Valerio Morucci - Baronial Patronage of Music in Early Modern Rome

Research for this book was carried over a number of years in Rome. A subvention from the Gustave Reese Endowment of the American Musicological Society (funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation) helped to cover some of the expenses associated with copyright permissions, and photographic reproductions. I would like to express my gratitude to the people who assisted me during the preparation of this book. Tim Carter and Arnaldo Morelli shared thoughts, and made extensive corrections on previous drafts. Their writings have deeply influenced my own work, and continue to be inspiring to me. The comments and suggestions of Kate Van Orden, James Chater, and Margaret Murata were very important. They gave so generously of their time to read preliminary versions of the chapters. The critiques of those scholars touched upon their areas of expertise, and were crucial for correcting portions of the book manuscript. I also thank the anonymous readers for having remarked on specific issues and provided constructive critique.

I am indebted to Elisabetta Mori, Cristina Falcucci, and the staff at the Archivio Capitolino in Rome for their assistance. The employees at the Archivio Segreto Vaticano provided invaluable support. The following archivists helped during these past years of research: Tiziana Cecchini at the Castello Orsini-Odescalchi in Bracciano, Michele Di Sivo at the Archivio di Stato in Rome, Don Romano and Elia Mariano at the Archivio di Santa Scolastica in Subiaco, Sabine Wagener at the Landesbibliothek und Murhardsche Bibliothek der Stadt in Kassel, Magorzata Krzos at the Biblioteka Jagielloska in Krakow. And last but not least, the help of all the librarians at the Mathewson-IGT Knowledge Center of the University of Nevada Reno cannot be overstated.

First published 2018

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2018 Valerio Morucci

The right of Valerio Morucci to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

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British Library Cataloguing-in-Publication Data

A catalogue record for this book is available from the British Library

Library of Congress Cataloging-in-Publication Data

Names: Morucci, Valerio, author.

Title: Baronial patronage of music in early modern Rome / Valerio Morucci.

Description: Abingdon, Oxon ; New York, NY : Routledge, 2018. |

Includes bibliographical references and index.

Identifiers: LCCN 2018001256 | ISBN 9781138235335 (hardback) |

ISBN 9781315304878 (ebook)

Subjects: LCSH: Music patronageItalyRomeHistory16th century.

| Music patronageItalyRomeHistory17th century. | Music

and aristocracyItalyRomeHistory16th century. | Music and

aristocracyItalyRomeHistory17th century.

Classification: LCC ML3917.I8 M67 2018 | DDC 780.79/45632dc23

LC record available at https://lccn.loc.gov/2018001256

ISBN: 978-1-138-23533-5 (hbk)

ISBN: 978-1-315-30487-8 (ebk)

Typeset in Goudy

by Apex CoVantage, LLC

(hundreds of account books and stacks of letters have been examined; however, only those cited in the text and appendices are included here)

I-Fas, MdP, 1351, 34.

I-Moe, Mod Mus. G. 167.

I-SUss, Archivio Colonna, II A; II.C.D; II.C.E; III TE; corrispondenza I III.

I-Ras, fondo Odescalchi, I D 12; 2 H 3.

I-Rasc, F.O., serie I, correspondence (corrispondenza): 103/1, 104/1, 105/2, 106/13, 107/1, 108/23, 109/12, 110/2, 113/35, 114/1, 115/1, 116/1, 121/13, 124/13, 125/1, 126/25, 130/1, 140/13, 142/2, 156/2, 157/3, 158, 160/12, 162/1, 164/23, 168/2, 169/3, 171, 172/3, 173/2, 174/2, 176/1, 179/3, 181/3, 183/13, 187/12, 189/12, 190/1, 192/2, 297/2, 307/1, 309/3, 311/1, 312/13, 341/1, 342/12, 343/2, 343/12, 345/2, 347/12, 387/2, 408.

F.O., serie II, account books (registri, guardaroba, giornali, libri mastri, etc.): 793, 801, 820, 1212, 1219, 1208, 1214, 1217, 1219, 1222, 1225, 1228, 1230, 1527, 1582, 1604, 1610, 1611, 1808, 1809, 1820, 1822, 1848, 1973, 2055, 2058, 2059, 2061, 2066, 2072, 2076, 2089, 2091, 2193, 2194, 2203, 2204, 2210, 2215, 2314.

V-CVasv, Fondo Colonna, buste 62, 87, 99, 102.

UCLA, Library Special Collection, box 13, folder 2, box 33, folder 1.

Angeloni, Francesco. La historia augusta da Giulio Cesare infino a Costantino il Magno . Rome: Cesaretti, 1641.

Annibaldi, Claudio. Il mecenate politico: Ancora sul patronato musicale del Cardinale Pietro Aldobrandini (15751621). Studi musicali 16 (1987): 3393; 17 (1988): 101178.

. Introduzione. In La musica e il mondo: mecenatismo e committenza in Italia tra Quattro e Settecento , edited by Claudio Annibaldi. Bologna: Il Mulino, 1993.

. Review of Roman Monody, Cantata, and Opera from the Circles around Cardinal Montalto , by John Hill. Early Music History 18 (1999): 365397.

. Social Markers in the Musical Market: The Patronage of Music in Marenzios Age in Light of His Madrigals. In Perspectives on Luca Marenzios Secular Music , edited by Mauro Calcagno. Turnhout: Brepols, 2015.

. Towards a Theory of Musical Patronage in the Renaissance and Baroque: The Perspective from Anthropology and Semiotics. Recercare 10 (1998): 173182.

Atlas, Allan. Music at the Aragonese Court of Naples . Cambridge: Cambridge University Press, 1985.

Barbi, Silvio. Un accademico mecenate e poeta: Giovanni Battista Strozzi il giovane . Florence: Sansoni, 1900.

Barbieri, Patrizio. Michele Todinis galleria armonica: Its Hitherto Unknown History. Early Music 30, no. 4 (November 2002): 565583.

Barr, Antonio. Il primo libro delle muse . Rome: Antonio Barre, 1550.

Bazzano, Nicoletta. Marco Antonio Colonna . Rome: Salerno Editore, 2003.

Benocci, Carla. Paolo Giordano II Orsini nei ritratti di Bernini, Boselli, Leoni e Kornmann . Rome: De Luca, 2006.

Berra, Luigi. Una pre-Arcadia del Cinquecento sconosciuta: I Pastori Tiberini. Studi Romani 1 (1954): 4154.

Biagioli, Mauro. Between Signs and Symbols: Annibaldi, Marenzio, and the Patronage of Music. In Perspectives on Luca Marenzios Secular Music , edited by Mauro Calcagno. Turnhout: Brepols, 2015.