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Maya Shanbhag Lang - A Memoir: A Memoir

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Maya Shanbhag Lang A Memoir: A Memoir

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Maya Shanbhag Lang grew up idolizing her brilliant mother, an accomplished physician who immigrated to the United States from India and completed her residency all while raising her children and keeping a traditional Indian home. Mayas mother had always been a source of supportuntil Maya became a mother herself. Then the parent who had once been so capable and attentive became suddenly and inexplicably unavailable. Struggling to understand this abrupt change while raising her own young child, Maya searches for answers and soon learns that her mother is living with Alzheimers.Unable to remember or keep track of the stories she once told her daughterstories about her life in India, why she immigrated, and her experience of motherhoodMayas mother divulges secrets about her past that force Maya to reexamine their relationship. It becomes clear that Maya never really knew her mother, despite their close bond. Absorbing, moving, and raw, What We Carry is a memoir about mothers and daughters, lies and truths, receiving and giving care, and how we cannot grow up until we fully understand the people who raised us. It is a beautiful examination of the weight we shoulder as women and an exploration of how to finally set our burdens down.

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WHAT WE CARRY is a work of nonfiction Some names and identifying details have - photo 1
WHAT WE CARRY is a work of nonfiction Some names and identifying details have - photo 2

WHAT WE CARRY is a work of nonfiction. Some names and identifying details have been changed.

Copyright 2020 by Maya Shanbhag Lang

All rights reserved.

Published in the United States by The Dial Press, an imprint of Random House, a division of Penguin Random House LLC, New York.

T HE D IAL P RESS is a registered trademark and the colophon is a trademark of Penguin Random House LLC.

Library of Congress Cataloging-in-Publication Data

Names: Lang, Maya, author.

Title: What we carry: a memoir / by Maya Shanbhag Lang.

Description: First edition. | New York: The Dial Press, [2020]

Identifiers: LCCN 2019018845 | ISBN 9780525512394 (hardback) | ISBN 9780525512400 (ebook)

Subjects: LCSH: Lang, Maya. | Lang, MayaFamily. | Women authors, AmericanBiography. | East Indian American womenBiography. | Mothers and daughtersUnited StatesBiography.

Classification: LCC PS3612.A55425 Z46 2020 | DDC 813/.6 [B]dc23

LC record available at https://lccn.loc.gov/2019018845

Ebook ISBN9780525512400

randomhousebooks.com

Book design by Debbie Glasserman, adapted for ebook

Cover images: (mother and daughter) Atul Tater/Getty Images; (flowers) detail from Lovers on a terrace by a moonlit lake, from the Small Clive Album (opaque w/c on paper), Mughal School (18th century) / Victoria & Albert Museum, London, UK / The Stapleton Collection / Bridgeman Images

ep_prh_5.5.0_c0_r0

Contents

Illusion is the first of all pleasures.

VOLTAIRE

We tell stories in order to live.

JOAN DIDION

You your best thing, Sethe. You are.

TONI MORRISON

Prologue
Mayudi I want to tell you a story my mother told me My daughter was nine - photo 3

Mayudi, I want to tell you a story, my mother told me.

My daughter was nine days old. Overwhelmed by the new demands of motherhood, I had turned to my mom for support. I wanted her to listen in her sympathetic way, to take up my feelings, to murmur in agreement as she did. Always, after talking to my mom, I felt better.

Once, she began, there was a woman in a river. She held a child in her arms, her son

Wait, I interrupted, puzzled, is this an Indian story? A myth? I wondered if my mom was about to launch into a Hindu legend involving Lakshmi or some other goddess struggling in the Ganges.

Just listen, my mom admonished. She cleared her throat.

Once, she began again, there was a woman in a river. She held a child in her arms. Her son. She needed to cross the river, but it was much deeper than expected. As the water reached her chest, she panicked.

She saw that she had a choice. She could save herself or she could save her child. They would not both make it. What does she do?

Listening, I felt restless. I didnt know what this riddle had to do with me or why my mom was telling it. Besides, I knew the answer without having to give it much thought. The woman would sacrifice herself for her child. It was how all stories of motherhood went, particularly Indian myths. I said so to my mother, expecting her to agree. But she surprised me.

We do not know the outcome, she told me. We do not know what the woman in the river chooses. Until we are in the river, up to our shouldersuntil we are in that position ourselves, we cannot know the answer. We tell ourselves we will sacrifice ourselves for our children, but the will to live is very strong.

Her words astonished me. A woman choosing herself! The mere possibility felt audacious.

We must not judge, my mom continued. That is the real lesson of the story. Whatever a woman decides, it is not easy.

This wasnt how my mother usually spoke. She had sacrificed everything for her children, a fact she liked to allude to as often as possible. Hearing her acknowledge maternal selfishness was jarring. Strangely, though, it comforted me.

Practical by nature, a scientist by trade, my mom usually simplified matters, boiling them down to their essence. Forthright, blunt, she was the person who had all the answers, who did not suffer from self-doubt, yet here she was, acknowledging nuance and the possibility that life might be more complicated than easy answers permit.

I wasnt sure what to make of this new side of her. While part of me welcomed it, I was an exhausted new mother. I wanted her to cut to the chase: to tell me how to manage motherhood, to describe what she had done. I wanted her to be who she had always been. When I most craved clarity, she had given me an enigma.

I didnt understand that she was trying to give me the answers I sought. She just didnt know how. Her attempt was circuitous and clumsy. Instead of being blunt, she was being coy.

In the years to come, I would often think of the woman in the river, up to her chest in rising waters, paralyzed by fear and indecision. Eventually, as I learned the truth about my mothers choices, I would see my familys story captured in the tale. I had been right to be restless when my mom first told me that story. I had known on some level that she was being evasive. What I hadnt realized was that, through fiction, she was trying to come clean.

The story was her way of owning up to what she had long hiddento help me see what had always been before my eyes.

1 I am six months pregnant living in a city that feels utterly alien to me - photo 4
1
I am six months pregnant living in a city that feels utterly alien to me - photo 5

I am six months pregnant, living in a city that feels utterly alien to me, talking on the phone, as I so often do, with my mother. Talking to her makes me feel less isolated, more assured, though on this particular day our conversation takes a strange turn.

I am thinking of taking an easier job, she says, now that I am old.

Mom, I scoff, youre not old.

Soon I will be sixty-five.

Thats two years away!

I must face reality. I can no longer be who I was.

I go quiet, unsure if I am supposed to argue with her or not.

My mom has a history of abrupt decisions. Ten years earlier, when I was in college, she divorced my dad after nearly thirty years of marriage, a shock to our Indian family. She quit her job and moved from Long Island to the unknown suburbs of New Jersey. These decisions werent bad onesId wanted her to divorce my dad for some timebut they were startling for the way she did them, all at once. Why New Jersey? I asked from my dorm room. It was all I could think to say. It will be good for work, she replied. She was right. She landed a dream position running clinical trials for pharmaceutical companies and was happier than I had ever seen her.

However perplexing, her decisions have always worked out. Who am I to doubt her? When I was a girl, there was once a car accident on our street, a motorcyclist flung onto a neighbors lawn. My mom rushed outside and took control of the scene. This is how I picture her, a doctor radiating authority, even in a nightgown. She is the most capable person I know. I may not always understand her, but I have complete faith in her.

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