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Anna Marie Roos - Goldfish

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Anna Marie Roos Goldfish

Goldfish: summary, description and annotation

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Living work of art, consumer commodity, scientific hero, and environmental menace: the humble goldfish is the ultimate human cultural artifact. A creature of supposedly little memory and a short lifespan, it has held universal appeal as a reservoir for human ideas and ideals. In ancient China, goldfish were saved from predators in acts of religious reverence and selectively bred for their glittering grace. In the East, they became the subject of exquisite art, regarded as living flowers that moved, while in the West, they became ubiquitous residents of the Victorian parlor. Cheap and eminently available, today they are bred by the millions for the growing domestic pet market, while also proving to be important to laboratory studies of perception, vision, and intelligence.

In this illuminating homage to the goldfish, Anna Marie Roos blends art and science to trace the surprising and intriguing history of this much-loved animal, challenging our cultural preconceptions of a creature often thought to be common and disposable.

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Goldfish Animal Series editor Jonathan Burt Already published Albatross - photo 1

Goldfish

Picture 2

Animal

Series editor: Jonathan Burt

Already published

Albatross Graham Barwell Ant Charlotte Sleigh Ape John Sorenson Badger Daniel Heath Justice

Bat Tessa Laird Bear Robert E. Bieder Beaver Rachel Poliquin Bedbug Klaus Reinhardt

Bee Claire Preston Beetle Adam Dodd Bison Desmond Morris Camel Robert Irwin

Cat Katharine M. Rogers Chicken Annie Potts Cockroach Marion Copeland Cow Hannah Velten

Crocodile Dan Wylie Crow Boria Sax Deer John Fletcher Dog Susan McHugh Dolphin Alan Rauch

Donkey Jill Bough Duck Victoria de Rijke Eagle Janine Rogers Eel Richard Schweid

Elephant Dan Wylie Falcon Helen Macdonald Flamingo Caitlin R. Kight Fly Steven Connor

Fox Martin Wallen Frog Charlotte Sleigh Giraffe Edgar Williams Goat Joy Hinson

Goldfish Anna Marie Roos Gorilla Ted Gott and Kathryn Weir Guinea Pig Dorothy Yamamoto

Hare Simon Carnell Hedgehog Hugh Warwick Hippopotamus Edgar Williams Horse Elaine Walker

Hyena Mikita Brottman Kangaroo John Simons King fisher Ildiko Szabo Leech Robert G. W. Kirk

and Neil Pemberton Leopard Desmond Morris Lion Deirdre Jackson Lizard Boria Sax

Llama Helen Cowie Lobster Richard J. Kin Monkey Desmond Morris Moose Kevin Jackson

Mosquito Richard Jones Moth Matthew Gandy Mouse Georgie Carroll Octopus Richard Schweid

Ostrich Edgar Williams Otter Daniel Allen Owl Desmond Morris Oyster Rebecca Stott

Parrot Paul Carter Peacock Christine E. Jackson Pelican Barbara Allen Penguin Stephen Martin

Pig Brett Mizelle Pigeon Barbara Allen Polar Bear Margery Fee Rat Jonathan Burt

Rhinoceros Kelly Enright Salmon Peter Coates Sardine Trevor Day Scorpion Louise M. Pryke

Seal Victoria Dickenson Shark Dean Crawford Sheep Philip Armstrong Skunk Alyce Miller

Snail Peter Williams Snake Drake Stutesman Sparrow Kim Todd Spider Katarzyna and Sergiusz

Michalski Swallow Angela Turner Swan Peter Young Tiger Susie Green Tortoise Peter Young

Trout James Owen Vulture Thom van Dooren Walrus John Miller and Louise Miller

Wasp Richard Jones Whale Joe Roman Wild Boar Dorothy Yamamoto Wolf Garry Marvin

Woodpecker Gerard Gorman Zebra Christopher Plumb and Samuel Shaw

Goldfish

Anna Marie Roos

REAKTION BOOKS To Ian again To K Published by REAKTION BOOKS LTD Unit 32 - photo 3

REAKTION BOOKS

To Ian, again
To K

Published by

REAKTION BOOKS LTD

Unit 32, Waterside

4448 Wharf Road

London N1 7UX, UK

www.reaktionbooks.co.uk

First published 2019

Copyright Anna Marie Roos 2019

All rights reserved

No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers

Page references in the Photo Acknowledgements and
Index match the printed edition of this book.

Printed and bound in China

A catalogue record for this book is available from the British Library

eISBN 9781789141702

Contents

Ryukin goldfish in an aquarium produced from a mutation of the Japanese wakin - photo 4

Ryukin goldfish in an aquarium, produced from a mutation of the Japanese wakin goldfish.

No Need to Carp: The Origins and Anatomy of a Goldfish

When people are asked what animal they would like to be if reincarnated, many respond a dolphin, those altruistic, smiling, social and sleek acrobats of the deep. But for me, it would be the humble goldfish, cared for by a winsome child who would call me Cheeto, Goldie or Bubbles, and provide a reliable drift of fish flakes and a spacious aerated aquarium 25 gallons of sheer tranquillity. As a bonus, I would get to be my favourite colour of orange and live in a Barbie-pink castle, appropriate environs for the oldest ornamental fish in the world.

It would be a life prosaic yet glamorous, just like the goldfish itself, an animal that is at once ambiguous, liminal and surprising. Not for this creature does familiarity breed contempt. Rather, we should think of the goldfish as a human cultural artefact created through a millennium of religious reverence and selective breeding for practical purposes, consumerist aims and aesthetic expression. We will see in this book that goldfish are world travellers and shifting self-contradictions, at once rare and common, hero and villain, their relationships with humans often unpredictable.

Illustration of the goldfish named Cyprinus auratus by Carl Linnaeus now known - photo 5

Illustration of the goldfish named Cyprinus auratus by Carl Linnaeus (now known as Carassius auratus), from Marc Bloch, Ichtyologie (178597).

The origins of the goldfish are ambiguous. Even when in the mid-eighteenth century Carl Linnaeus (17071778), the founder of binomial taxonomy, gave the goldfish its modern moniker Carassius auratus, the golden carp he was not describing the wild single-tailed progenitor, but an exotic twin-tailed individual. Although Baster offered Linnaeus some of his specimens, he worried about how to transport them alive to Sweden. Linnaeus instead received most of his goldfish from a former pupil, the physician Pehr af Bjerkn (17311744), who, while staying in London, was in contact with a breeder named Richard Guy, who had a pond at his country estate with fifty to sixty goldfish. Bjerkn brought them back by ship to Gothenburg, with Linnaeus writing in September 1759:

Anna Marie Roos Goldfish Morphology watercolour pencil and ink on paper Do - photo 6

Anna Marie Roos, Goldfish Morphology, watercolour, pencil and ink on paper.

Do please send the goldfish already tomorrow with a vessel to Uppsala; they do not freeze that easily; so I will be able to once again see them, something I have dreamed of all my days but never hoped. Let the skipper ask what price he wants, only I get them alive. God give I had them alive in my orangery.

So by the eighteenth century, goldfish were almost everywhere, even in Sweden.

Part of their biogeographical success is that they are prolific breeders, pre-programmed to spawn when the weather turns warmer, the daylight lengthens and the water temperature gradually rises to 1819C (6466F). Males and females are fairly indistinguishable outside of mating season, but with the advent of spring, the females get rounder with a swollen abdomen, and the males sport little breeding tubercles, which look like white stars, covering their gills and pectoral fins. But the female is the real star of the show, sending out pheromones from her ovaries to let the male know it is time. The term pheromone is derived from the Greek

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