• Complain

Alexander Poots - The Strangers House: Writing Northern Ireland

Here you can read online Alexander Poots - The Strangers House: Writing Northern Ireland full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2023, publisher: Twelve, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover

The Strangers House: Writing Northern Ireland: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "The Strangers House: Writing Northern Ireland" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

A penetrating study and celebration of Northern Irish literaturetelling the regions story through the extraordinary novels and poetry produced by decades of conflict.
Northern Ireland is one hundred years old. Northern Ireland does not exist. Both of these statements are true. It just depends on who you ask. How do you write about a place like this? THE STRANGERS HOUSE asks this question of the regions greatest writers, living and dead. What have they made of Northern Ireland and what has Northern Ireland made of them?
Northern Ireland is roughly the same size as the State of Connecticut, yet has produced an extraordinary number of celebrated poets and novelists. Louis MacNeice, too clever to be happy, formed by his childhood on the shores of Belfast Lough. C. S. Lewis, who discovered Narnia in the rolling drumlins and black rock of County Down. Anna Burns, chronicler of North Belfast and winner of the Booker Prize. And Seamus Heaney, the man of wry precision, the poet with the gift of surprise.
As well as household names, Poots also examines writers who may be less familiar to an American readership. These include the dark and bawdy novels of Ian Cochrane, a celebrated raconteur obsessed with Columbo, and Forrest Reid, a man who saw Arcadia in the Irish countryside, and who was, perhaps, the Norths first queer author. Reading the work of these writers together produces a testament to over one hundred years of literary endeavor and human struggle. THE STRANGERS HOUSE is the story of how men and women have written about a home divided, and used their work to move, in the words of Seamus Heaney, like a double agent among the big concepts.
Authors and works discussed
C. S. Lewis Surprised by Joy
Seamus Heaney North
Anna Burns Milkman
Louis MacNeice Autumn Journal
Forrest Reid Brian Westby
Derek Mahon A Disused Shed in Co. Wexford
Michael Longley Kindertotenlieder
Medbh McGuckian Drawing Ballerinas
Patrick Kavanagh The Green Fool
Ian Cochrane F for Ferg

Alexander Poots: author's other books


Who wrote The Strangers House: Writing Northern Ireland? Find out the surname, the name of the author of the book and a list of all author's works by series.

The Strangers House: Writing Northern Ireland — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "The Strangers House: Writing Northern Ireland" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

Copyright 2023 by Alexander Poots Cover design by Sarahmay Wilkinson Cover - photo 1

Copyright 2023 by Alexander Poots

Cover design by Sarahmay Wilkinson

Cover copyright 2023 by Hachette Book Group, Inc.

Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.

Twelve

Hachette Book Group

1290 Avenue of the Americas, New York, NY 10104

twelvebooks.com

twitter.com/twelvebooks

First Edition: March 2023

Twelve is an imprint of Grand Central Publishing. The Twelve name and logo are trademarks of Hachette Book Group, Inc.

The publisher is not responsible for websites (or their content) that are not owned by the publisher.

Twelve books may be purchased in bulk for business, educational, or promotional use. For information, please contact your local bookseller or the Hachette Book Group Special Markets Department at special.markets@hbgusa.com.

Library of Congress Cataloging-in-Publication Data

Names: Poots, Alexander, author.

Title: The strangers house : writing Northern Ireland / Alexander Poots.

Description: First edition. | New York, NY : Twelve, 2023. | Includes bibliographical references and index.

Identifiers: LCCN 2022047954 | ISBN 9781538701577 (hardcover) | ISBN 9781538701584 (ebook)

Subjects: LCSH: English literatureNorthern Irish authorsHistory and criticism. | English literature20th centuryHistory and criticism. | LCGFT: Literary criticism.

Classification: LCC PR8753.P66 2023 | DDC 820.9/9416dc23/eng/20221130

LC record available at https://lccn.loc.gov/2022047954

ISBN: 9781538701577 (hardcover), 9781538701584 (ebook)

E3-20230203-JV-NF-ORI

For my parents

At times it seems that every inch of Belfast has been written-on, erased, and written-on again: messages, curses, political imperatives, but mostly names, or nicknamesRobbo, Mackers, Scoot, Frasometimes litanized obsessively on every brick of a gable wall, as high as the hand will reach, and sometimes higher, these snakes and ladders cancelling each other out in their bid to be remembered. Remember 1690. Remember 1916. Most of all, Remember me. I was here.

Ciaran Carson, Schoolboys and the Idlers of Pompeii

Northern Ireland is comprised of six counties: Antrim, Down, Armagh, Tyrone, Fermanagh, and Derry. These six counties form the greater part of the ancient province of Ulster. Ulsters three remaining countiesMonaghan, Cavan, and Donegalare part of the Republic of Ireland. The partition of Ireland, on 3 May 1921, divided not only the island, but Ulster as well.

Nationalists view Northern Ireland as a colonial hangover, and often favour alternative expressions for the region. The North of Ireland is the most common of these in print, though The Six Counties (along with variations like the Upper Six or the Occupied Six) is used frequently enough in conversation, in song lyrics, and on social media to be noteworthy. In the Republic, most people refer simply to the North.

For Unionists, Northern Ireland is an integral part of the United Kingdom. It is the name of their country and their home. Unionists waxing poetic may sometimes refer to Northern Ireland as Ulster, although this is not as common as it used to be.

A word on religion. It is true that the vast majority of Nationalists are Catholic, and that an overwhelming number of Unionists are Protestant. Consequently, religious affiliation has often been used by journalists as a shorthand for political belief. This has given rise to the viewin England, at least, astonishingly widespreadthat the Troubles were in essence a theological dispute that spilled out of the divinity schools and into the streets.

The reality is quite different. Religion may be a useful shorthand, but it is a shorthand that records only a fraction of what is said. Certainly faith has played a vital part in shaping Northern Irish society. This has always been a conservative part of the world, though things are changing, at least in urban areas. Decades of scandal have lamed the Catholic Church. Sinn Fin, the largest force in Nationalist politics, is avowedly socialist in orientation. And although Presbyterian and Evangelical denominations remain powerful in Unionist political circles, their influence on broader society is much reduced, at least among the young. The internet is a great leveller.

These are recent developments. Yet even fifty years ago, when the Catholic Church still held sway and Presbyterian ministers still spit fire from the pulpit, religion was rarely the primary source of friction between communities. Access to good land and decent employment, combined with competing ideas of what and where home is, are of much greater importance to the history of conflict in Northern Ireland.

I am aware of how much like a vocabulary list this note appears. Reality has never been so simple. The real story of Northern Ireland exists in the gaps between the blanket terms and the binary opposites. This is something which the men and women who write well about this place have always understood.

Alexander Poots, Belfast, January 2022

Ireland is water country leased to solid ground. When the end comes, it will come in a long seep, the rivers pooling out to meet as friends, loughs unnamed by sea. Final lights on the hilltops: Donard, Mullaghcleevaun, Carrauntoohil. Then the fussing of damp firewoodlast of the human smellsand a lifting at the waist as land drops away, lease expired.

Water is a great temptation for the Irish writer. James Joyce opens Ulysses atop a Martello tower overlooking Dublin Bay, where Buck Mulligan muses on The snotgreen sea. The scrotumtightening sea. The first word of Finnegans Wake is riverrun. Standing on a grey pavement, W. B. Yeats is recalled to The Lake Isle of Innisfree by the sound of lake water lapping within his heart. There is no escaping the water. Eavan Bolands Cityscape (hardly a promising title for the literary dowser) is a poem about light, but takes in a trip to the seawater baths, finds Dublin forever unsettled between sluice gates and the Irish Sea, and closes with the image of a glass eel, a translucent visitor / yearning for the estuary. Jonathan Swift wrote his first great work, A Tale of a Tub, while a clergyman at Kilroot, a small place on the northern shore of Belfast Lough. Irish literature is suffused with a chill damp that lingers between the toes. The sea, as Buck Mulligan observes, is our great sweet mother.

Every Irish city sits beside a trembling flatness. Belfast, Cork, and Derry have their sea loughs. Dublin crouches low to the bay. Galway braves the North Atlantic. Limerick is almost a delta city, straddling the Shannon as it finds the ocean. Waterfords name tells its own story. Out in the countryside are the peat bogs, the streams, the brown water standing at the edge of fields. The punkish algae advancing always across bus stops and machinery and the windows of half-built homes. Moss grouting walls. The hills are green and indigo, except for a few days in the winter cold, when they pale into white. Water is a constant companion on this island, the writers natural reference and resource.

I begin with water because Northern Ireland is liquid in every possible sense. Books about this place are usually prefaced by a glossary of political positions and cultural identities. I have succumbed to this temptation myself in order to give a basic orientation to readers unfamiliar with Northern Irelands unique vocabulary, but such thumbnail sketches are always failures in the end, bungalows built on floodplains. They are failures because they attempt to order a watery world, in which liquids become solid for a time, only to melt away again.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «The Strangers House: Writing Northern Ireland»

Look at similar books to The Strangers House: Writing Northern Ireland. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «The Strangers House: Writing Northern Ireland»

Discussion, reviews of the book The Strangers House: Writing Northern Ireland and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.