Terry Southern - Now Dig This: The Unspeakable Writings of Terry Southern, 1950-1995
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Now Dig This: The Unspeakable Writings of Terry Southern, 1950-1995: summary, description and annotation
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Acclaimed novelist, Beat godfather, prolific screenwriter, and one of the founders of New Journalism, as well as the only guy to wear shades on the Beatles Sgt. Peppers cover, Terry Southern was an audacious original. Now Dig This is a journey through Terry Southerns America, from the buttoned-down 50s through the sexual revolution, rock n roll, and independent cinema (which he helped inaugurate by cowriting and producing Easy Rider), up to his death in 1995. It spans Southerns stellar career, from early short stories and a Paris Review interview with Henry Green, to his legendary Esquire piece covering the 1968 Chicago Democratic Convention with Jean Genet and William Burroughs and his equally infamous account of life neck-high in girls and cocaine aboard The Rolling Stones tour jet, to his memories of twentieth-century legends like Abbie Hoffman, Kurt Vonnegut, and Stanley Kubrick, with whom he wrote Dr. Strangelove. A voice electric with street rhythm and royal with offhand intellection ... stuffed with strange and silken scraps. -- Troy Patterson, Entertainment Weekly The subterranean Texans finest moments are exquisite reads ... like a hot poker in the eye of conventional narrative. -- A. D. Amorosi, Philadelphia City Paper The range of writing ... [was] as lethal as Mailer claimed and still awaiting the attention it deserves. -- Charles Taylor, Newsday ... reveals a writer defined by his generosity, by the pursuit of fun and by an insatiable ... literary appetite.... -- Claire Dederer, The New York Times Book Review
From Publishers WeeklyWith this outstanding, volatile mlange of short pieces, Nile Southern repositions his father the conduit between the Beatles and the Beats as a Class Four hurricane in the Hipster Pantheon. Labeled the Mt. Rushmore of modern American humor by Saturday Night Live head writer Michael ODonoghue (who hired him), Southern (1924-1995) is best remembered for his Oscar-nominated screenplays (Easy Rider; Dr. Strangelove) and novels (Candy; The Magic Christian). He also unleashed assorted anarchic articles, reviews (in the Nation), short stories and photo captions (Virgin: A History of Virgin Records, his last book). The opening interview from 1986 is followed by four stories that animate characters via expressive, askew vernacular. Letters to Lenny Bruce and George Plimpton, plus a hilarious commentary on female orgasms mailed to Ms. in 1972, are included. The famed pie-throwing sequence deleted by Kubrick from Dr. Strangelove is described in detail in Strangelove Outtake: Notes from the War Room. Southerns sharp Esquire piece on the 1968 Chicago police attacks on protesters remains potent. Affectionate portraits of pranksters, poets and friends Plimpton, Maurice Girodias, Burroughs, Ginsberg, Abbie Hoffman, Vonnegut, Frank OHara make the closing pages sparkle. Readers will be grateful to Nile Southern for unearthing Terrys unclassifiable schools of literary invention from mini-storage for this variegated, entertaining book. (June 1)Forecast: Psychedelic cover art angles full-tilt towards the target audience. Arriving four months after Lee Hills biography of Southern (HarperCollins), this is promoted at www.terrysouthern.com, a site that suggests there is more material forthcoming.
Copyright 2001 Cahners Business Information, Inc.
From Library JournalSouthern is probably best known for his screenplays, which include Dr. Strangelove, Easy Rider, and Barbarella, and for Candy (1958), the erotic novel he coauthored with Mason Hoffenberg for the Olympia Press. Overseen by his son Nile, this posthumously published collection contains interviews, stories, letters, and memoirs, some of which appear here for the first time. Among the more interesting pieces are those that deal with filmmaker Stanley Kubrick, including a proposed scene for the movie that would become Eyes Wide Shut. There are memorable portraits of contemporaries such as William Burroughs, Frank OHara, and Larry Rivers and reminiscences of the 1968 Chicago Democratic Convention, which he covered for Esquire alongside Burroughs and Jean Genet. As in most collections of this kind, the quality of the writing is sometimes uneven, but Southerns irreverent wit and outrageous humor usually make for lively reading. Recommended for contemporary literature and film collections. William Gargan, Brooklyn Coll. Lib., CUNY
Copyright 2001 Reed Business Information, Inc.
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