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Kenneth Paul Kramer - A Life of Dialogue: Love Letters to My Daughters

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In A Life of Dialogue: Love Letters to My Daughters, one finds an honest, unflinching, and authentic voice that creates a unique outlook on multiple sclerosis. Kramer juxtaposes the quest for spiritual awakening with hiding from the effects of his MS. In so doing, he offers poignant insights into living with an illness that is even now too little understood.
Composed of short autobiographical letters to his two daughters, Kramer gracefully connects the personal with the universal, and the devastating emotions of MS with the unfinished joys of parenting--each bringing glimpses of new light. His spirituality informs seemingly mundane interactions with a refreshing candor. Turning toward others, trusting what is given, and responding openly, led him to becoming uniquely human in each interaction.
This book is written in an uplifting and surprising way. It finds essential humanity through documenting triumphs within a life of ever-narrowing confines.

Kenneth Paul Kramer: author's other books


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A Life of Dialogue Love Letters to My Daughters Kenneth Paul Kramer You - photo 1
A Life of Dialogue

Love Letters to My Daughters

Kenneth Paul Kramer

You cannot lay bare your private soul and look at it You are too much ashamed - photo 2

You cannot lay bare your private soul and look at it. You are too much ashamed of yourself. For that reason... Im not going to write autobiography. The man has yet to be born who could write the truth about himself.

Mark Twain

Autobiography

To my Grandchildren.

Preface

I sit alone at my second-hand, flea-market bought, extra-large, two-sided desk. Upon retiring, I taught myself to write with my left hand because my entire right side had become weakened by MS. A picture window opens out toward the pear tree at the center of the garden. Music fills the background: at times baroque, at times folk, at times monastic chanting, at times, silence. Fresh fruit and organic java with honey and a splash of half-and-half sit on the desk waiting their turn.

Time and space collaborate to make former stepping-stones present. Sitting in my electric wheel-chair, surrounded by hundreds of photocopied articles, journals, dreams, books and writings, I sip my coffee. I wait. Riding an unsuspected musical note, a word disembarks, and then another. I write because I cannot help myself.

Leila and Yvonne, you have undoubtedly been wondering what happened to the volume I had been working on for many years, the one you both asked me to write: Since youve studied so many different religions and spiritual practices, what about your own journey? Thats the one book of yours Ill read for sure. Now I share these autobiographical fragments as love letters to you both, taking you along with me on my lifes journey.

MS provides me this extraordinary opportunity and time to focus even more on you, my daughters. I dont know when it first occurred to me that my body was carrying around a terrible mistake, a senseless irony, one that to this day contains no rational explanation. I wont go into great detail about all my symptoms and effects; it will however become obvious that my MS would rather have me discover what it and it alone makes possible in life than let it take away my soul. At times, MS speaks directly through me; at times, my voice is shaped by our dialogue.

Beyond that, telling my story seems a perfect legacy to leave you and my grandchildren. All of a sudden I look around and realize Im it. Im here at this flea-market-bought, extra-large, two-sided desk as the elder of the family. I feel called to fulfill an age-old responsibility. Now , I have been convinced, perhaps mistakenly, that believing dialogically is a gift for mature years. As I approach the final mysterious gate, authentic interaction between us has become ever more auspicious. The archaic survivor speaks here of what is most hidden yet most redemptive, between himself and others.

A Life of Dialogue

Love Letters to My Daughters

Copyright 2016 Kenneth Paul Kramer. All rights reserved. Except for brief quotations in critical publications or reviews, no part of this book may be reproduced in any manner without prior written permission from the publisher. Write: Permissions, Wipf and Stock Publishers, 199 W. 8th Ave., Suite 3, Eugene, OR 97401.

Resource Publications

An Imprint of Wipf and Stock Publishers

W. th Ave., Suite

Eugene, OR 97401

www.wipfandstock.com

paperback isbn: 978-1-4982-8955-9

hardcover isbn: 978-1-4982-8957-3

ebook isbn: 978-1-4982-8956-6

Manufactured in the U.S.A.

I

Formative Years

( 1941 1963 )

Earliest Memory

Leila and Yvonne,

Long before memory had time to find me, there was only relationship. Nothing else existed. As far back as I can remember, it was a strangers question that initiated my story. I was still in diapers in a playpen when, one afternoon, a visiting nurse stopped by to check on me. She looked over the side of the playpen as I was entertaining myself, grabbing this and pulling on that. A sweet smile brightened her face. The vivid sun illuminated the concrete as she and my mother talked.

Mrs. Kramer, the nurse asked, do you know what your son is going to be when hes grown?

No, my mother answered, surprised by the question. I have no idea.

I do. The nurse replied with certainty, a curiously playful look in her eye. Hes going to be a lawyer.

Why do you say that? my mother asked, puzzled yet intrigued.

Watch him, she said, turning to look at me. Look at how curious he is. He is interested in everything. Hes going to make a good lawyer. Oblivious, I continued playing and banging.

Your grandmother was a woman of beauty, common sense, wisdom, and sweet, sweet grace who didnt want anything for herself. Beauty, because she never, ever wore make-up, except a little rouge on her cheeks. Wisdom? Not until you listened to her or, more often, she listened to you. And grace. This is the trickiest. To notice her grace, I think would require you to be around her for quite a while. No, for her whole life.

Once she caught me with my pants down in front of my cousin Nancy in her garage. Perhaps I was eight or nine.

You show me yours, and Ill show you mine, I said, full of audacious confidence.

When your grandmother showed up, the world halted. Her eyes were filled with shock, disappointment, and anger as she stood in the doorway, hand on her hip, strong, bold, and unmoving. Not only had it gone horribly wrong that my mother, whom I idolized, had caught me but I knew that when she told my father, he would hit me.

It was this man, after all, who once punched me in the jaw. I was six or seven at the time, but what happened remains remarkably vivid. I was sick and feverish so mom wanted my father to drive us to the doctors office because she didnt drive. I remember him coming home in his brown United Parcel Service uniform, his short-sleeved shirt covering the American eagle tattoo on his left shoulder.

Roy, my mother said as soon as he entered the living room, Kennys been sick. Can you take us to Doctor Bradfords? She made small, graceful movements and spoke in a soft, unassuming tone.

Disgruntled, he shot back: Im hungry Rose. I want to eat first. Then Ill take him. He continued angrily banging around in the kitchen without missing a beat.

But Kenny has a fever, she protested. She stood taller now, her voice stronger. I stood halfway between them. My fathers back was to the front door and my mothers back was to the kitchen door.

Goddammit Rose, he blasted. In one powerful motion, he sprang from the kitchen chair, shouting, Ill take you after I eat! His face flushed with blood-reddened anger, and he turned around, staring straight into her beautiful eyes. Usually, in my fathers explosive moments, my mother retreated submissively.

Not this time. This time, she said, Kenny, lets go! Well walk, and she directed me toward the front door. I had never witnessed such defiance. Neither had my father. Instinctively, like a cornered bear, he swiped his huge paw-like hand at me. Just as I stepped toward the door, he struck me in the jaw with his fist with enough force to knock me onto the floor and across the room.

With unflappable determination, my mother reached out her hand to me: Lets go! That was all. Like a single strum on a guitar after the singer is finished, she said it again: Lets go. My father didnt move, but we did. My sickness was completely forgotten. Off we walked, twenty minutes to the doctors office near Broad and Allegheny Avenue. I was already feeling better.

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