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Mo Yan - Life and Death Are Wearing Me Out: A Novel

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Mo Yan Life and Death Are Wearing Me Out: A Novel

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WINNER OF THE 2012 NOBEL PRIZE IN LITERATURE

Todays most revered, feared, and controversial Chinese novelist offers a tour de force in which the real, the absurd, the comical, and the tragic are blended into a fascinating read. The heroor antiheroof Mo Yans new novel is Ximen Nao, a landowner known for his benevolence to his peasants. His story is a deliriously unique journey and absolutely riveting tale that reveals the authors love of a homeland beset by ills inevitable, political, and traditional. 0

Mo Yan: author's other books


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1
Torture and Proclaimed Innocence in Yamas Hell
Reincarnation Trickery for a White-Hoofed Donkey

My story begins on January 1, 1950. In the two years prior to that, I suffered cruel torture such as no man can imagine in the bowels of hell. Every time I was brought before the court, I proclaimed my innocence in solemn and moving, sad and miserable tones that penetrated every crevice of Lord Yamas Audience Hall and rebounded in layered echoes. Not a word of repentance escaped my lips though I was tortured cruelly, for which I gained the reputation of an iron man. I know I earned the unspoken respect of many of Yamas underworld attendants, but I also know that Lord Yama was sick and tired of me. So to force me to admit defeat, they subjected me to the most sinister form of torture hell had to offer: they flung me into a vat of boiling oil, in which I tumbled and turned and sizzled like a fried chicken for about an hour. Words cannot do justice to the agony I experienced until an attendant speared me with a trident and, holding me high, carried me up to the palace steps. He was joined by another attendant, one on either side, who screeched like vampire bats as scalding oil dripped from my body onto the Audience Hall steps, where it sputtered and produced puffs of yellow smoke. With care, they deposited me on a stone slab at the foot of the throne, and then bowed deeply. Great Lord, he announced, he has been fried. Having been fried to a crisp, I knew that even a light tap would turn me to charred slivers. Then, from high in the hall above me, somewhere in the brilliant candlelight in the hall above, I heard a mocking question from Lord Yama himself:

Ximen Nao, whose name means West Gate Riot, is more rioting in your plans?

Ill not lie to you; at that moment I wavered as my crisp body lay sprawled in a puddle of oil that was still popping and crackling. I had no illusions: I had reached my pain threshold and could not imagine what torture these venal officials would next employ if I did not yield to them now. Yet if I did, would I not have suffered their earlier brutalities in vain? I struggled to raise my head, which could easily have snapped off, and looked into the candlelight, where I saw Lord Yama, underworld judges seated beside him, oleaginous smiles on their faces. Anger churned inside me. To hell with them! I thought appropriately; let them grind me to powder under a millstone or turn me to paste in a mortar if they must, but Ill not back down.

I am innocent! I screamed.

Rancid drops of oil sprayed from my mouth with that scream: I am innocent! Me, Ximen Nao; in my thirty years in the land of mortals I loved manual labor and was a good and thrifty family man. I repaired bridges and repaved roads and was charitable to all. The idols in Northeast Gaomi Township temples were restored thanks to my generosity; the poor township people escaped starvation by eating my food. Every kernel of rice in my granary was wetted by the sweat of my brow, every coin in my familys coffers coated with painstaking effort. I grew rich through hard work, I elevated my family by clear thinking and wise decisions. I truly believe I was never guilty of an unconscionable act. And yet here my voice turned shrill a compassionate individual like me, a person of integrity, a good and decent man, was trussed up like a criminal, marched off to a bridgehead, and shot!... Standing no more than half a foot from me, they fired an old musket filled with half a gourd full of powder and half a bowl full of grapeshot, turning one side of my head into a bloody mess as the explosion shattered the stillness and stained the floor of the bridge and the melon-sized white stones beneath it.... Youll not get me to confess, I am innocent, and I ask to be sent back so I can ask those people to their face what I was guilty of.

I watched Lord Yamas unctuous face undergo many contortions throughout my rapid-fire monologue and saw how the judges around him turned their heads to avert their eyes. They knew I was innocent, that I had been falsely accused, but for reasons I could not fathom, they feigned ignorance. So I shouted, repeating myself, the same thing over and over, until one of the judges leaned over and whispered something in Lord Yamas ear. He banged his gavel to silence the hall.

All right, Ximen Nao, we accept your claim of innocence. Many people in that world who deserve to die somehow live on while those who deserve to live die off. Those are facts about which this throne can do nothing. So I will be merciful and send you back.

Unanticipated joy fell on me like a millstone, seemingly shattering my body into shards. Lord Yama threw down his triangular vermilion symbol of office and, with what sounded like impatience, commanded:

Ox Head and Horse Face, send him back!

With a flick of his sleeve, Lord Yama left the hall, followed by his judges, whose swishing wide sleeves made the candles flicker. A pair of demonic attendants, dressed in black clothing cinched at the waist with wide orange sashes, walked up from opposite directions. One bent down, picked up the symbol of authority, and stuck it in his sash. The other grabbed my arm to pull me to my feet. A brittle sound, like bones breaking, drew a shriek from me. The demon holding the symbol of authority shoved the demon holding the arm and, in the tone of an old hand instructing a novice, said:

What in damnation is your head filled with, water? Has an eagle plucked out your eyes? Can you really not see that his body is as crispy as one of those fried fritters on Tianjins Eighteenth Street?

The young attendant rolled his eyes as he was being admonished, not sure what to do.

Why are you standing around? Symbol of Authority said. Go get some donkey blood!

The attendant smacked his head, sudden enlightenment written on his face. He turned and ran out of the hall, quickly returning with a blood-spattered bucket. Evidently it was heavy, since he stumbled along, bent at the waist, and was barely able to keep his balance.

He set the bucket down beside me with a thud that made my body vibrate. The stench was nauseating, a hot, rank odor that seemed to carry the warmth of a real donkey. The image of a butchered donkey flashed briefly in my head, and then dissolved. Symbol of Authority reached into the bucket and took out a pig-bristle brush, which he swished around in the sticky, dark red blood, and then brushed across my scalp. I yelped from an eerie sensation that was part pain, part numbness, and part prickliness. My ears were assailed with subtle pops as the blood moistened my charred, crispy skin, calling to mind a welcome rain on drought-dry land. My mind was a tangle of disjointed thoughts and mixed emotions. The attendant wielded his brush like a house painter, and I was quickly covered with donkey blood, head to toe. He then picked up the bucket and dumped what remained over me, and I felt a surge of life swell up inside me. Strength and courage returned to my body. I no longer needed their support when I stood up.

Despite the fact that the attendants were called Ox Head and Horse Face, they bore no resemblance to the underworld figures we are used to seeing in paintings: human bodies, one with the head of an ox, the other the face of a horse. These were totally human in appearance, except, that is, for their skin, whose color was iridescent blue, as if treated with a magical dye. A noble color, one rarely seen in the world of mortals, neither on fabric nor on trees; but Id seen flowers of that color, small marshy blossoms in Northeast Gaomi Township that bloomed in the morning and withered and died that afternoon.

With one attendant on each side of me, we walked down a seemingly endless dark tunnel. Coral lantern holders protruded from the walls every few yards; from them hung shallow platter-shaped lanterns that burned soybean oil, the aroma sometimes dense, sometimes not, which kept me clearheaded some of the time, and befogged the rest of the time. In the light of the lanterns, I saw gigantic bats hanging from the tunnel dome, eyes shining through the darkness; foul-smelling guano kept falling on my head.

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