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Neely Tucker - Only the Hunted Run

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The test of a crime series is its main character, and Sully is someone well want to read again and again. Lisa Scottoline The test of a crime series is its main character, and Sully is someone well want to read about again and again. Lisa Scottoline, The Washington Post Fast-moving and suspenseful with an explosively violent conclusion. Bruce DeSilva, Associated Press Tuckers Sully Carter novels have quickly sneaked up on me as one of my favorite new series. Sarah Weinman, The Crime Lady The riveting third novel in the Sully Carter series finds the gutsy reporter investigating a shooting at the Capitol and the violent world of the nations most corrupt mental institution In the doldrums of a broiling Washington summer, a madman goes on a shooting rampage in the Capitol building. Sully Carter is at the scene and witnesses the carnage firsthand and files the first and most detailed account of the massacre. The shooter, Terry Waters, is still on the loose and becomes obsessed with Sully, luring the reporter into the streets of D.C. during the manhunt. Not much is known about Waters when he is finally caught, except that he hails from the Indian reservations of Oklahoma. His rants in the courtroom quickly earn him a stay at Saint Elizabeths mental hospital, and the paper sends Sully out west to find out what has led a man to such a horrific act of violence. As Sully hits the road to see what he can dig up on Waters back in Oklahoma, he leaves his friend Alexis to watch over his nephew, Josh, who is visiting DC for the summer. Traversing central Oklahoma, Sully discovers that a shadow lurks behind the Waters family history and that the ghosts of the past have pursued the shooter for far longer than Sully could have known. When a local sheriff reveals the Waterses deep connection with Saint Elizabeths, Sully realizes he must find a way to gain access to the asylum, no matter the consequences.

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Neely Tucker Only the Hunted Run The third book in the Sully Carter series - photo 1

Neely Tucker

Only the Hunted Run

The third book in the Sully Carter series, 2016

for my parents

who did not throw me off the fire tower on hwy 12

though

god knows

i gave them reason

And indeed there will be time

For the yellow smoke that slides along the street,

Rubbing its back upon the window-panes;

There will be time, there will be time

To prepare a face to meet the faces that you meet;

There will be time to murder and create

T. S. Eliot, The Love Song of J. Alfred Prufrock

ONE

HE COULDNT COUNT the shots for the screaming. It was coming from everywhere. Jesus, the noise. Bouncing down the marble steps, over the stone floors, around the columns, echoing down the long corridors. Women. It was mostly women screaming, but there were men yelling, too, all bass and fury, bellowing that theyd been hit.

The woman across from him in the Crypt of the Capitol building was bleeding out. Shot through the chest. She had been screaming but now she was just whimpering. The blood oozing over the stone floor beneath her was darker now, a maroon tidal pool, moving steadily outward.

The shots had been pop pop popping, an automatic at work. But now they were sporadic and far away and seemed more to be echoes than original sound and he had no idea how many gunmen were in the building or where they were.

Sully Carter, tucked between two of the double columns that formed the outer ring of the Crypts sandstone beams, looked toward the center of the circular room, then to the outer walls. Ten, maybe a dozen others, cowering between columns or under display cases. Some wounded, some taking cover. Nobody said anything. They were all breathing heavily. Looking, the lot of them, like passengers on a plane with no pilot.

Well, fuck this.

He blew out his breath and scrambled on all fours until he got to the shot woman. She was flat on her back. He took her hand and knelt beside her, breathing hard with the effort, the adrenaline. She had two hits, the upper chest and the abdomen. The blood pumping out of her was a river. She opened her eyes when he squeezed her hand, but the light in them was faint.

Can you hear me? he whispered. Hey? Squeeze if yes. Well get out the door. He jerked his head to the right, toward the exit. Which, when he looked at it now, with the prospect of carrying her, looked a mile and a half away.

She had curly brown hair, green eyes, little blue stud earrings, and too much makeup. Her mascara was running. Early thirties. A lanyard around her neck with a badge. She was wearing a navy skirt and a white blouse, untucked and gone mostly red, with a smart navy jacket over it. One of her shoes, black pumps, had come off. Heavyset. If he got one arm under her knees and another behind her back no. Never. Shed be limp as a dishrag, and forty pounds too heavy. Hed have to heave her over a shoulder.

You squeeze me? Like this? He gave her a series of rapid-fire squeezes. She blinked and her mouth parted. A gossamer-thin bubble of saliva, tinged red, came up from her lips, ballooned, and-as Sully watched, transfixed-burst.

She did not squeeze.

Goddammit, he said.

The blood pumping through her blouse settled into a desultory flow. She stared at him, and there was the stillness, the letting go, the hand coming off the trapeze bar, and she was floating, floating, the ground a forgotten thing, just floating into the void. He felt dizzy for a second. He did not want to let go.

There was scrambling behind him. The rest of the survivors were coming out of hiding, abandoning their safe spots, running like hell for the exit or back down the hallway to the Senate side, away from the gunfire.

Somewhere, someone pulled the fire alarm.

Sully looked at his watch. A little after five. He had been in the building maybe an hour, filling in for Clarice. It was August in Washington, the worst time of year, the absolute worst. Everybody who was anybody was on vacation. Sully, who was not quite anybody, was working, like the stragglers in the Capitol building: stuck in the city, the heat a hammer that hit you in the face.

Hed been assigned a bullshit story about environmental regulations governing oil drilling in the Gulf. The desk handed it to him because the Gulf was back home and they thought hed know something about it. And because he was a warm body dumb enough not to be in the Outer Banks or the Caribbean this time of year. Then, in the sagging hours of this afternoon errand, there had come the burst of automatic weapons fire, the bleeding and screaming, everything going out of focus and off kilter, the modern American nightmare. The national anxiety during the Cold War had been a Russian nuclear strike, millions of god-fearing Americans vaporized in an instant. By the turn of the century, the national anxiety had devolved into a crazy man with a gun, god-fearing Americans picked off half a dozen at a time. Slow motion suicide instead of instant annihilation.

The woman on the floor beside him had, no kidding, stopped breathing.

The hand in his was still warm but it wouldnt be for long. He gave it a final squeeze and then pushed himself up, shaking a little now. Looked down the hallway to the exit. Sunshine and safety. Part of him, at this point in his life, longed for it. But he was at work, and you did your job because nobody ever made anything better by running from it.

Sitting up, he slid his hard-soled shoes from his feet and left them beside the dead woman. The last thing he needed, going to find the man with the gun, was his shoes telling the bastard where to shoot.

Quickstepping in his socks, he gimp-legged it into the heart of the building, finding a circular marble staircase. He brought his eyes up, brought his eyes up hard, and his feet followed, hewing close to the rail, back hunched over to lower his profile, hitching his bad leg along as best he could, up the steps, now six, now eight, the screaming getting closer-Sully Carter alone in the core of the building that symbolized Americas allegedly invincible power, and his isolation telling him with every step that something had gone terribly wrong.

TWO

CRISSCROSSING HIS STEPS, watching the shooting angles, he made his way up the marble staircase, lowering his hips, bending his knees. Two more pop pops stopped him. The acoustics of the building, the stone and marble, the arched ceilings, turned it into an echo chamber. You couldnt tell what was coming from where.

He felt some nameless thing creeping up his spine and spreading out through his nervous system, little Day-Glo electrical dots flying down the bundles of the nerve fibers buried under his flesh, conducting not a knuckle-whitening sense of fight or flight, but of calm.

That was it. The sensation flowing through his body, right down to the tips of his fingers and the far reaches of his toes, was that of antifreeze in a running engine, a coolant, like what bourbon so often had done for his kicked-around and possibly damaged brain. His heart rate slowed and his breathing deepened. Day-to-day stress drove him up the wall.

Chaos suited him.

He came out of the crouch at the top of the steps and, gaining the edge of the Rotunda, his eyes scanned the upper reaches of the atrium. Sounds, colors, stillness. Also: a bloodied mess. Five, six, seven bodies lay in the open, tiled expanse. Two were in uniform. The grand statues looked on, mute. Light streamed in from above.

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