• Complain

Rachel ORegan - The Bread & Roses Playwriting Award: Hungerland by Rachel ORegan, I and the Village by Darren Donohue, Who You Are and What You Do by Hugh Dichmont

Here you can read online Rachel ORegan - The Bread & Roses Playwriting Award: Hungerland by Rachel ORegan, I and the Village by Darren Donohue, Who You Are and What You Do by Hugh Dichmont full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2022, publisher: The Bread & Roses Theatre, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Rachel ORegan The Bread & Roses Playwriting Award: Hungerland by Rachel ORegan, I and the Village by Darren Donohue, Who You Are and What You Do by Hugh Dichmont
  • Book:
    The Bread & Roses Playwriting Award: Hungerland by Rachel ORegan, I and the Village by Darren Donohue, Who You Are and What You Do by Hugh Dichmont
  • Author:
  • Publisher:
    The Bread & Roses Theatre
  • Genre:
  • Year:
    2022
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

The Bread & Roses Playwriting Award: Hungerland by Rachel ORegan, I and the Village by Darren Donohue, Who You Are and What You Do by Hugh Dichmont: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "The Bread & Roses Playwriting Award: Hungerland by Rachel ORegan, I and the Village by Darren Donohue, Who You Are and What You Do by Hugh Dichmont" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

This Volume assembles the three winning plays of The Bread & Roses Playwriting Award 2019 (which all premiered at the theatre between 2019 and 2022), making them available in printed format to an even wider audience for the very first time.

  • Hungerland by Rachel ORegan
  • Nicole is preparing the perfect Christmas dinner for her perfect boyfriend in her perfect house. Nothing could ruin her evening - except the arrival of her estranged sister Alice. All Alice wants is a relationship, but all Nicole wants is for her to eat... Darkly funny and discomforting, Rachel ORegans debut play is about food, falling down the rabbit hole, and what we inherit from our families.

    **** (4.5 stars) - Hungerland is an honest and guttural story of loss and trauma, reflected in the lives of twin sisters. - within her words

  • I and the Village by Darren Donohue
  • Living in limbo at an isolated Direct Provision Centre, Keicha and Jeta await decisions on their status to remain in Ireland. Sharing a room, their memories and fantasies seep into the dank walls merging into one story. When eighteen-year-old Hannah joins them she must fight to maintain her sense of identity or risk getting swept up in their reality. Limited in what he can do, kind hearted Carl, battles with his morals and his position as Centre Manager.

    ***** (5 stars) - I and the Village is meaningful storytelling at its best - Ask The Ushers

  • Who You Are and What You Do by Hugh Dichmont
  • Are we defined by our actions, or the lessons we learn from them? Who You Are and What You Do presents a tableaux of interweaving stories about the social pressure to be happy all of the time. Played in a different order every night, the play explores the conflicts, addictions and struggles of searching for the best version of ourselves. (This script went to print before the end of rehearsals.)

    Rachel ORegan: author's other books


    Who wrote The Bread & Roses Playwriting Award: Hungerland by Rachel ORegan, I and the Village by Darren Donohue, Who You Are and What You Do by Hugh Dichmont? Find out the surname, the name of the author of the book and a list of all author's works by series.

    The Bread & Roses Playwriting Award: Hungerland by Rachel ORegan, I and the Village by Darren Donohue, Who You Are and What You Do by Hugh Dichmont — read online for free the complete book (whole text) full work

    Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "The Bread & Roses Playwriting Award: Hungerland by Rachel ORegan, I and the Village by Darren Donohue, Who You Are and What You Do by Hugh Dichmont" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

    Light

    Font size:

    Reset

    Interval:

    Bookmark:

    Make
    Guide
    The Bread Roses Playwriting Award The Bread Roses Playwriting Award - photo 1
    The Bread & Roses Playwriting Award
    The Bread & Roses Playwriting Award
    Hungerlandby Rachel ORegan,I and the Villageby Darren Donohue,Who You Are and What You Doby Hugh Dichmont
    Winning Plays - Volume I
    wwwbreadandrosestheatrecouk Hungerland Rachel ORegan I and the - photo 2
    www.breadandrosestheatre.co.uk
    Hungerland Rachel ORegan I and the Village Darren Donohue Who You Are and What You Do Hugh Dichmont First published by The Bread & Roses Theatre in 2022. All rights reserved. No part of this book may be reproduced in any manner whatsoever without written permission, except in the case of brief quotations embodied in critical articles and reviews. Design/Editing: Tessa Hart ISBN 978-1-912504-08-4 (print) ISBN 978-1-912504-09-1 (e-book) Amateur and Professional Performing Rights No performance of any kind of this play may be given unless a licence has been obtained, including excerpts and readings. Application should be made before rehearsals begin. Publication of these plays does not indicate availability for performance.

    This applies to all mediums and all languages. To enquire about availability for performing rights and the necessary steps to undertake to obtain a licence, please contact in the first instance.

    Contents
    Special Thank You to
    • All readers of the Playwriting Award
    • Battersea & Wandsworth Trades Union Council (BWTUC)
    • The Bread & Roses Pub
    • Royal Victoria Hall Foundation
    • Unity Theatre Trust
    • Lambeth Council
    • Arts Council England (Culture Recovery Fund)
    • All individual donors & supporters
    without whom the numerous steps towards the Playwriting Award, the production and the publication of these plays would not have been possible.
    by Rachel OReganWhy, sometimes I've believed as many assix impossible things before breakfast." Lewis Carroll For more information and support beateatingdisorders.org.uk Help for England
    Helpline: 0808 801 0677
    Email: help@beateatingdisorders.org.uk Help for Scotland
    Helpline: 0808 801 0432
    Email: Scotlandhelp@beateatingdisorders.org.uk
    Help for Wales
    Helpline: 0808 801 0433
    Email: waleshelp@beateatingdisorders.org.uk Help for Northern Ireland
    Helpline: 0808 801 0434
    Email: NIhelp@beateatingdisorders.org.uk
    Hungerland by Rachel O'Regan was first performed at The Bread & Roses Theatre from 29th October to 9th November 2019, with the following cast and creatives: Cast:NICOLE Odera Ndujiuba ALICE Tomi Jatto MIKE Matthew Wright Creatives:Directors Rebecca Pryle & Velenzia Spearpoint Assistant Director Nathalie Wright Producer Ella Gamble Assistant Producer Tim Blore Set & Costume Designer Katie Lynch Lighting & Sound Designer / Operator Patrick Medway Stage Manager Zazie Rothfuchs Creative Producer Tessa Hart
    ALICENICOLEMIKE
    Were in the kitchen. Its nice, well-sized, if a little too modernly furnished. On either side of the stage are two doors one is the front door, and the other leads off to the rest of the house bedroom, living area, bathroom and so on. NICOLE, 27, is standing at the kitchen bench, wearing a simple black dress and heels.

    Her hair is cropped short and practical. She stirs a pot of sauce, several cookbooks open in front of her. The mess is in stark contrast to the rest of the house, like it has a life of its own completely out of NICOLEs control.NICOLE This is it. Talk to me. Turn the heat up to high sift in cornflour oh, while whisking vigorously and add a knob of butter. What? A knob is not a unit of measurement, Jamie.

    How much is a knob? How much? Shit. Mike, can you come out here for a second? Michael! MIKE (o) I still dont understand why we have to get so dressed up. NICOLE Of course you dont understand. Youd wear Crocs to our wedding if you could. MIKE walks out from the bedroom, buttoning up a formal shirt. Hes 27, talland handsomethe kind of man youd take home to your parents.

    But on his feet are a bright, hideous pair of Crocs.MIKE But theyre so comfortable. NICOLE If you wear those at dinner, theyre going in the blender. MIKE Sounds like someone has uncomfortable feet. NICOLE Shut up. I need your help. How big is a knob? MIKE Well That depends on many factors.

    Temperature. Mood, certainly. Some say race is a factor but people get testy about that. Its a hairy subject. Hes proud of his joke, but NICOLE isnt impressed. At all.NICOLE A knob of butter.

    What is that, like a doorknob? That seems like a lot. This stupid cookbook is so bloody imprecise a splash of cider, a glug of oil MIKE Cant you just guesstimate? NICOLE darkens.NICOLE You know how much I hate that word. MIKE Sorry, I forgot your fear of portmanteaus. What was the other one spork. NICOLE Are you trying to kill me? MIKE And Brangelina. No, I think thats cute.

    We should have a couple name. Nicole and Mike. Nike! Goddess of shoes. NICOLE Stop being an idiot for a second and look at this gravy. He peers at the gravy intently for a moment.MIKE Yep, that looks like gravy. NICOLE But does it look like the picture? I dont think its thick enough, see.

    I need to increase the viscosity. MIKE Youre increasing my viscosity. NICOLE What does that mean? MIKE No idea. NICOLE Youre not helping. MIKE Its not a big deal. NICOLE Goddamn it, Mike, what have I told you? Look at me. NICOLE Goddamn it, Mike, what have I told you? Look at me.

    Am I an infant? MIKE No. NICOLE Am I an American baseball player from the Twenties? MIKE No. NICOLE Am I a talking pig? Dont answer that. MIKE Its no fun if youre just throwing them out there. NICOLE I am not your babe. MIKE Im sorry.

    I just think if youre going to go to so much effort to make the perfect Christmas dinner you could have at least invited people to enjoy it with us. NICOLE And who is it you want to invite? Our friends?
    MIKE Well, maybe. NICOLE Our family? MIKE It could be nice. NICOLE Michael! MIKE I just want to get to know the people who know you. I havent even met your parents yet.

    Next page
    Light

    Font size:

    Reset

    Interval:

    Bookmark:

    Make

    Similar books «The Bread & Roses Playwriting Award: Hungerland by Rachel ORegan, I and the Village by Darren Donohue, Who You Are and What You Do by Hugh Dichmont»

    Look at similar books to The Bread & Roses Playwriting Award: Hungerland by Rachel ORegan, I and the Village by Darren Donohue, Who You Are and What You Do by Hugh Dichmont. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


    Reviews about «The Bread & Roses Playwriting Award: Hungerland by Rachel ORegan, I and the Village by Darren Donohue, Who You Are and What You Do by Hugh Dichmont»

    Discussion, reviews of the book The Bread & Roses Playwriting Award: Hungerland by Rachel ORegan, I and the Village by Darren Donohue, Who You Are and What You Do by Hugh Dichmont and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.