this gorgeous book which brings together the landscapes, architecture, portraits, and cultural references that inspired his art. The authors juxtapose vintage and contemporary photographs with Van Goghs renditions, demonstrating not only the passage of time, but Van Goghs unique artistic vision, brilliantly revealed brushstroke by brushstroke. From the Netherlands, where the artist was born, to his last days in France, no place he visited in his 37 years is left unexplored, and all have become timeless landmarks through his art.

In Search of Van Gogh brings into focus the places and objects that inspired and fueled Van Goghs artistic genius and offers fresh insights into his prolific work and process. In searching for the artists mind and soul, the authors create a pointillistic portrait of a human being whose life was remarkable, and whose story must be shared for generations to come.

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Wikimedia Commons Gloria Fossi Contents by Mario Dondero and Danilo De - photo 1

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Gloria Fossi Contents by Mario Dondero and Danilo De Marco T o - photo 2

Gloria Fossi

Contents


by Mario Dondero and Danilo De Marco

T o search for Van Gogh means to retrace his actual physical path to the - photo 3
T o search for Van Gogh means to retrace his actual physical path to the - photo 4

T o search for Van Gogh means to retrace his actual, physical path to the mental states that inspired his art. It means to take our understanding of art and geography and apply it to what we know of Vincents feelings and musings on life, art, books, and authorsall found in a vast collection of letters he wrote between 1872 and 1890: 820 in all, 658 of which were addressed to his brother Theo. These letters contain a treasure trove of surprises, and since 2009 weve been lucky enough to have access to them through a wonderful six-volume edition published online.

Research for In Search of Van Gogh started in 1990, when two talented photographers, Danilo De Marco and Mario Dondero, called me from Paris to make a book on Van Gogh. Its not unusual for art historians to reach out to photographers. This time, it was the photographerstwo extremely well-read lovers of Van Goghwho reached out to me. The publishing house for which I worked, and for which I still write, happily accepted the challenge and supported me as I developed and amplified the project with ever more Van Gogh paintings, previously unpublished investigations, and critical analyses. The final product was made all the more beautiful by Danilo and Marios poetic snapshots.

For months, Danilo and Mario retraced Van Goghs path on foot or by train, traveling just as Van Gogh had. They followed him from Holland to England and on to Belgium and Francethey were with him every step of the way. They wanted to use the magic of photography to re-create what Vincent had imagined onto canvas: a tall order that could easily have turned into a banal location-to-painting comparison. We neednt have worried: Danilo and Marios photographs became even more captivating when set against Van Goghs paintings. It was a promising start.

I was thrilled to reread Van Goghs letters after studying him for so long. In 1990, few of them had been translated into Italian, and now I could also use Danilo and Marios photographic talents to contextualize them. I followed them into the field during the last phase of their project and worked with them to choose the right snapshots for the book. The black-and-white proofs on the chapter openers illustrate our selection process: the markings indicate which photos we wanted to include in the chapter introductions.

The more scrupulous scholars of Van Gogh have long known that the man cannot be reduced to all genius and madness. Retracing his steps thus allows us to reaffirm a self-evident truththat the myth of Van Goghs cursed existence may be hard to kill but is ultimately unfounded (Jaspers 1951). Van Gogh was a learned artist and an avid reader. He knew how the art market worked. Some of his paintings were exhibited in Paris while he was still alive, and a talented young critic, GeorgeAlbert Aurier, who knew Vincent personally, wrote an impassioned article about him. No small thing, for those times (Aurier 1890). But no one had ever retraced his stepswith such analytical focus and artistic devotionquite like we did.

Wheatfield with Crows Auvers-sur-Oise July 1890 Oil on canvas 51x103cm - photo 5


Wheatfield with Crows (Auvers-sur-Oise, July 1890). Oil on canvas, 51x103cm. Amsterdam, Van Gogh Museum (Vincent van Gogh Foundation). F779/JH2117.

Wikimedia Commons

Auvers-sur-Oise Val dOise le-de-France Field of grain Wikimedia Commons A - photo 6

Auvers-sur-Oise (Val dOise, le-de-France) Field of grain.

Wikimedia Commons

A frame from Crows a vignette from the 1990 film Yume Dreams by Akira - photo 7

A frame from Crows, a vignette from the 1990 film Yume (Dreams), by Akira Kurosawa.

Mondadori Portfolio: COLLECTION CHRISTOPHEL Warner Bros.

Today, it would no longer be possible to photograph these places as Mario and Danilo did. (Mario passed away in 2015, and this book is dedicated to him. Danilo is still working; he does not use digital equipment, and he develops his black-and-white photos himself.)

Online itineraries make it easier than ever to visit Van Gogh landmarks, curtailing the charm of discovery. However, the internet and new renovations also offer new opportunities. Although some locations or buildings are no longer open to the public, others have become available for the first time. In Zundert, the house where Vincent was born now hosts an exhibition space and artists in residence. The Saint-Paul de Mausole monastery and former psychiatric hospital allows visitors to enter through the hall depicted in a famous painting and visit the room where Vincent stayed in 1889. Dr. Gachets garden in Auvers-sur-Oise is once again full of trees, plants, and flowers, including the notorious purple foxglovethe subject of a new analysis in this book. His house, which Van Gogh described as full of dark, dark, dark paintings, brightened by a few Czannes and Pissarros, is now a museum. When we got there in 1990, we were met with hostilitywe werent even allowed in. But Danilo wasnt deterred. He climbed onto the roof of our car while I tried to distract the custodian, who was suspicious of us and wouldnt leave the window. (This is why I wanted to keep the picture taken from the car, from outside the boundary wall, even though we could have gotten a much better shot today.) Meanwhile, the Caf de la Paix in Auvers has lost its mystique. When we went there for a drink, we spotted a portrait of Kirk Douglas, looking exactly like Van Gogh, hanging among the pictures of former patrons.

Other places have remained intact: in the Auvers cemetery, ivy still covers Vincents and Theos adjoining tombs, while the Auberge Ravoux is a house-museum. Visitors can climb the stairs to Vincents narrow room, where he spent his last hours wounded and in pain. Old windmills still dot the moors of the Brabant. The port of Antwerp is still bursting with life, just as Van Gogh described it in 1886though with the addition in 2016 of a futuristic building designed by star architect Zaha Hadid shortly before her untimely death. In Paris, where Montmartre is always Montmartre, my beloved Les Fusainsan enchanting and quiet artists retreatis off-limits to the public.

Each of Van Goghs former residences has become a tribute to the artist. The prestigious Van Gogh Museum in Amsterdamnow the Vincent van Gogh Foundationhas expanded and modernized its spaces. When in Auvers, it still feels natural to imagine yourself inside a Van Gogh painting as you walk in silence through a field of grain. Akira Kurosawa did just that, thirty years agoonly a few weeks before we did, though we didnt know it at the time. He literally went inside a Van Gogh painting and reconstructed it in a studio to create a beautiful, pioneering short film (full-immersion 3D renderings are common in moviemaking today).

As I write these words now, I see Van Gogh, his work, and the places he inhabited in a new light compared to thirty years ago. Retracing his steps pushed me to explore new directions. For example, I now believeas do a number of American astrophysiciststhat the Whirlpool Galaxy, or M51, discovered in 1773, was the real inspiration behind his iconic

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