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Dorothy Barresi - All of the Above (Barnard New Women Poets Series)

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All of the Above (Barnard New Women Poets Series): summary, description and annotation

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Winner of the 1990 Barnard New Women Poets Prize.

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Page xvii
Picture 1
The milkie way, the bird of Paradise,
Church-bels beyond the starres heard, the souls bloud,
The land of spices, something understood.
George Herbert
"Prayer (I)"
Picture 2
Rave on!
Buddy Holly
Page 1
The Back-Up Singer
for C., for the original Coconuts
The Father of the Stethoscope:
Ren Theophile Hyacinthe Lannec,
mellifluous name.
In 1816 he rolled a cornet de papier, then held it
against the first chest
of the first heart to open its argument
to another man that way, through flesh
and conducting bone. Later
the instrument was crafted of wood, and a small hole bored
for the passage of human sound.
Is it wrong to want to be the only one?
To wish the wedding ring of the spotlight
slipped over me in a moment
that finally holds?
Houselights rise then lower like the rush of blood
through narrowed vessels.
The cymbal solo and high hat
shimmer me forward, but in the blur
and slip of horns I'm singing do wop
and shing, shing-a-ling
behind a lame pimp and his big-haired girls.
I like to read the old school books.
The page of Ren Lannec
turned down in particular, and nearly worn through,
which is also the nature of hope.
A young girl's hands turned
whole lifetimes down.
Page 2
I'd listen to the telegraphing night bugs'
double ardor, and eventually to darkness
siphoned off by dawn
like the sounds I'd make with my perfect pitch
and years of training under that same blue
no-protection sky.
But there are planetary systems in the blood.
A grand opera of fate brings chances
we can't see but choose somehow.
Later, we see how we went wrong.
Now August says he never, ever
wanted anyone so badly. But there's rehab first,
and the business with his wife.
And the last abortion having left
a disability of my womb
I've come to think of as a million tiny birdsfeet tracking
over muddied ground. Some nights
it's too much like this
on the girls' bus. Regret or Spend It Now,
towels around our throats.
More often it's regret
rolling its bullet casings at our feet
Lissanne, Yvette, me
its spent and blackened flashbulbs.
Then I recall the lessons I never quite learned
for their sweetness alone.
On a single mating flight
the queen bee will store enough spermatozoa
to hold her the rest of her working days.
Page 3
In the blue runways of iris and morning glory,
from ultraviolet
nectar guides, she'll fertilize as she goes.
Call it love that keeps me here.
Call it the final, female talent for demurring
when life takes over.
I call it a living, discovering at sixteen
that come in my mouth doesn't taste
remotely like white flowers.
Ten years later I'm waiting for the bus to stop
or lurch me to my next home.
I'm housewife to an act that pays and pays and pays.
Under lights hotter than God
I activate the angels in my voice and take
three steps backward, cha cha cha.
But I call it a science more mine
than either sex or shame
to be this alone, in time, among others.
Some days I get up before noon just to hear
the first notes of the treble world
break from my throat
over the heads of everyone listening but me.
Page 13
Cinderella and Lazarus, Part II
Picture 3
And all the question marks began singing of God's being.
Tomas Transtrmer, "C Major"
"If the crown fits, wear it," the Prince always crowed.
Have a heart, the moon says now, the same one
the dish & the cow & the spoon
had dealings with.
One life's enough for anyone.
Did we mention that we began in ashes?
Bone-grave, small town,
our mourning mothers and sisters swatted back
the way a white horse
swats heat, sometimes hitting a fly;
later our gramophone, prized possession,
stiffened to a morning glory
with rigor mortis.
The wind roared like nothing in our ears, then nothing.
Kidney pills for kidney stones.
Forty years we've gone on dancing.
The shoe's on the other foot,
but we are always exactly the same couple
in original rags
older than God, than dirt,
Page 14
doing the Lindy, the Bop, the oh
restless for consummation tango.
Not now death; but now, now.
Even his hands spoke in radical tongues.
Page 15
At the Pioneer Valley Legal Clinic
All eyes are lowered
in the waiting room of my final visit.
Xerox machines whir,
operating like any human heart
by lights and memory
next time, next time, next...
From down the hall
a lecture sponsored by the Whiplash Club,
"Why Pain Does Not Make Us Special."
The clock ticks out Emergency
in minutes. All morning
I have carried what is left of my marriage
in a strongbox rusted, come
slightly unhinged.
It isn't heavy. Inside,
disappointment weighs nothing more
than, say, a child's pink bunny jacket
with its own two sleeves
tied together.
Now in the narrow
plastic seat hooked to all the others
as if this were an airport
or parochial school, I'm shifting, anxious
for what lies waiting
on the other side of a dotted line.
When a lawyer with hair blue as gunmetal bends close,
eyes full of rented grief,
I know what to do.
Page 16
I say No Fault.
For once I do not call it train wreck, cruel
cosmic prank or house on fire.
I say, ''I believe in precision
beyond blame, and second chances
even those unasked for
can be legal, binding."
I say, "Party of the first part."
I say, "We are all adults here," and when I do
parolees nodding off in the corner
moan a little, stirring,
the white perfume of documents
rising fiercely from their wrists.
Page 17
Nine of Clubs, Cleveland, Ohio
Thursday night: Progressive
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