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Hejinian Lyn - My life : and, My life in the nineties

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Hejinian Lyn My life : and, My life in the nineties
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Lyn Hejinian is among the most prominent of contemporary American poets. Her poem My Life has garnered accolades and fans inside and outside academia. First published in 1980, and revised in 1987 and 2002, My Life is now firmly established in the postmodern canon. This Wesleyan edition includes the 45-part prose poem sequence along with a closely related ten-part work titled My Life in the Nineties. An experimental intervention into the autobiographical genre, My Life explores the many ways in which languagethe things people say and the ways they say themshapes not only their identity, but also the very world around them

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My Life and My Life in the Nineties Wesleyan Poetry My Life and My Life in - photo 1

My Life and My Life in the Nineties

Wesleyan Poetry

My Life and My Life in the Nineties

Lyn Hejinian

Wesleyan University Press | Middletown, Connecticut

Wesleyan University Press

Middletown CT 06459

www.wesleyan.edu/wespress

2013, 2003, 1987, 1980 Lyn Hejinian

All rights reserved

Manufactured in the United States of America

Designed by Mindy Basinger Hill

Typeset in Bauer Bodoni

Wesleyan University Press is a member of the Green Press Initiative. The paper used in this book meets their minimum requirement for recycled paper.

Library of Congress Cataloging-in-Publication Data

Hejinian, Lyn.

My life and My life in the nineties / Lyn Hejinian.

p. cm. (Wesleyan poetry)

ISBN 978-0-8195-7351-3 (pbk. : alk. paper)

ISBN 978-0-8195-7352-0 (eBook)

I. Hejinian, Lyn. My life in the nineties. II. Title. III. Title: My life and My life in the nineties.

PS3558.E4735M93 2013

811'.54 dc23 2012028825

5 4 3 2 1

For LMO continuity between the words

Contents

Acknowledgments

The original, thirty-seven-part version of My Life was published by Burning Deck in 1980. A second, expanded (forty-five-part) version of the work was published in 1987 by Sun & Moon Press and subsequently by Green Integer. The author most sincerely thanks Rosmarie and Keith Waldrop of Burning Deck for their support of that first appearance of the work and for their friendship through all the years since. The importance of Douglas Messerlis dedication to the world of innovative writing cannot be overestimated, and his support of My Life in that context and others is here very gratefully acknowledged.

My Life in the Nineties was written expressly for Shark Books, which published it in 2003. It is but one manifestation of an ongoing creative camaraderie between the author and Emilie Clark and Lytle Shaw.

My Life

A pause, a rose, something on paper

A moment yellow, just as four years later, when my father returned home from the war, the moment of greeting him, as he stood at the bottom of the stairs, younger, thinner than when he had left, was purple though moments are no longer so colored. Somewhere, in the background, rooms share a pattern of small roses. Pretty is as pretty does. In certain families, the meaning of necessity is at one with the sentiment of pre-necessity. The better things were gathered in a pen. The windows were narrowed by white gauze curtains which were never loosened. Here I refer to irrelevance, that rigidity which never intrudes. Hence, repetitions, free from all ambition. The shadow of the redwood trees, she said, was oppressive. The plush must be worn away. On her walks she stepped into peoples gardens to pinch off cuttings from their geraniums and succulents. An occasional sunset is reflected on the windows. A little puddle is overcast. If only you could touch, or, even, catch those gray great creatures. I was afraid of my uncle with the wart on his nose, or of his jokes at our expense which were beyond me, and I was shy of my aunts deafness who was his sister-in-law and who had years earlier fallen into the habit of nodding, agreeably. Wool station. See lightning, wait for thunder. Quite mistakenly, as it happened. Long time lines trail behind every idea, object, person, pet, vehicle, and event. The afternoon happens, crowded and therefore endless. Thicker, she agreed. It was a tic, she had the habit, and now she bobbed like my toy plastic bird on the edge of its glass, dipping into and recoiling from the water. But a word is a bottomless pit. It became magically pregnant and one day split open, giving birth to a stone egg, about as big as a football. In May when the lizards emerge from the stones, the stones turn gray, from green. When daylight moves, we delight in distance. The waves rolled over our stomachs, like spring rain over an orchard slope. Rubber bumpers on rubber cars. The resistance on sleeping to being asleep. In every country is a word which attempts the sound of cats, to match an inisolable portrait in the clouds to a din in the air. But the constant noise is not an omen of music to come. Everything is a question of sleep, says Cocteau, but he forgets the shark, which does not. Anxiety is vigilant. Perhaps initially, even before one can talk, restlessness is already conventional, establishing the incoherent border which will later separate events from experience. Find a drawer thats not filled up. That we sleep plunges our work into the dark. The ball was lost in a bank of myrtle. I was in a room with the particulars of which a later nostalgia might be formed, an indulged childhood. They are sitting in wicker chairs, the legs of which have sunk unevenly into the ground, so that each is sitting slightly tilted and their postures make adjustment for that. The cows warm their own barn. I look at them fast and it gives the illusion that theyre moving. An oral history on paper. That morning this morning. I say it about the psyche because it is not optional. The overtones are a denser shadow in the room characterized by its habitual readiness, a form of charged waiting, a perpetual attendance, of which I was thinking when I began the paragraph, So much of childhood is spent in a manner of waiting.

As for we who love to be astonished

You spill the sugar when you lift the spoon. My father had filled an old apothecary jar with what he called sea glass, bits of old bottles rounded and textured by the sea, so abundant on beaches. There is no solitude. It buries itself in veracity. It is as if one splashed in the water lost by ones tears. My mother had climbed into the garbage can in order to stamp down the accumulated trash, but the can was knocked off balance, and when she fell she broke her arm. She could only give a little shrug. The family had little money but plenty of food. At the circus only the elephants were greater than anything I could have imagined. The egg of Columbus, landscape and grammar. She wanted one where the playground was dirt, with grass, shaded by a tree, from which would hang a rubber tire as a swing, and when she found it she sent me. These creatures are compound and nothing they do should surprise us. I dont mind, or I wont mind, where the verb to care might multiply. The pilot of the little airplane had forgotten to notify the airport of his approach, so that when the lights of the plane in the night were first spotted, the air raid sirens went off, and the entire city on that coast went dark. He was taking a drink of water and the light was growing dim. My mother stood at the window watching the only lights that were visible, circling over the darkened city in search of the hidden airport. Unhappily, time seems more normative than place. Whether breathing or holding the breath, it was the same thing, driving through the tunnel from one sun to the next under a hot brown hill. She sunned the baby for sixty seconds, leaving him naked except for a blue cotton sunbonnet. At night, to close off the windows from view of the street, my grandmother pulled down the window shades, never loosening the curtains, a gauze starched too stiff to hang properly down. I sat on the windowsill singing sunny lunny teena, ding-dang-dong. Out there is an aging magician who needs a tray of ice in order to turn his bristling breath into steam. He broke the radio silence. Why would anyone find astrology interesting when it is possible to learn about astronomy. What one passes in the Plymouth. It is the wind slamming the doors. All that is nearly incommunicable to my friends. Velocity and throat verisimilitude. Were we seeing a pattern or merely an appearance of small white sailboats on the bay, floating at such a distance from the hill that they appeared to be making no progress. And for once to a country that did not speak another language. To follow the progress of ideas, or that particular line of reasoning, so full of surprises and unexpected correlations, was somehow to take a vacation. Still, you had to wonder where they had gone, since you could speak of reappearance. A blue room is always dark. Everything on the boardwalk was shooting toward the sky. It was not specific to any year, but very early. A German goldsmith covered a bit of metal with cloth in the fourteenth century and gave humankind its first button. It was hard to know this as politics, because it plays like the work of one person, but nothing is isolated in history certain humans are situations. Are your fingers in the margin. Their random procedures make monuments to fate. There is something still surprising when the green emerges. The blue fox has ducked its head. The front rhyme of harmless with harmony. Where is my honey running. You cannot linger on the lamb. You cannot determine the nature of progress until you assemble all of the relatives.

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