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Juliana Delgado Lopera - Fiebre Tropical

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Juliana Delgado Lopera Fiebre Tropical

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PRAISE FOR FIEBRE TROPICAL Inventive and heady mixture of Spanish and - photo 1
PRAISE FOR FIEBRE TROPICAL Inventive and heady mixture of Spanish and - photo 2

PRAISE FOR FIEBRE TROPICAL


Inventive and heady mixture of Spanish and English.


WHITE REVIEW


Fiebre Tropical is a story of migration, queerness, brokenness, and love. Juliana Delgado Lopera has written a novel across borders that buzzes with verve, fierceness, and raw emotion. She forks her tongue for this book, weaving English and Spanish in inspired and irreverent prose. This book is absolute music to my ears.


INGRID ROJAS CONTRERAS, author of

Fruit of the Drunken Tree: A Novel


Ay Dios mo! This books got tumbao. With energetic prose and a sharp sense of humor, Delgado Lopera brings us a queer coming-of-age tale that explores diasporic identity from Bogot to Miami, and the complicated ways that religious fervor impacts same-sex desire and ones relationship to community. Delgado Loperas eye for detail is fierce, and this novel is easy to devour.


JOSEPH CASSARA, author of

The House of Impossible Beauties: A Novel


Lit by neon Miami sunsets and the hot glow of the Christian apocalypse, Fiebre Tropical is a literary explosion filled with sweaty Jesus-crazed teens, fainting churchgoers, powerful melodramatic mothers, and drunken grandmothers. In a rollicking, multilingual prose both wise and irreverent, brimming with snark and queer humor, Juliana Delgado Lopera crafts a coming-of-age tale, a coming-out tale, a migration tale weve never read and badly need.


MICHELLE TEA, author of

Against Memoir: Complaints, Confessions & Criticisms


When you drive around town, when you stare out the window, when you wake up in the middle of the night, whether you know it or not, you are waiting for a book like this. Fiebre Tropical is a triumph, and were all triumphant in its presence.


DANIEL HANDLER, author of

Bottle Grove: A Novel


Delgado Loperas riveting new book is propelled as much by its hurricane-force language as by its unforgettable characters: storm-tossed women making the best of their new lives in a new country. This queer coming-of-age novel explores first love, but it also looks at the myriad ways humans find solace and connection.


CAROLINE PAUL, author of

You Are Mighty: A Guide to Changing the World


Fiebre Tropical is a magnificent novel, by turns electric, hilarious, sexy, thrilling, wrenching, and profound. Pa decirlo clarito: Juliana Delgado Lopera is a writer of explosive talent, and this book is a fierce and radiant contribution to queer literature, Latinx literature, and immigrant literature, yes, but also to literature, punto.


CAROLINA DE ROBERTIS, author of

Cantoras: A Novel


Breathless, hungry, funny, funthe new immigrant novel in a knowing, see-all Colombian lesbian voice. Juliana Delgado Lopera does for American literature what Philip Roth did a half century ago: wakes it up! Sacrilegious in the best way, loving, this novel is much needed and alive.


SARAH SCHULMAN, author of

Conflict Is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair


Gorgeously written, tragic and hilarious by turns, Fiebre Tropical is the tale of a teenager from Bogot coming to the United States and coming of age. But more than that, its about a crumbling family of matriarchs gone crazy for religion, and the soul-saving, soul-crushing power of first love. Delgado Loperas voice prickles with tears, outrage, and sharp details that make us believe in her characters, and more importantly, to believe in their survival.


ANNALEE NEWITZ, author of

Autonomous: A Novel

FIEBRE TROPICAL


A NOVEL BY


JULIANA DELGADO LOPERA


Published in 2020 by the Feminist Press at the City University of New York The - photo 3

Published in 2020 by the Feminist Press

at the City University of New York

The Graduate Center

365 Fifth Avenue, Suite 5406

New York, NY 10016


feministpress.org


First Feminist Press edition 2020


Copyright 2020 by Juliana Delgado Lopera


All rights reserved.


This book is supported in part by an award from the National Endowment for the Arts.

This book was made possible thanks to a grant from the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.

No part of this book may be reproduced, used, or stored in any information retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission from the Feminist Press at the City University of New York, except in the case of brief quotations embodied in critical articles and reviews.


First printing March 2020


Cover and text design by Drew Stevens


Library of Congress Cataloging-in-Publication Data

Names: Delgado Lopera, Juliana, author.

Title: Fiebre tropical / Juliana Delgado Lopera.

Description: First Feminist Press edition. | New York, NY : Feminist Press, 2020. | Novel in Spanglish.

Identifiers: LCCN 2019018314 (print) | LCCN 2019019024 (ebook) | ISBN 9781936932764 (E-book) | ISBN 9781936932757 (pbk.)

Subjects: | GSAFD: Love stories.

Classification: LCC PS3604.E44395 (ebook) | LCC PS3604.E44395 F54 2020 (print) | DDC 813/.6--dc23

LC record available at https://lccn.loc.gov/2019018314


PRINTED IN THE UNITED STATES OF AMERICA

For my mom

CONTENTS


CHAPTER UNO

Buenos das, mi reina. Immigrant criolla here reporting desde los Mayamis from our ant-infested townhouse. The broken air conditioner above the TV, the flowery couch, La Tata half-drunk directing me in this holy radionovela brought to you by Female Sadness Incorporated. That morning as we unpacked the last of our bags, wed found Tatas old radio. So the two of us practiced our latest melodrama in the living room while on the TV Don Francisco saluted el pueblo de Miami damas y caballeros! and Tataat her age!to Mamis exasperation and my delight, went girl crazy over his manly voice.

Y como quien no quiere la cosa, Mami angrily turned off the stove, where La Tata had left the bacalao frying unattended, then Lysol-sprayed the countertops, smashing the dark trail of ants hustling some pancito for their colony behind the fridge. Girlfriend was pissed. She hadnt come to the U S of A to kill ants and smell like puto pescado, and how lovely would it have been if the housekeeper could have joined us on the plane? Then Mami could leave her to the household duties and concentrate on the execution of this Migration Project. Pero, al? Is she the only person awake en esta berraca casa?

On the TV, another commercial for Ingls sin Barreras and Luca, La Tata, and I chuckled at the white people teaching brown people how to say, Hello My Name Is. Hello, I am going to the store. Hello, what is this swamp please come rescue us. It was April and hot. Not that the heat dissipated in June or July or August or September or even November, for that matter. The heat, I would come to learn the hard way, is a constant in Miami. El calorcito didnt get the impermanence memo, didnt understand how change works. The heat is a stubborn bitch breathing its humid mouth on your every pore, reminding you this hell is inescapable, and in another language.

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