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Ginger Howard Friedman - The Perfect Monologue: How to Find and Perform the Monologue That Will Get You the Part

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Ginger Howard Friedman The Perfect Monologue: How to Find and Perform the Monologue That Will Get You the Part

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In this companion volume to her highly successful Callback, Ginger Howard Friedman, a veteran casting director, playwright and teacher, reveals her winning formula for a monologue audition that lands you the part. She explains her essential rules for a successful audition, then selects scenes from 16 plays and adapts them into monologues, comic and serious, for men and women of all ages.

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Table of Contents ACKNOWLEDGMENTS The Owl and the Pussycat by Bill - photo 1
Table of Contents

ACKNOWLEDGMENTS

The Owl and the Pussycat by Bill Manhoff. Copyright 1965 by Tapaz Productions, Inc. Reprinted by permission of International Creative Management, Inc., 40 West 57th Street, New York, N.Y. 10019.

The Prisoner of Second Avenue by Neil Simon. Copyright 1972 by Nancy Enterprises, Inc. Reprinted by permission of Random House, Inc.

Steambath by Bruce Jay Friedman. Copyright 1971 by Bruce Jay Friedman. Reprinted by permission of the author.

Norman, Is That You? by Ron Clark and Sam Bobrick. Copyright 1969 by Sam Bobrick and Ron Clark as an unpublished play under the title of Normie. Copyright 1977 (revised and rewritten), by Ron Clark and Sam Bobrick. Reprinted by permission of the authors.

P.S. Your Cat Is Dead! by James Kirkwood. Copyright 1976, 1979 by Elyria Productions, Inc. Reprinted by permission of William Morris Agency.

Same Time, Next Year by Bernard Slade. Copyright 1975 by Bernard Slade. Reprinted by permission of Jack Hutto, Hutto Management, Inc., 405 West 23rd Street, New York, N.Y. 10011.

Oh Dad, Poor Dad, Mammas Hung You in the Closet and Im Feelin So Sad by Arthur L. Kopit. Copyright as an Unpublished Work, 1959 by Arthur L. Kopit. Copyright 1960 by Arthur L. Kopit. Reprinted by permission of International Creative Management, Inc., 40 West 57th Street, New York, N.Y. 10019.

Plaza Suite by Neil Simon. Copyright 1969 by Nancy Enterprises, Inc. Reprinted by permission of Random House, Inc.

The West Side Waltz by Ernest Thompson. Copyright 1982 by Ernest Thompson. Reprinted by permission of the author and Graham Agency, New York City.

Bad Habits by Terrence McNally. Copyright 1974 by Terrence McNally. Reprinted by permission of the author.

The Childrens Hour by Lillian Hellman. Copyright 1934 by Lillian Hellman Kober and renewed 1962 by Lillian Hellman. Reprinted by permission of Random House, Inc.

Orphans by Lyle Kessler. Copyright 1983, 1985 by Lyle Kessler. Reprinted by permission of Agency For The Performing Arts, Inc., 888 Seventh Avenue, New York, N.Y. 10106.

Night, Mother by Marsha Norman. Copyright 1983 by Marsha Norman (Acting Edition). Copyright 1983 by Marsha Norman. Reprinted by permission of the author.

The Rainmaker by N. Richard Nash. Copyright 1954, 1955, 1982, 1983 by N. Richard Nash. Reprinted by permission of the author.

The Shadow Box by Michael Cristofer. Copyright 1977 by Michael Cristofer. Reprinted by permission of the author.

Mrs. Dally Has a Lover by William Hanley. Copyright 1963 by William Hanley. Copyright 1962 by William Hanley (as unpublished dramatic compositions). Reprinted by permission of the author.

ABOUT THE AUTHOR

GINGER HOWARD FRIEDMAN is the author of the highly-acclaimed Callback. She has been .a Broadway, off-Broadway, television and film casting director for several years. She has directed on cable television and in regional theatre and is a produced playwright and an actress. She has been teaching her popular How to Audition/ Rehearse classes in New York and Los Angeles since 1976. Ginger travels throughout the U.S. and Canada presenting her workshops for college theatre departments. Her videotapes on auditioning are used in universities throughout the country.

Ginger is the founder of the Actors Audition Institute. She is currently based in Toronto, teaching at her school and at several actors talent agencies. She also teaches presentation and communication skills to politicians, lawyers and businesspeople.

Ginger is a strong defender of animal rights.

THE OWL AND THE PUSSYCAT

by Bill Manhoff

pp. 614 (SAMUEL FRENCH, INC.)

The following is the scene as written by the playwright.

Doris: Hello, Pansyrat fink pansy!

Felix: You lied about your size!

Doris: You spideryou cockroach!

Felix: Youre making a mistake. Im afraid you have the wrong apartment.

Doris: I just wanted to get a look at you.

Felix: Its a mistake!

Doris: Oh will you listen to her! Mistake! You didnt spy on me from your window and call my landlord, huh?

Felix: I dont know you.

Doris: Well, I should have known! Any queer who peeps at girls through his window like a dirty weasel wouldnt be man enough to admit it.

Felix: You gained entry here under false pretensesYou have no right

Doris: Was it fun? Did you wish you could do what the big boys were doing?

Felix: I have no idea what youre talking about.

Doris: I have no idea what youre talking about. Come on, dont give me that! He told me. Youre the one that called all right. Sherman.

Felix: If you leave immediatelyI wont call the police

Doris: Call them. You said you would. You told Gould you were gonna call the police... you know you told him that, you slimy snailyou bedbug... you cockroach.

Felix: I advise you to curb your foul mouth and stop making obscenities out of Gods harmless little creatures.

Doris: Why dont you curb your foul rotten mind? Try to be a man for once.

Felix: Now listen to me

Doris: Youre lucky Im too refined to beat you upthe way I feel

Felix: Will you listen to me... youre insane!

Doris: Youre lucky I cant stand physical violence.

Felix: Now looksomething has happened to you obviously

Doris: ( Starting to get weepy. ) What has happened is that I have been thrown out of my room. At two oclock in the morning.

Felix: He did that? That was unnecessary.

Doris: Then you admit it. You called Gould, right?

Felix: I dont have to admit anything.

Doris: ( Going to window .) I dont know how you even saw anything this far away. You must have eyes like a vulture. Why did you pick on me? ( The flood of anger is running out, leaving her weak .) How dare you do something like this? I get sick when I think there are people like you! I took money from a couple of gentlemendid that hurt you?

Felix: ( Condescending .) You must expect a certain number of people to respect the laws. Thats what holds society together.

Doris: Three cheers for you! And Im not society, huh? I dont have to get held together?

Felix: My dear woman, you were breaking the law. If you find yourself in trouble it is only

Doris: ( She notices a pair of field glasses. She picks them up .) So this is how you saw! Oh now its bad enough with the naked eyebut with spyglassesnow that is just plain dirty, Mister. Im sorry! When you work at it this hardfilthy, Mister! Filthy, filthy!

Felix: ( Defensive .) Im a writer. A writer is an observer. I have a right to those.

Doris: You want me to tell you what youre full of?

Felix: I wouldnt expect you to understand.

Doris: You are nothing but a dirty, filthy Peeping Tom!

Felix: Why dont you ever pull down your window shade?

Doris: I never pull down my window shade. I hate window shades.

Felix: Thats your privilege, by all means.

Doris: I keep forgetting the world is full of finks. Thats my trouble. I ought to get it tattooed on the back of my handWatch out for Finks. ( Annoyed , FELIX suddenly sits at the typewriter and types rapidly on a white card which he then pins to the bulletin board. ) What are you doing? ( Reading it .) A rule worth making is worth keeping. What is that?

Felix: Thats to remind me never to open my door after midnight.

Doris: Why dont you make one to remind you to stop being a fink?

Felix: I wish you would stop using that ugly word.

Doris: You dont like it? Too bad! Fink. Pansy fink, Queer fink, Peeping Tom fink, fink fink, you fink!

Felix: Feel better? ( He goes to the door and opens it. ) If youre sure your poison sacs are empty you can go.

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