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Deborah Cartmell - A Companion to Literature, Film and Adaptation

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Deborah Cartmell A Companion to Literature, Film and Adaptation

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This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena. Featuring a range of theoretical approaches, and chapters on the historical, ideological and economic aspects of adaptation, the volume reflects todays acceptance of intertextuality as a vital and progressive cultural force.
  • Incorporates new research in adaptation studies
  • Features a chapter on the Harry Potter franchise, as well as other contemporary perspectives
  • Showcases work by leading Shakespeare adaptation scholars
  • Explores fascinating topics such as unfilmable texts
  • Includes detailed considerations of Ian McEwans Atonement and Conrads Heart of Darkness

Deborah Cartmell: author's other books


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Blackwell Companions to Literature and Culture This series offers - photo 1

Blackwell Companions to Literature and Culture

This series offers comprehensive, newly written surveys of key periods and movements and certain major authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on contexts and on canonical and post-canonical texts, orientating the beginning student in new fields of study and providing the experienced undergraduate and new graduate with current and new directions, as pioneered and developed by leading scholars in the field.

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A New Companion to the GothicEdited by David Punter
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A Companion to Literature, Film, and AdaptationEdited by Deborah Cartmell

This edition first published 2012

2012 Blackwell Publishing Ltd

Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwells publishing program has been merged with Wileys global Scientific, Technical, and Medical business to form Wiley-Blackwell.

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The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell.

The right of Deborah Cartmell to be identified as the author of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

Library of Congress Cataloging-in-Publication Data

A companion to literature, film, and adaptation / edited by Deborah Cartmell.

p. cm.

Includes bibliographical references.

ISBN 978-1-4443-3497-5 (cloth)

1. Film adaptationsHistory and criticism. 2. Television adaptationsHistory and criticism. 3. English literatureAdaptations. 4. American literatureAdaptations. 5. Motion pictures and literature. 6. Television and literature. I. Cartmell, Deborah.

PN1997.85.C64 2012

791.43'6dc23

2012008957

A catalogue record for this book is available from the British Library.

Cover image: James McAvoy and Keira Knightley in Atonement, directed by Joe Wright, 2007. Image courtesy of Focus Features / The Kobal Collection, Alex Bailey.

Cover design by Richard Boxall Design Associates

Contributors

Judith Buchanan is author of Shakespeare on Silent Film (2009), Shakespeare on Film (2005), editor of The Writer on Film: Screening Literary Authorship (forthcoming) and runs the Film and Literature program at the University of York.

Richard Burt is Professor of English and Film and Media Studies at the University of Florida. His most recent book is entitled Medieval and Early Modern Film and Media (2008; paperback 2010).

Richard Butt is Head of Media, Communication and Performing Arts at Queen Margaret University, Edinburgh. His publications include essays in Critical Studies in Television and From Tartan to Tartanry: Scottish Culture, History and Myth (2010).

Deborah Cartmell is Professor of English at De Montfort University and co-editor of two international journals, Adaptation (Oxford University Press) and Shakespeare (Routledge). She is currently working on a history of screen adaptations.

Shelley Cobb is a Lecturer at the University of Southampton. She has published on adaptation, Jane Campion, chick flicks, and celebrity; and is writing a monograph entitled Women, Adaptation and Post-feminist Filmmaking.

Kamilla Elliott is a Senior Lecturer in English at Lancaster University. She is author of Rethinking the Novel/Film Debate (2003) and Portraiture and British Gothic Fiction: The Rise of Picture Identification, 17641835 (2012).

Christine Geraghty is an Honorary Research Fellow (Glasgow University and Goldsmiths, University of London). Publications include Now a Major Motion Picture (2008) and a study of Bleak House (BBC, 2005) in 2012.

Pamela Church Gibson is Reader in Cultural & Historical Studies at the London College of Fashion, editor of the journal of Film, Fashion & Consumption and author of Fashion & Celebrity Culture (2011).

Yvonne Griggs is a Lecturer at De Montfort University and has published articles in a number of leading adaptations journals. Her study of King Lear on screen was published by Methuen in 2009.

Lisa Hopkins is Professor of English at Sheffield Hallam University. Her publications include Relocating Shakespeare and Austen on Screen (2009) and Shakespeares The Tempest : The Relationship between Text and Film (2008).

Richard J. Hand is Professor of Theatre and Media Drama at the University of Glamorgan. He is the founding co-editor of the Journal of Adaptation in Film and Performance .

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