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Karen Viggers - The Lightkeepers Wife

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Karen Viggers The Lightkeepers Wife

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A woman at the end of her life, a man unable to restart his, and a history of guilty secrets and things left unsaidthis is a powerful, moving novel of love, loss, and family Elderly and in poor health, Mary fulfills her wish to herself to live out her last days on Bruny Island off of Tasmania, with only her regrets and memories for company. Her late husband was the lighthousekeeper on Bruny, and shed raised a family on the wild windswept island, until terrible circumstances forced them back to civilization. The long-buried secret that has haunted her for decades now threatens to break free, and she hopes to banish it in the time she has left. Marys youngest son Tom loves Bruny as much as she does, and understands her primal connection to the island. Years before he spent a winter working in Antarctica, and returned from that empty loneliness to find his marriage over and his life destroyed. Still wounded, Tom lives a simple life, unable and unwilling to make real connections with people in case he gets hurt againbut then he meets Emma, newly returned from Antarctica and as open and welcoming as Tom is not. As Marys time winds down, both she and Tom must face their pasts in ways they cannot even begin to imagine, and Mary finds that the script shes written to the end of her life has taken on a few twists of its own.

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Karen Viggers was born in Melbourne and grew up in the Dandenong Ranges riding - photo 1

Karen Viggers was born in Melbourne, and grew up in the Dandenong Ranges riding horses and writing stories. She studied veterinary science at Melbourne University, and worked in mixed animal practice for seven years before completing a PhD at the Australian National University. Since then she has worked on a wide range of Australian native animals in many different wild places, including Antarctica. She lives in Canberra with her husband and two children. Her first novel, The Stranding , was published in 2008. You can find out more about Karens books at www.karenviggers.com

A LSO BY K ARE N V IGGERS

The Stranding

The
Lightkeepers
Wife KAREN VIGGERS Published by Allen Unwin in 2011 Copyright Karen - photo 2 Wife KAREN VIGGERS Published by Allen Unwin in 2011 Copyright Karen Viggers - photo 3

KAREN VIGGERS

Published by Allen Unwin in 2011 Copyright Karen Viggers 2011 All rights - photo 4

Published by Allen & Unwin in 2011

Copyright Karen Viggers 2011

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act.

Allen & Unwin
83 Alexander Street
Crows Nest NSW 2065

Australia

Phone:(61 2) 8425 0100
Fax:(61 2) 9906 2218
Email:info@allenandunwin.com
Web:www.allenandunwin.com

Cataloguing-in-Publication details are available
from the National Library of Australia
www.librariesaustralia.nla.gov.au

ISBN 978 1 74175 914 3

Judith Wright extract from The Sitters from A Human Pattern: Selected Poems
(ETT Imprint, Sydney, 2010).

Text design by Emily ONeill
Set in 12/16 pt Adobe Garamond Pro by Bookhouse, Sydney
Printed and bound in Australia by Griffin Press

10 9 8 7 6 5 4 3 2 1

For my grandma Rhoda Emmy Vera Viggers 19122009 an inspirational and - photo 5

For my grandma
Rhoda Emmy Vera Viggers
19122009

an inspirational and compassionate woman

My life was wide and wild,
and who can know my heart?
There in that golden jungle
I walk alone.

J UDITH W RIGHT
From A Human Pattern: Selected Poems

Contents

She was in the kitchen when it camea loud rap on the door that bounced down the hallway, off the floorboards, the hat stand, and ricocheted through the sliding doors into the kitchen. Wiping the table, she was in another world, remembering how it was to walk the wild beaches of Bruny Island.

The knock jolted her back to the present. It added fifty years to her body, reminded her she was old. She jerked in the middle of a circular sweep, sending a shower of crumbs to the floor. These days few people came to her house unexpected.

She retrieved her walking stick and shuffled down the hall. Through the frosted window she could see a silhouettesomeone looking for a donation, no doubt. She twisted the locks and opened the door.

It was a hunched old man in a dark blue suit with a crooked tie. He had a craggy face and for a moment, she thought she knew himfrom the bowls club, perhaps. Or Jans church. Or maybe the opportunity shop. But at their age, everyone seemed similar. Only the details of their problems differed.

Can I help you? she asked.

He shifted, and something about the way he tilted his head and pawed at his hair halted her. She grasped the door and leaned there breathless, heart battering in her chest.

What was he doing, turning up where he wasnt welcome? And why had he come? Staring at her with those washed-out blue eyes that hadnt lost their intensity over the years. She dropped her stick and swung away.

Mary. His voice was a rasp. Old and worn out, like the rest of him. He extended a hand, and she was too shocked to push him away. Did he really think he could help her? One old spindle trying to prop up another. She glared at him and was once again aware of the panicked fluttering of her heart. It had never been this bad before. The doctor had said she must avoid shocks like this. Death was supposed to be the last surprise.

Uninvited, he put his hand on her shoulder and turned her into the house. She was too overwhelmed and appalled to protest. His proximity frightened her. He smelled of old age. Sour. The stale odour of clothes washed too infrequently. Pungent breath. He hadnt smelled like that the last time she saw himthen he had about him an aroma of nutmeg and cloves.

Following the direction of her nod, he guided her down the hallway. In the kitchen, he scraped out a chair and lowered her into it. Then he sat down opposite and studied her.

She wouldnt have recognised him if they had passed in the street. But then, who would look at her now and know she was Mary Mason? Of course, shed never been pretty in the conventional white-skinned, delicate way. But she had been vibrant and colourful. Her body had been strong, firm and muscular. Shed been able to do things other girls couldnt, like lift hay bales and milk cows. Shed been alive in her skin. It was a feeling she missed every day. She slumped against the table, remembering her younger self. This man knew her from that time.

He was still watching her, his eyes trying to reach into her mind. But she held him out. Her thoughts were no longer his to inspect. Looking back, she cursed the past weakness that had led her to this moment. She, who had prided herself on being so strong.

What do you want? she asked, her mouth flattening.

He regarded her with expressionless eyes and brushed again at his thin grey haira gesture that took her back to the day she first met him. Now he unbuttoned his jacket, took out a white envelope and laid it on the table. Marys heart began to tumble.

What is it? There was panic in her fingers, a tingling in her chest.

They both looked at the envelope, still partly covered by his leathery hand.

You know what it is, Mary. His voice was little more than a whisper. He leaned forward and stared at her. I want you to give it to him.

She clawed at the edges of the table, trying to stand. I wont do it. Its best he doesnt know.

The old man laughed hollowly. You choose the time, Mary. But you cant erase me. I exist. I could have made things much more difficult.

He stood and pushed in his chair. The letter remained on the table.

Ill throw it away, she said. Ill burn it.

A thin smile split his lips. But you wont, Mary. Youve had things your way for so long. Now this is for me. Its something I need.

He limped to the sliding doors and then glanced back. In spite of her fear, she was moved: in his look was embedded everything that had not been done, everything that had not been said.

This was it, then. The end of it.

Goodbye, Mary.

She listened to the uneven scrape of his feet moving down the hall.

Dont make me do this, she called.

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