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Danielle Shontae Smith - A Map You Cannot Refold

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Danielle Shontae Smith A Map You Cannot Refold

A Map You Cannot Refold: summary, description and annotation

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Standing on the TEDx stage, Danielle Shontae Smith shared, for the first time, her story of self-erasure. In 19 minutes, she told of the shame and internalized oppression behind her poignant question: Why do I feel guilty for existing?

By 10 years old, Danielle Shontae Smith had already started her first diet, defined her worth by her proximity to perfection, and was collapsing under the weight of the label gifted. Almost three decades later, ever the good student, she undertakes the assignment of seeking evidence of a time before-that is, before the world happened to her. In A Map You Cannot Refold, Smith unearths some of the defining experiences and messaging that led to her erasure.

To like yourself, you must know yourself. I didnt even know who I was. I was a poseable doll waiting for directions: What do you need from me? Who do you need me to be in this moment? I have experienced a lifetime of societal messaging telling me that I am nothing. And then, I am shamed or questioned for believing I am nothing.

Here, you will find stories about silencing who we are because we feel we must-for belonging, love, and acceptance-and the impact such a sacrifice has on the mind, body, and our very personhood. Solidly at home with a life of the mind, Smith must now make room to engage with her life from a place of vulnerability. Both detached from and at war with her body, she must instead learn to commune with it. And, once sustained by the validation of achievement and praise, she must honor and validate herself. She turns inward to seek the wisdom within, but first she must reunite with her past: the 9-year-old girl on the spelling bee stage, the 19-year-old young woman collapsed on a bathroom floor, the 25-year-old asthmatic in a race, and many other selves beyond and in between.

A mixed-genre memoir of stories told through vignettes, letters, poetry, and even academic records, A Map You Cannot Refold is a celebration of liberating stories that had once been contained in silence-regardless of how we need to unleash them.

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A Map You Cannot Refold A Map You Cannot Refold Danielle Shontae Smith - photo 1
A Map You Cannot Refold
A Map You Cannot Refold
Danielle Shontae Smith
Danielle Shontae Smith Copyright 2022 by Danielle Shontae Smith All rights - photo 2
Danielle Shontae Smith

Copyright 2022 by Danielle Shontae Smith

All rights reserved.

A Map You Cannot Refold is a work of nonfiction, and the events described are faithful to the authors memory. Some names and identifying details have been changed by the author to protect the privacy of the persons involved. Any resemblance to persons living or dead resulting from changes to names or identifying details is coincidental and unintentional.

No part of this book may be reproduced in any manner whatsoever without written consent from the author, if living, except for brief quotations embodied in critical articles and reviews. Your support of the authors rights is appreciated.

For information about permission to use any material from this book, please contact the author at hello@msdaniellesmith.com.

A Map You Cannot Refold

ISBN (print): 979-8-9853962-0-1

ISBN (eBook): 979-8-9853962-1-8

forthe survivorswho havelived the content

Contents

On June 1, 2013, I stood on a stage with a microphone taped to my face and engaged in the most vulnerable act of my life to date.

As I spoke, I hoped my message would reach someone who needed to hear it. Also, as I spoke, I hoped the video carrying my message would get lost on the internet, and no one would ever watch it. While I used to judge myself rather harshly for this seeming contradiction, I have recently begun to practice the art of sitting with complexity.

To provide context for this book, I considered including the script of my talk and other relevant materials, such as The Email. But a persistent voice kept saying to me, Just let them watch. If you read my script, you would know the words I used, but reading my words on the page would not adequately reflect my experience on that stage.

Those 19 minutes hold some stories and voices that I dont repeat here but are intricately connected to what you will read. I am asking for 19 more minutes of your time so you can hear them.

By watching, you will not only better understand the book youre about to read, but you will also help me live more bravely. Heres how:

  1. Visit ted.com/tedx/events/7086
  2. Look for Event videos.
  3. Watch Claiming Space.
  4. Come back.

See you in 19 minutes.

Content warnings (CW) inform the audience that subject matter may provoke a strong psychological or physiological response. The purpose of a content warning is to prepare the audience so they can make informed decisions regarding if, when, and/or how they wish to engage with the content.

Some chapters in this book reference disordered eating and body image, mental health conditions, emotional abuse, and sexualized violence; therefore, I include content warnings at the beginning of chapters that contain sensitive topics, as some readers may find the content upsetting. I strive to include only as much detail as necessary to share the story without providing graphic descriptions that could be retraumatizing or distressing (to me or my readers). To this end, I write about some topics in general terms or with brief references only.

As an imperfect human being, I may not have recognized or identified every instance that could potentially cause an adverse psychological or physiological response. Our lived experiences are individual and varied, and, likewise, so are our emotional responses and boundaries. I invite you to engage with this book in a way that honors yours.

Thank you for reading,

Danielle

Prologue

CW: Brief mention of body image disturbance and disordered eating behavior

Because I will simply look at myself and hate everything I see.

Because the year was 2013, and I still had, perhaps, 40 unwanted pounds remaining on my body. The culprit? Emotional eating. Its cause? Covertly plotting to leave my toxic, cohabiting relationship was much more complicated and had taken a lot longer than expected. I admitted in the talk that one of the first thoughts I had after learning I was selected to speak was How much weight can I lose by June 1st? The sad truth is I was disappointed that Id had seven weeks to lose weightto engage in the unhealthy calorie restriction and over-exercising with which I was much too familiarbut, in those seven weeks, I had not given into those impulses, and I didnt lose any weight.

Because I hated the outfit I picked out. Why did I wear that?! The night before, I spent hours shopping, trying to recreate the look Id seen other female speakers wear: nice jeans, a feminine top, and some flats. I couldnt find any jeans I liked, so I chose slacks. I convinced myself I needed to buy a sweater because I hated how my arms looked; they werent the same toned arms I once had. My slacks were wrinkled from sitting. The flats I bought rubbed the back of my foot raw. I felt frumpy and was uncomfortable the entire time.

Because I know I will hate the way I pronounced a word, or I will notice the absence of yet another thing I wish I had said. When I originally wrote my talk, I wanted to close with a quote by Molly Crabapple, an artist and writer I had recently discovered. Toward the end of her gorgeous article Diego, Frida, and Me, Crabapple has a message for women and artists: Explore the radical possibilities of facing outwards. Take up space. Be big. I loved those words. I thought they stated so well what I wanted to say; however, I dont recall why I didnt include them. I wish I had. Perhaps I feared I wasnt an animated or vibrant enough speaker to end in the way I wanted. Perhaps I felt that I didnt deserve to speak those words.

Because I could imagine someone stumbling across my video one day and saying, Oh, geez. This isnt what a TED Talk should be. Theyll let just anybody do a TED Talk these days.

***

Hosted by Western Washington Universitys Student Outreach Services (SOS), the inaugural TEDxWWU was curated specifically for the departments student population: first in their families to attend college, historically underrepresented and underserved, or with high financial need. Students with similar backgrounds to my own.

Led by event organizer Marli Williams, the planning team selected the theme Renovations: Building Our Future to apply to this target audience directly. They wanted speakers to deliver messages that would be meaningful for their students to hear. When coming to college, these students often struggle to transition between their home communities and university because the two sites are often in conflict. In the academy, educators often tell students (indirectly or directly) that their previous ways of knowing and being are inadequate. Educators often view students through a lens of deficit, not strength. Our educational institutions ask a lot of our students: tuition and fees, years of study, patience as they navigate bureaucratic red tape, school pride. What educators dont ask themselves nearly enough: From what rich foundations do our students draw? What aspects of their identities do students feel they must leave at home to be accepted on campus? What parts of themselves must they leave behind on campus to still be accepted at home?

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