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Bassey Ikpi - I’m Telling the Truth, but I’m Lying: Essays

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Bassey Ikpi I’m Telling the Truth, but I’m Lying: Essays
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I’m Telling the Truth, but I’m Lying: Essays: summary, description and annotation

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A deeply personal collection of essays exploring Nigerian-American author Bassey Ikpis experiences navigating Bipolar II and anxiety throughout the course of her life.
Bassey Ikpi was born in Nigeria in 1976. Four years later, she and her mother joined her father in Stillwater, Oklahoma a move that would be anxiety ridden for any child, but especially for Bassey. Her early years in America would come to be defined by tension: an assimilation further complicated by bipolar II and anxiety that would go undiagnosed for decades.
By the time she was in her early twenties, Bassey was a spoken word artist and traveling with HBOs Russell SimmonsDef Poetry Jam, channeling her experiences into art. But something wasnt rightbeneath the faade of the confident performer, Basseys mental health was in a precipitous decline, culminating in a breakdown that resulted in hospitalization and a diagnosis of Bipolar II.
Determined to learn from her experiencesand share them with othersBassey became a mental health advocate and has spent the fourteen years since her diagnosis examining the ways mental health is inextricably intertwined with every facet of ourselves and our lives. Viscerally raw and honest, the result is an exploration of the stories we tell ourselves to make sense of who we areand the ways, as honest as we try to be, each of these stories can also be a lie.

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A part of me was writing nonfiction short stories about things I remembered, while another part was preserving the lies I tell myself to ensure the truth doesnt kill me. This book is about those truths and the ways in which we parcel fact in order to survive.

T HROUGHOUT HER EARLY CHILDHOOD in Nigeria and adolescence in Oklahoma, Bassey Ikpi lived with an overload of emotions, cycling between extreme euphoria and deep depressionsometimes within the course of a single day. In her early twenties, Bassey became a spoken word artist and traveled with HBOs Def Poetry Jam, channeling her experiences into art. But beneath the faade of the confident performer, the symptoms from her childhood were building and Basseys mental health was in a precipitous decline, culminating in hospitalization and a diagnosis of bipolar II.

In Im Telling the Truth, but Im Lying, Bassey Ikpi breaks open our understanding of mental health by giving us intimate access to her own. Exploring shame, confusion, medication, and family in the process, Bassey looks at how mental health impacts every aspect of our liveshow we appear to others, and, most important, to ourselvesand challenges our preconceptions about what it means to be normal. Viscerally raw and honest, the result is an exploration of the stories we tell ourselves to make sense of who we areand the ways, as honest as we try to be, each of these stories is also a lie.

For Eugie, my first love and still the most beautiful woman

Ive ever known. For Daddy, who has always been my hero.

For the loves of my life: Kanke, Jesam, Kebe, and Elaiwe.

All Ive ever wanted was to make you

proud. I hope theres still time.

History. Lived not written, is such a thing not to understand always, but to marvel over. Time is so forever that life has many instances when you can say, Once upon a time thousands of times in one life.

J. California Cooper, Family

Perhaps it is just as well to be rash and foolish for a while. If writers were too wise, perhaps no books would get written at all. It might be better to ask yourself Why? afterward than before.

Zora Neale Hurston, Dust Tracks on a Road

Contents

T HERE WILL BE NEW lines. New ways your face will fold and crease. Your right eyebrow will thin; the left will wither away entirely. You still have not learned the proper way to build a face. Your eyeliner, like your life, is thick and uneven. See how your cheeks droop. You will brush blush across them, etch angles into your faceattempt to contour a presumption of prominence, even as your cheekbones lean down towards your swollen lips.

Someone once told you, You always look like youve just been kissed and left. He told you this before anyone had ever covered your mouth with theirs, but so many have kissed and left so many times since then; you wonder if you should find him and ask him to remove the curse.

Your mouth is too full of regrets to age properly. But the forehead holds spots and wrinkles and let us not forget the constellation of marks and freckles that circles the eyes. They are beauty marks now; in five years, they will be moles. There will be whispers of removal, they will say, possibly cancerous, you will beg to keep them. You are proud of the way the night loved you so much it offered you stars for your face. That is what your grandmother told you. And do grandmothers lie? Not when she held the same face. This face she gave your mother, silently asking her to pass it on. And she did.

Only a woman so small and wise could give birth to herself so many times.

I NEED TO PROVE TO you that I didnt enter the world broken. I need to prove that I existed before. That I was created by people who loved me and had experiences that turned me into these fragmented sentences, but that I was, at one point, whole. That I didnt just show up as a life already destroyed.

The problem is that I dont remember much about my childhood and have only fragments of everything else. The things I do remember, I remember with a stark clarity. The things Ive forgotten are like the faded print on stacks of old newspaper, yellow and so brittle that to touch them risks their turning to dust. Pages left for so long that you cant remember why they were saved. These headlines have no clues; theyre just proof that there was a history, that a thing happened on a day before today. My childhood is all that ink-faded newsprint on yellowed paper, with only a few words, sometimes just a few letters, that can be made out.

My memory isnt empty. It isnt blank. It isnt dust or moth filledit is a patchwork of feelings and sensations. The way the air smells when a plantain is fried in an outdoor kitchen. The gentle yet firm way the breeze moves when a rain is headed towards Ugep. The subtle shift in energy when a visitor approaches the compound. I dont know if it was Tuesday or May or if anyone else was there. I can assume they were, because why would I have been alone, but I also cant assume because my brain doesnt remember it that way.

I feel like most people remember in orderfirst, then second, and finallylinear narratives like the ones we were taught in school. I could be wrong, my relationship with normal is tenuous at best. All I know for certain is that my memory is moment and emotion and then moment and then moment and then what I think could have been a moment because I need an explanation as to why my heart spins and ducks when the name is mentioned or when a story feels far more familiar than empathy alone allows. I remember the minor pains and extreme joysbut I know that my brain protects me by disowning the dangerous memories. Lets change this over, my brain says. Lets make sure that when we return, it will be less tsunami and more leaky drip.

This is what we do.

* * *

I REMEMBER THE RUSTED slide at crche, preschool, in Nigeria. The sting of iodine or alcohol when someoneI dont remember whotreated the cut on the backs of my thighs, that returns every time there is a fresh split or cut or scraping of a layer from my skin. The phantom paper cuts that go unnoticed until the blood appears and, with it, the memory and stench and sting of iodine or alcohol.

* * *

I REMEMBER MY MOTHER, her face like sun-soaked clay. Beautiful before I knew there was a word for the way her face glowed and how her smile hypnotized your own lips to lift and spread. Your mother is so beautiful, everyone always said, and I would nod because she was something, and if beautiful was the word, then she was the only one it belonged to.

I remember my mother, appearing and disappearing at will. In my memory, she arrived right before my fourth birthday. I recognized her from the framed pictures that lined the walls in my little bedroom in Ugep. A photo of her standing, smiling into the unseen camera, her hair a halo around her head. Photos of her with a younger, chubbier baby me in her arms or straightening my dress or patting my hair into shape. Her eyes were kind, but sometimes held a fear I didnt understand. She liked to grab me and pull me into her, not just a hug but a signal: a reminder to us both that I was hers. Not the aunties, not the grandmothers, not the villages. Hers.

One day, during her visit, she noticed that I didnt call her Mommy. Her name is Okwo, but others called her Eugie, short for her English name, Eugenia, and I had joined them. Eugie sat me on her lap and stared intensely into my eyes. Her pretty face set with determination: Mommy, she said. Mommy. Mom-my. She repeated the word over and over again, asking me to join her and so I did, both of us chanting in unison, Mommy. Mommy. Mommy. I giggled and clapped at our new game. She smiled and chanted with me. Once she was satisfied, she let me off her lap to go and play. I ran off yelling, Mommy! Mommy! Mommy! at the top of my lungs.

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