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Dell Upton - Architecture in the United States (Oxford History of Art)

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American architecture is astonishingly varied. From Native American sites in New Mexico and Arizona, and the ancient earthworks of the Mississippi Valley, to the most fashionable contemporary buildings of Chicago and New York, the United States boasts three thousand years of architectural history. It is characterized by the diversity of its builders and consumers who include Native American men and women, African, Asian, and European immigrants, as well as renowned professional architects and urban planners. Leading historian Dell Uptons revolutionizing interpretation examines American architecture in relation to five themes: community, nature, technology, money, and art. In giving particular attention to indigenous, folk, ethnic, and popular architectures like Chaco Canyon, the Brooklyn Bridge, and Native American houses, as well as to the great monuments of traditional histories such as Jeffersons Monticello and Wrights Fallingwater, Architecture in the United States reveals the dazzling richness of Americas human landscape.

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title Architecture in the United States Oxford History of Art author - photo 1

title:Architecture in the United States Oxford History of Art
author:Upton, Dell.
publisher:Oxford University Press
isbn10 | asin:019284217X
print isbn13:9780192842176
ebook isbn13:9780585211480
language:English
subjectArchitecture--United States, Ethnic architecture--United States.
publication date:1998
lcc:NA705.U78 1998eb
ddc:720/.973
subject:Architecture--United States, Ethnic architecture--United States.
Page 3
Oxford History of Art
Architecture in the United States
Dell Upton
Oxford NewYork
OXFORD UNIVERSITY PRESS
1998
Page 4
Oxford University Press, Great Clarendon Street, OxfordOX2 6DP
Oxford NewYork
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Taipei Tokyo Toronto
and associated companies in Berlin Ibadan
Oxford is a trade mark of Oxford University Press
Dell Upton 1998
First published 1998 by Oxford University Press
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the proper permission in writing of Oxford University Press. Within the UK, exceptions are allowed in respect of any fair dealing for the purpose of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, or in the case of reprographic reproduction in accordance with the terms of the licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside these terms and in other countries should be sent to the Rights Department, Oxford University Press, at the address above
This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser
British Library Cataloguing in Publication Data
Data available
Library of Congress Cataloging in Publication Data
Data available
0-19-284217-XPbk
0-19-284253-6 Hb
10 9 8 7 6 5 4 3 2 1
Picture Research by Elisabeth Agate
Designed by Esterson Lackersteen
Printed in Hong Kong
on acid-free paper by
C & C Offset Printing Co., Ltd
Page 5
Contents
Acknowledgements
7
Map
8
Introduction
11
Chapter 1
An American Icon
17
Chapter 2
Community
57
Chapter 3
Nature
107
Chapter 4
Technology
149
Chapter 5
Money
187
Chapter 6
Art
247
Notes
284
List of Illustrations
290
Bibliographic Essay
298
Timeline
316
Index
326

Page 7
Acknowledgements
For such a short book, this one has accumulated an extraordinary number of debts that I am delighted to acknowledge. Annmarie Adams, Daniel Bluestone, Betsy Cromley, Susan Garfinkel, Marlene Heck, Greg Hise, Zeynep Kezer, Bill Littmann, Richard Longstreth, Bruce Thomas, Abby Van Slyck, and David Vanderburgh all read the original proposal and made such excellent and pointed suggestions that I discarded it entirely. Their comments contributed significantly to giving the book its present shape. So did the students in Architecture 174A in the spring of 1996, who sat through my first attempts to work out these ideas in lectures.
Tom Carter, Betsy Cromley, Paul Groth, and Marlene Heck read the entire manuscript and helped make it much better than it would have been. In addition, Catherine Bishir, Margaretta Lovell, Roger Montgomery, and Christine Rosen read portions, to equally good effect. I am grateful to them all.
Several friends contributed vital bits of information, photographs, and access to buildings, for which I thank Bill Beiswanger, Tom Carter, Meredith Clausen, Jeff Cohen, Galen Cranz, Betsy Cromley, Sam Davis, Dennis Domer, Jim Gregory, Greg Hise, Lynne Horiuchi, Zeynep Kezer, Travis McDonald, Robert St George, Ellen Weiss, and Sibel Zandi-Sayek.
Among the books I have published this has been the one I have enjoyed most by far. Credit goes to the vision and expertise of Simon Mason and Katie Jones at Oxford University Press. Special thanks to Lisa Agate, whose imaginative approach to picture research made an onerous task fun.
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