Jerry Hopkins - Elvis : the Biography.
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- Book:Elvis : the Biography.
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- Year:2014
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Advance praise for Jerry Hopkins book ELVIS: THE BIOGRAPHY
Jerry Hopkins was the first serious journalist to take Elvis seriously, writing the first biography. The Elvis bookshelf is crowded now, but dont let that put you off. This thoroughly revised and updated version of his two classic books deserves a shelf of its own.
Jann Wenner, founder and editor of Rolling Stone
Jerry Hopkins long ago established the ground rules for serious biographical consideration of Elvis Presley. With a rare combination of seat-of-the-pants reporting and thoughtful portraiture, he creates a richly nuanced picture of a world in flux, both for Elvis himself and for the broad range of humanity that wasand continues to beso indelibly affected by his music.
Peter Guralnick, author of Last Train to Memphis and Careless Love: The Unmaking of Elvis Presley
In 1975, when I began to study Elvis Presley as an agent for social change, there was but a single serious biography available, Elvis: A Biography by Jerry Hopkins. (Today, books about Elvis exceed 500.) Jerry Hopkins got there first and established a foundation for all who followed. Based on numerous interviews with a wide variety of people who knew Presley at various times and contexts of his life, Hopkins gives us a picture of Elvis unaffected by the posthumous legends and interpretations that now go on and on. It is a sympathetic, unassuming, yet journalistically sound picture that has weathered a stormy test of time. Sound Elvis scholars like Peter Guralnick and Michael Bertrand have drawn from his research, and I still tell those who want an introduction to Elvis they should start with Jerry Hopkins. Hopkins remains a pioneer who recognized the influence of popular culture on the whole of American life and that from the mid-fifties and beyond Elvis Presley was its king.
John Bakke, University of Memphis Professor Emeritus
Praise for Jerry Hopkins previous books on Elvis, Elvis: A Biography and Elvis: The Final Years.
In Elvis: The Final Years, Rolling Stone contributing editor Jerry Hopkins supplements his Elvis: A Biography published in 1971 and now out of print, rather successfully, to present a balanced view of the Memphis Myths latter-day paranoia, pettiness, generosity, childishness and artistic decline, his fondness for drugs, guns, jewels, police paraphernalia and pretty women, his death and funeral and the continuing commercial exploitation of everything that he left behind.New York Times
A well-told Horatio Alger story that shows how a sexy barefoot boy from Mississippi became the most enduring and successful show business personality ever known. There are over 250 million records, 31 movies; according to Gallup, his first name is better known than any two names in the world.New York Magazine
Excellent. Hopkins is a meticulous reporter, and he tells his story with a loving flair that matches his extraordinary subject.Chicago Daily News
Virtually all that is known about Elvis Presley is collected in one placea valuable volume, a must inclusion in any rock and roll library.Record World
Elvis: A Biography is exciting throughout.L.A. Free Press
A graphic word show about Elvis the man and Elvis the performer. It is so inclusiveColumbus Dispatch
The Biography
Jerry Hopkins
To
Jim Morrison, for the idea
F or the first half of this book, there were more than a thousand sources: dozens of books, plus all the articles in all the magazines, with special thanks to the offices (and the files) of Billboard and The Hollywood Reporter, plus all the newspapers, with the most help coming from the files of the New York Times (1956-70), the Los Angeles Times (1956-70), the Nashville Tennessean (1956-70), the Memphis Press-Scimitar (1954-70) and the Daily Journal in Tupelo (1930-70). Thanks, too, to the Tupelo Public Library and the Library of the Academy of Motion Picture Arts and Sciences in Hollywood.
Approximately seventy-five individuals were interviewed for the second part of this book. Most of them hadnt been interviewed by anyone else before. Many gave me exclusive access.
One of these was Colonel Tom Parker, who never really gave me an interview, providing instead what took the form of low-key, rambling monologues. To him I offer my special thanks for allowing me to clear so many fences merely by dropping his name.
Others deserving deepest appreciation include Grelun Landon, Jerry Schilling, John Wilkinson, T.G. Sheppard and John Bakke, for their unstinting time and support.
There were many warm and co-operative people who gave their time, shared their memories and granted interviews.
In Tupelo: Mayor James Ballard, Mr. and Mrs. J. C. Grimes, Mrs. Faye Harris, Mrs. Tressie Miller, the Reverend Eugene Moffat, Buck Presley, Hershell Presley, J. M. (Ikey) Savery and John Tidwell.
In Memphis: Ginger Alden, Jo Alden, Jackson Baker, Mrs. Ruby Black, James BIackwood, Melissa Blackwood, Pat (Medford) Booth, Stanley Booth, T. C. Brindley, Ray Brown, Bill Burk, Marian Cocke, Richard Davis, JoCathy (Brownlee) Elkington, Maurice Elliott, Buzzie Forbess, Mrs. Elgie Forbess, Alan Fortas, Maggie (Smith)Glover, Arthur Groom, Lowell Hays, Jr., Milo High, Edwin Howard, W. J. Huettel, Bob Johnson, Stan Kesler, James Kingsley, George Klein, Jerry Lee Lewis, Marion Keisker Maclnnes, Elsie Marmann, Howard Massey, Mike McMahon, Chips Moman, B. P. (Buddy) Montesi, Bill Morris, Herbie Omell, Gary and Mr. and Mrs. Sterling G. Pepper, Sam Phillips, Tom Phillips, Dee Presley, Vester Presley, Mrs. Jane Richardson, Kang Rhee, Billy Ray Schilling, Mildred Scrivener, Willie Smith, David Stanley, James and Gladys Tipler and Bobby (Red) West.
In Nashville: Roy Acuff, Chet Atkins, Mae Axton, Jerry Carrigan, Jack Clement, Betty Cox, Oscar Davis, Bobby Emmons, D. J. Fontana, Steve Goldstein, Jack Hurst, Juanita Jones, the Jordanaires (Gordon Stoker, Neal Matthews, Hoyt Hawkins, Ray Walker), Larrie Londin, Joe Mescale, Scotty Moore, Bob and Helen Neal, Minnie Pearl, Pete Peterson, Webb Pierce, Cecil Scaife, Diana Shepard, Dolores Watson Siegenthaler, Shelby Singleton, Mrs. Jo Walker, Bill Williams, Happy Wilson and Bobby Wood.
In Shreveport: Frank Page.
In New York: Fred Bienstock, Otis Blackwell, David Dalton, Ahmet Ertegun, Jerry Leiber, Mort Shuman and Mike Stoller.
In Los Angeles: Bob Abel, Gerald Drayson Adams, Steve Allen, Wally Beene, Bill Belew, Steve Binder, Bill Bixby, Robert (Bumps) Blackwell, Hal Blaine, Dudley Brooks, Stan Brossette, Tony Brown, Walter Burrell, James Burton, Mrs. Virginia Coons, Yvonne Craig, Ken Darby, Joan Deary, Mac Davis, Dolores (Dee) Fuller, Pat (Perry) Gerson, Billy Goldenberg, Jack Good, Charles Greene, Glenn D. Hardin, Jon Hartmann, Bones Howe, Rick Husky, Ron Jacobs, Pete Johnson, Sam Katzman, Jerry Knight, Antonia Lamb, Malcolm Leo, Lance LeGault, Frank Lieberman, Larry Muhoberac, Gene Nelson, Rick Nelson, John OGrady, Bill OHallaren, Johnny Otis, Matty Pasetta, Joe Pasternak, Little Richard Penniman, Gerald Peters, Ellen Pollon, Jim Rissmiller, Johnny Rivers, Denis Sanders, Mario Sanders, Jerry Scheff, Sol Schwartz, Phil Spector, Gary Smith, Myrna Smith, Andy Solt, Cliffie Stone, Sam Theaker, Linda Thompson, Dean Torrance, Del Trollope, Moe Weise, Ben Weisman, John Wilson and Steve Wolf.
In Las Vegas: The employees and officers of the International Hotel, Bruce Banke, Sam Belkin, Gene Dessell, Joe Guercio, Marty Harrell, Bill Jost, Henri Lewin, and Artie Newman.
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