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Ken Rotcop - Marvin Kaplan: A Prince of Comedy, Creativity, and Kindness

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Ken Rotcop Marvin Kaplan: A Prince of Comedy, Creativity, and Kindness
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Marvin Kaplan: A Prince of Comedy, Creativity, and Kindness: summary, description and annotation

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Everyone laughed to tears at Marvin in Its a Mad, Mad, Mad, Mad World (1963) as a gas station attendant under siege by Jonathan Winters. You also smile when remembering Marvin on the tv series Alice (1977-1985) as Henry Beesmeyer, the telephone repairman.

His roles on Old Time Radio, and in dozens of films and tv series, indelibly set his distinctive, whining, deadpan Brooklyn accent with his image, but the mask hid his true talent. In-between Adams Rib (1949) and Lookin Up (2016), Marvin was a renowned voice actor, known to generations as the voice of Top Cat. He was a member of Theatre West, the oldest continually-operating theater company in Los Angeles, and he earned respect from his peers as a gifted playwright and screenwriter.

Marvin Kaplin. A prince of comedy, creativity, and kindness. This is his story.

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Classic Cinema.

Timeless TV.

Retro Radio.


BearManor Media


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See our complete catalog at www.bearmanormedia.com

Remembering Marvin Marvin Kaplan: A Prince of Comedy, Creativity, and Kindness

2019 Ken Rotocop. All Rights Reserved.


No part of this book may be reproduced in any form or by any means, electronic, mechanical, digital, photocopying or recording, except for the inclusion in a review, without permission in writing from the publisher.


This version of the book may be slightly abridged from the print version.


Marvin Kaplan A Prince of Comedy Creativity and Kindness - image 3

Published in the USA by:

BearManor Media

PO Box 71426

Albany, Georgia 31708

www.bearmanormedia.com


ISBN 978-1-62933-281-9


Cover Design by Daniel J Klein, www.LightInteractiveMedia.com

eBook construction by

Table of Contents



All profits from the sale of this book will be forwarded to the Marvin Kaplan-Richard Loring Foundation established to educate aspiring actors and writers in the field of comedy.

It was Marvins desire to give back to an industry that he loved and to help young people realize their dream.

Marvin had no wife or children. This foundation was to be his legacy to benefit the entertainment industry to which he devoted his life.

Richard Loring was Marvins music writing partner. He, too, is deceased.

The foundation will also be used to fund scholarships and to pay for tuition and books at Marvins alma mater, Brooklyn College, for a promising comedian, songwriter, composure, or book writer, as selected by the college.


Memorial gifts may be sent to:

The Kaplan-Loring Foundation

P.O. Box 1577

Burbank, CA 91507

Thanks

There is no way this book would have been written without the help of some of Marvins friends and relatives.

A big thank you to Carol Egan and her sister, Kathy Peck, who opened up Marvins house to me.

Thank you to Sara Ballantine for sharing her documentary, Troopers, which featured Marvin.

To Jack Layden for sharing warm remembrance of Marvin.

To Dr. Steven Brown who was too young to really remember Marvin but who took the time to direct me to Carol and Kathy.

To Melissa Gilleece, who was one of the people who put together Marvins memorial and supplied me with names and information.

To Dan Klein for another great cover.

And finally, to my assistant, Rachel Wolf, for putting up with me, for being there whenever I needed her, for remembering names and places that Ive long forgotten, and for typing this manuscript over and over because I prefer to write in a quiet library with a yellow pad and pencil. Soon I will pass the torch to her and she will be a much better writer than I have ever been.

Dedicated To The Ones I Love

This story was told to me by one of my daughters teachers when she was either in the first, second, or third grade. The teacher, to show the kids how diversified their lives were, asked each of them to tell the class what their fathers did for a living.

One child said her father was a pharmacist, another said her father was a dentist, a third one said her father was a lawyer, and when they got around to my daughter, she said, My daddy doesnt do anything. Hes a writer.

Well this do-nothing father would like to dedicate this book, my fourth, to my children, Kimberly and Alison, my granddaughter Aja, and my two great grandchildren, London Blue and Georgie.

And once again to Tyler.

And, always always, to Connie.

Once Upon a Time in Hollywood

Mr. Cukor, Katherine Hepburn on line three.

Thank you, Hilda.

Cukor hit the button for line three and picked up the phone.

Hello, Katie.

George, how are you?

Did you get the rewrites?

I did. I like em. I also like the title Adams Rib better than Man and Wife.

Yeah, we do too. So, Katie, to what do I owe the pleasure of this call?

Last night we went to a play over at Charlie Chaplins theater, I saw an actor. Hed be perfect for the court stenographer in Adams Rib. Hes got thick round glasses, talks like hes right out of Brooklyn, and he looks and sounds like a shlamiel.

Katie, what do you know from shlamiel?

But hes sweet. Hes got a kind face. And he stole the show. Hes got great timing Hes very, very funny. And

Alright! Enough already! What are you, his agent?

Will you meet him, George?

Ill meet him, Ill meet him. Whats his name?

Kaplan. Marvin Kaplan.

Prologue

I guess it was all because of the Academy Awards.

The In Memory of part where they list all the actors, producers, directors, and office boys who died that year.

But they left out Marvin Kaplan.

Marvin Kaplan!

One of the most beloved actors, famous faces, and voices in all of Hollywood!

And more acting credits than half the names they did mention!

I went through the three stages of anger. First, confused. Did I blink and miss his name? Second, bugged. How dare they not mention Marvin! And the third stage, more bugged! Why do I ever watch that show? Its long, boring, and I never win anyway.

Well, actually thats not quite true. I had sat through three different long and boring shows and won the Writers Guild Award, the NAACP Image Award, and the Neil Simon Award. All for my writing and producing.

But back to Marvin Kaplan.

I emailed my publisher and told him I was furious the Academy left out Marvin and wanted to write a book about this wonderful actor, writer, and friend. Maybe the Academy forgot him, but his fans wont!

The publisher sent me a contract.

And thats how this biography came to be.

Every Tuesday Evening

I dont know how many years I knew Marvin. Oh, I had seen him, of course, in Its A Mad, Mad, Mad, Mad World and The Great Race and dozens of TV shows. I may not have known his name, but with those big, round, metal-rimmed glasses and that Brooklyn accent, I certainly remembered that sad-sack face.

But I really got to know Marvin when he joined my screenwriters workshop at my house. Every Tuesday, for years, Marvin was there.

And in the last years, when his friend Steve Carter would have to wheel Marvin up my driveway, pages of a new script sitting on Marvins lap, Marvin was there.

And when his eyesight began to fail him behind those thick, thick glasses and his hearing dimmed, Marvin was still there, in his regular chair, in my living room, every Tuesday evening. And every Tuesday hed bring in new pages of a screenplay or a theatrical play he would be writing.

Besides the workshop, wed do lunch or wed talk on the phone regularly.

Wed talk movies, or theater, or his scripts. Hed go to New York yearly and would tell me about all the Broadway plays he had seen. What was good and why it was good, and what was bad and why it was bad.

Wed talk about Watch Out for Slick, a movie he produced that he wrote in our workshop. While they were shooting, he worried about the director, the actors, the locations, and the cameraman.

He was a worrier. But never on the set, and never to the actors or the crew.

But to me he would talk about what was good with the film and why it was good, and what was bad and why it was bad.

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