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Christopher A. Reynolds - Papal patronage and the music of St. Peters, 1380-1513

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A new picture of music at the basilica of St. Peters in the fifteenth century emerges in Christopher A. Reynoldss fascinating chronicle of this rich period of Italian musical history. Reynolds examines archival documents, musical styles, and issues of artistic patronage and cultural context in a fertile consideration of the ways historical and musical currents affected each other.This work is both a historical account of performers and composers and an examination of how their music revealed their cultural values and educational backgrounds. Reynolds analyzes several anonymous masses copied at St. Peters, proposing attributions that have biographical implications for the composers. Taken together, the archival records and the music sung at St. Peters reveal a much clearer picture of musical life at the basilica than either source would alone. The contents of the St. Peters choirbook help document musical life as surely as that musical life--insofar as it can be reconstructed from the archives--illumines the choirbook.

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Page iii
Papal Patronage and the Music of St. Peter's, 1380-15-13
Christopher A. Reynolds
UNIVERSITY OF CALIFORNIA PRESS
BERKELEY LOS ANGELES LONDON
Page iv
University of California Press
Berkeley and Los Angeles, California
University of California Press, Ltd.
London, England
1995 by the Regents of the University of California
An earlier version of chapter 12 was published in "The Counterpoint of Allusion in Fifteenth-Century Masses," Journal of the American Musicological Society 45 (1992): 228-60.
Figures 1-14 are reproduced by permission of the Biblioteca Apostolica Vaticana.
Library of Congress Cataloging-in-Publication Data
Reynolds, Christopher A.
Papal patronage and the music of St. Peter's, 1380-1513 /
Christopher A. Reynolds.
p. cm.
Includes bibliographical references (p. ) and index.
ISBN 0-520-08212-5 (alk. paper)
1. Church musicItalyRome15th century. 2. Church
musicCatholic church. 3. Basilica di San Pietro in Vaticano.
4. Music patronageItalyRome. I. Title.
ML3033.8.R66R49 1995
781.71'2'00945634dc20 94-5292
CIP
MN
Printed in the United States of America
9 8 7 6 5 4 3 2 1
The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1984.
Page v
For Alessa Martha Elisabeth Johns
Page vii
CONTENTS
List of Illustrations
xi
List of Tables
xiii
Acknowledgments
xv
Abbreviations
xvii
Introduction
1
Part One. Musicians at St. Peter's
1. Before the Hiring of Northerners, 1:380-1447
11
Picture 2
St. Peter's and Rome circa 1400
11
Picture 3
Music under Martin V and Eugenius IV
22
2. Northern Musicians at St. Peter's, 1447-1513
33
Picture 4
Northern Dominance: Nicholas V to Sixtus IV
33
Picture 5
Toward a National Balance: Sixtus IV to Julius II
49
3. Organs
60
Picture 6
Construction
61
Picture 7
Decoration
70
Picture 8
Patronage
74
4. SPB80 and the St. Peter's Manuscript Tradition
80
Picture 9
Roman Characteristics
82
Picture 10
The Principal Scribe: Nicholaus Ausquier
89
Picture 11
Before Ausquier
98
Picture 12
After Ausquier
104

Page viii
5. The Patronage of Northerners at St. Peter's
111
Picture 13
Salaries
112
Picture 14
Curial Patrons
114
Picture 15
Aspects of Benefice Patronage
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