Table of Contents
THE PENGUIN PRESS
Published by the Penguin Group
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Ireland, 25 St. Stephens Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa
Penguin Books Ltd, Registered Offices:
80 Strand, London WC2R 0RL, England
First published in 2011 by The Penguin Press, a member of Penguin Group (USA) Inc.
Copyright Joshua Foer, 2011
All rights reserved
LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA
Foer, Joshua.
Moonwalking with Einstein : the art and science of remembering everything / Joshua Foer. p. cm.
Includes bibliographical references and index.
eISBN : 978-1-101-47597-3
1. Mnemonics. 2. Memory. I. Title.
BF385.F64 2011
153.14dc22 2010030265
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions and do not participate in or encourage electronic piracy of copyrightable materials. Your support of the authors rights is appreciated.
http://us.penguingroup.com
For Dinah: Everything.
There were no other survivors.
Family members arriving at the scene of the fifth-century-B.C. banquet hall catastrophe pawed at the debris for signs of their loved onesrings, sandals, anything that would allow them to identify their kin for proper burial.
Minutes earlier, the Greek poet Simonides of Ceos had stood to deliver an ode in celebration of Scopas, a Thessalian nobleman. As Simonides sat down, a messenger tapped him on the shoulder. Two young men on horseback were waiting outside, anxious to tell him something. He stood up again and walked out the door. At the very moment he crossed the threshold, the roof of the banquet hall collapsed in a thundering plume of marble shards and dust.
He stood now before a landscape of rubble and entombed bodies. The air, which had been filled with boisterous laughter moments before, was smoky and silent. Teams of rescuers set to work frantically digging through the collapsed building. The corpses they pulled out of the wreckage were mangled beyond recognition. No one could even say for sure who had been inside. One tragedy compounded another.
Then something remarkable happened that would change forever how people thought about their memories. Simonides sealed his senses to the chaos around him and reversed time in his mind. The piles of marble returned to pillars and the scattered frieze fragments reassembled in the air above. The stoneware scattered in the debris re-formed into bowls. The splinters of wood poking above the ruins once again became a table. Simonides caught a glimpse of each of the banquet guests at his seat, carrying on oblivious to the impending catastrophe. He saw Scopas laughing at the head of the table, a fellow poet sitting across from him sponging up the remnants of his meal with a piece of bread, a nobleman smirking. He turned to the window and saw the messengers approaching, as if with some important news.
Simonides opened his eyes. He took each of the hysterical relatives by the hand and, carefully stepping over the debris, guided them, one by one, to the spots in the rubble where their loved ones had been sitting.
At that moment, according to legend, the art of memory was born.
ONE
THE SMARTEST MAN IS HARD TO FIND
D om DeLuise, celebrity fat man (and five of clubs), has been implicated in the following unseemly acts in my minds eye: He has hocked a fat globule of spittle (nine of clubs) on Albert Einsteins thick white mane (three of diamonds) and delivered a devastating karate kick (five of spades) to the groin of Pope Benedict XVI (six of diamonds). Michael Jackson (king of hearts) has engaged in behavior bizarre even for him. He has defecated (two of clubs) on a salmon burger (king of clubs) and captured his flatulence (queen of clubs) in a balloon (six of spades). Rhea Perlman, diminutive Cheers bartendress (and queen of spades), has been caught cavorting with the seven-foot-seven Sudanese basketball star Manute Bol (seven of clubs) in a highly explicit (and in this case, anatomically improbable) two-digit act of congress (three of clubs).
This tawdry tableau, which Im not proud to commit to the page, goes a long way toward explaining the unlikely spot I find myself in at the moment. Sitting to my left is Ram Kolli, an unshaven twenty-five-year-old business consultant from Richmond, Virginia, who is also the defending United States memory champion. To my right is the muzzle of a television camera from a national cable network. Spread out behind me, where I cant see them and they cant disturb me, are about a hundred spectators and a pair of TV commentators offering play-by-play analysis. One is a blow-dried veteran boxing announcer named Kenny Rice, whose gravelly, bedtime voice cant conceal the fact that he seems bewildered by this jamboree of nerds. The other is the Pel of U.S. memory sport, a bearded forty-three-year-old chemical engineer and four-time national champion from Fayetteville, North Carolina, named Scott Hagwood. In the corner of the room sits the object of my affection: a kitschy two-tiered trophy consisting of a silver hand with gold nail polish brandishing a royal flush, and, in a patriotic flourish, three bald eagles perched just below. Its nearly as tall as my two-year-old niece (and lighter than most of her stuffed animals).
The audience has been asked not to take any flash photographs and to maintain total silence. Not that Ram or I could possibly hear them. Both of us are wearing earplugs. Ive also got on a pair of industrialstrength earmuffs that look like they belong on an aircraft carrier deckhand (because in the heat of a memory competition, there is no such thing as deaf enough). My eyes are closed. On a table in front of me, lying facedown between my hands, are two shuffled decks of playing cards. In a moment, the chief arbiter will click a stopwatch and I will have five minutes to memorize the order of both decks.
The unlikely story of how I ended up in the finals of the U.S. Memory Championship, stock-still and sweating profusely, begins a year earlier on a snowy highway in central Pennsylvania. I had been driving from my home in Washington, D.C., to the Lehigh Valley to do an interview for Discover magazine with a theoretical physicist at Kutztown University, who had invented a vacuum chamber device that was supposed to pop the worlds largest popcorn. My route took me through York, Pennsylvania, home of the Weightlifting Hall of Fame and Museum. I thought that sounded like something I didnt want to die without having seen. And I had an hour to kill.
Next page