Gilly Macmillan - The Perfect Girl

Copyright 2016 by Gilly Macmillan

All characters and events in this publication, other than those clearly in the public domain, are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

The Concert

Before the concert begins, I stand inside the entrance to the church and look down the nave. Shadows lurk in the ceiling vaults even though the light outside hasnt dimmed yet, and behind me the large wooden doors have been pulled shut.

In front of me, the last few members of the audience have just settled into their places. Almost every seat is full. The sound of their talk is a medium-pitched rumble.

I shudder. In the heavy heat of the afternoon, when I was sweaty and tired after rehearsing, I forgot that it could be cold in the church even when the air was oven hot outside, so I chose a little black dress to wear this evening, with skinny straps, and now Im feeling the chill. My arms are covered in goose pimples.

The doors to the church have been closed, sealing out the heat, because we dont want outside noise to disturb us. This suburb of Bristol isnt known for its rowdy inhabitants, but people have paid good money for their tickets.

And its not just that. The thing is that this concert is my first performance since I left the Unit, and my first performance as part of my Second Chance Life.

As my mum said, only about a hundred times today, This performance must be as perfect as its possible to be.

I glance at Lucas, whos standing beside me. Only a millimetre or two of air separates us.

Hes wearing black trousers that my mum put a crease in this afternoon, and a black shirt. He looks good. His dark brown hair is just about tamed into neatness, but not quite, and I think that if he was bothered to, he could make those girls who are still lame enough to read vampire romance stories wilt.

I look good too, or I will when the goosebumps subside. Im small-boned, I have pale, clear skin, and my hair is long and very blonde but thin: cobweb-caught-in-sunlight hair, which looks amazing against my black dress. In the right light my hair can look white, and this gives me a look of innocence.

Like a baby deer, fragile, delicate was how the prosecutor described me, which I thought was quite nice, though it still hurts me to remember that she added but dont be fooled.

I flex my fingers, and lace them together to make sure the gloves Im wearing are fitting extra snugly, the way I like them, and then I put my arms to my sides and shake them, to get my hands moving. I want my fingers to be warm, and flexible. I want them pulsating with blood.

Beside me, Lucas shakes his hands too, slowly, and one at a time. Pianists catch hand shaking from each other like other people catch yawns.

At the far end of the nave, in front of the altar, the grand piano stands on a low platform, its hammer and string intestines reflected on the underside of the propped-up shiny black lid. Its waiting for us. Lucas is staring at it, completely focused, as if it represents a vertical glacier that he has to ascend with his bare hands.

We have different approaches to nerves. He becomes as still as possible, he starts to breathe through his nose, slowly, and he wont respond to anybody.

In contrast, I fidget, and my mind cant rest because it has to run through the things I have to do, in the order I have to do them in, before I begin to perform. Its not until I play the first note that the concentration I need, and the music itself, will wrap around me, pure and white like a shroud, and everything else will disappear.

Until that point, Im sick with nerves, just like Lucas is.

Beside the piano, a lady has been introducing the concert, and now she gestures towards us, and then sort of scrapes and bows her way off the stage.

Its time for us to go on.

I pull my gloves off quickly, and drop them on to a table beside me where the coffee and catechism leaflets are, and Lucas and I walk together down the aisle as if were play-acting a wedding. As we do, the heads of the audience turn to look at us, each row triggering the next.

We walk past my Aunt Tessa, whos in charge of a video recorder thats been set up to record our performances. The idea is to replay them later, to analyse them for imperfection, and identify areas where improvement can be squeezed out of us.

Tessa is squinting a bit nervously at the camera as if it might turn round and lick her face, but she gives us a thumbs-up. I love Tessa, shes like a much more chilled-out version of my mum. She has no kids of her own and she says that makes me all the more special to her.

The other faces in the church smile as Lucas and I walk between them, creasing deeper into expressions of encouragement as we approach. Im seventeen now, but Ive known this look since I was a little child.

Mum describes these sorts of people as our supporters. She says theyll turn up to watch time and time again if we play well, and theyll tell their friends. I dont love the supporters, though. I dont like the way they come up to you at the end of a concert and say stuff like, You have such a gift, as if piano playing isnt something that you work on day in and day out, if you want to make it perfect.

You can almost see the word genius flashing up like a neon sign in their minds, temptingly bright. Beware that sign, I would say to them, if they asked. Be careful what you wish for, because everything has a price.

In the front row of the church, the last pair of faces I focus on belong to my mum, and Lucass dad. Or, to put it another way, my stepdad and his stepmum, because Lucas and I are step-siblings. As usual, theyre wearing the too-bright expressions of parents who are disguising a level of ambition for their children that could choke you.

Lucas is ahead of me by the time we get to the end of the aisle and hes already taking his seat as I step up on to the platform where the piano sits.

Were going to start by playing a duet. Its a crowd pleaser, the brainchild of our parents. Plus, they think itll help us to calm our nerves if we play together at the beginning.

Lucas and I would both rather play alone, but we humour them, partly because we have no choice, and partly because were both performers at heart and a performer wants to perform, needs to perform, loves to perform.

A performer is trained to perform.

So well do it, and well do it as well as we can.

As I sit down at the piano, I keep my back straight and Im smiling for the audience even though my insides have constricted and twisted so they feel like a ball of elastic bands. But I dont smile too much. Its important that I look humble too, that I get my performance face just right.

Theres a bit of faff while Lucas and I get settled and adjust the piano stools. We already know that theyre perfectly positioned, because we tried out the piano before everybody arrived, but still we fiddle about with them, the spacing of them, a tiny height adjustment. Its part of the performance. Its nerves. Or showmanship. Or both.

Once were both sitting perfectly, I place my hands over the keys. I have to work hard to control my breathing because my heart is hammering but my focus sharpens on to the music thats ahead, all of me waiting to hear those first notes now, like a starting gun at the beginning of a race.