• Complain

Amy Ephron - A Cup of Tea: A Novel of 1917

Here you can read online Amy Ephron - A Cup of Tea: A Novel of 1917 full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2005, publisher: Harper Perennial, genre: Science fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Amy Ephron A Cup of Tea: A Novel of 1917
  • Book:
    A Cup of Tea: A Novel of 1917
  • Author:
  • Publisher:
    Harper Perennial
  • Genre:
  • Year:
    2005
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

A Cup of Tea: A Novel of 1917: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "A Cup of Tea: A Novel of 1917" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Amy Ephron: author's other books


Who wrote A Cup of Tea: A Novel of 1917? Find out the surname, the name of the author of the book and a list of all author's works by series.

A Cup of Tea: A Novel of 1917 — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "A Cup of Tea: A Novel of 1917" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

One Sunday Morning

White Rose: Una Rosa Blanca

Biodegradable Soap

Bruised Fruit

Cool Shades

A MY E PHRON is a novelist and screenwriter. She is the author of One Sunday Morning, White Rose: Una Rosa Blanca, Cool Shades, Bruised Fruit , and Biodegradable Soap , and lives with her family in Los Angeles.

Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.

Australia HarperCollins Publishers Australia Pty Ltd 25 Ryde Road PO Box - photo 1

Australia

HarperCollins Publishers (Australia) Pty. Ltd.

25 Ryde Road (PO Box 321)

Pymble, NSW 2073, Australia

http://www.harpercollinsebooks.com.au

Canada

HarperCollins Publishers Ltd.

55 Avenue Road, Suite 2900

Toronto, ON, M5R, 3L2, Canada

http://www.harpercollinsebooks.ca

New Zealand

HarperCollinsPublishers (New Zealand) Limited

P.O. Box 1

Auckland, New Zealand

http://www.harpercollins.co.nz

United Kingdom

HarperCollins Publishers Ltd.

77-85 Fulham Palace Road

London, W6 8JB, UK

http://www.harpercollinsebooks.co.uk

United States

HarperCollins Publishers Inc.

10 East 53rd Street

New York, NY 10022

http://www.harpercollinsebooks.com

New York City
January, 1917

A young woman stood under a street lamp. It was difficult to make her out at first because she was standing almost in shadow and the mist from the ground, the rain, and approaching night made the air and the street seem similarly gray and damp. It was dusk. A light rain was falling.

A man walked up and solicited her. It startled her. She shook her head and turned away. Without another thought of her, he hailed a cab which stopped for him at once. She pulled the thin sweater, hardly protection from the rain, tighter around her shoulders as she stepped back from the curb to avoid the spray of dirt and water as the taxi pulled away.

D own the street, a very different scene. In an antique store famous for accepting only quality estates and European shipments where not a speck of dust had ever been allowed to gather on the shelves, a woman, slightly older than the woman under the street lamp, stood in front of a display case. Her name was Rosemary Fell. Her clothing was exquisite. Her dark hair framed her face even though in the morning she had put it up severely but it was of such thickness that no amount of coaxing, particularly in damp weather, could ever get it not to fall, a few moments later, softly around her face. She liked the effect and would sometimes play with one of the curls about her forehead when she wanted to appear as though she was thinking of something. Her stance was casual, almost disinterested, her gloves and coat still on as though she had not yet decided whether she had stopped in long enough to actually consider anything. Mr. Rhenquist, the owner of the antique store, was all over her.

You see, I love my things, he said, in low respectful tones, waiting for her reaction. I would rather not part with them than sell them to someone who has not thathe gestured with his hand displaying a pale green jade ring on his ring finger that Rosemary could not help but noticefeeling of appreciation which is so rare.

He unrolled a tiny square of blue velvet and pressed it on the glass counter with his pale finger-tips. It was an enamel box he had been keeping for her with a glaze so fine it looked as though it had been baked in cream. I saved this for you.

On its lid, a minute creature stood under a flowery tree. A hat, no bigger than a geranium petal, with green ribbons, hung from a branch. And a pink cloud like a watchful cherub floated above the creatures head. Rosemary took her hands out of her long gloves to examine the box.

She set the box down as though she had no interest other than to look at it. She said, after a moment, Its beautiful. And then very casually asked, How much?

For a moment, Mr. Rhenquist seemed not to hear her, or else he was considering the price. For you He leaned in and whispered to her as if it would be impolite to speak of this out loud.

She made a face and then looked vague. She stared at an etched glass figurine on a shelf directly above his head. She reached for her gloves and started to put them on. And then, as she was about to leave, she said, I guess I have no choice, as her eye was caught by something else in the display case.

Rhenquist saw what she was looking at and without a word, took it carefully out of the case and put it on the glass for her to see. It was a letter opener, simple yet ornate, silver slightly etched in gold. She took it in her hand to gauge its weight. Its blade was thin and razor sharp. For a moment, it caught the light from the overhead lamp and glinted slightly.

Ill take it, too, said Rosemary laughing. At least it will be something useful.

Of course, Miss Fell, said Rhenquist as he put the porcelain box carefully in a velvet bag. With a pen carved out of mother-of-pearl, he discreetly scribbled a number on a piece of paper and turned it toward her.

It was fairly extravagant. She could sometimes be such a wasteful thing. But what good was it to have money if one didnt sometime indulge.

Rosemary nodded and reached into her purse for her chequebook. She wrote him a cheque, ripped it from her chequebook, and casually left it on the counter.

Rosemary watched as Rhenquist wrapped the velvet bag and letter opener deftly in brown paper, his pale hands amazing for their dexterity. Nothing rare was ever broken here.

He handed her the parcel and bowed his head slightly. It was clear he would have kept them for her forever. Rosemary smiled and started to leave. As she opened the door, the bells on the shop door jingled slightly.

It was still raining but Rosemary didnt seem to mind as she walked down the street to the flower shop. Smoke was rising from the potholes contributing to the mist and griminess of the city.

On the corner, there was still the shape of the woman standing under the streetlight. It was more than an accident of birth and a length of pavement that separated these two women.

T he salesgirl followed Rosemary as she made her way through the crowded florist shop a few doors down from the antique store. Ill have those and those. Rosemary pointed to some lilies and irises. Four bunches of those. And Ill take those sweet pink roses.

The salesgirl held some lilacs up for her to see.

No, no lilacs. So this next didnt come out too harshly, Rosemary smiled. I hate lilacs. They have no shape. And that smell, you know theyre there before you even walk into the room. She laughed. But give me those stumpy little tulips, the red and white ones. In her mind she was figuring that they would sit prettily in the gray stone vase in her bedroom while the longer stemmed lilies could be arranged downstairs in the dining room in the pewter vase.

Her thoughts drifted to how she might get out of Florence Pembertons invitation to lunch the following day. Flo was always so serious. Flos life was so uneventful. Rosemary would have cut her years ago if it hadnt been for the fact that Florence Pemberton was Philip Alsops cousin and Rosemary had known since she was a little girl that she was going to marry Philip Alsop. But now that the wedding was six months off, couldnt she afford to be a little less attentive to Florence Pemberton or did it require that she be more so?

She seemed distracted as the salesgirl trimmed her flowers and wrapped them in paper. She took some money out of her wallet to pay. And then the salesgirl walked in front of her out of the shop to the car, carrying the immense white paper armful.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «A Cup of Tea: A Novel of 1917»

Look at similar books to A Cup of Tea: A Novel of 1917. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «A Cup of Tea: A Novel of 1917»

Discussion, reviews of the book A Cup of Tea: A Novel of 1917 and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.