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Dorothy Belle Hughes - The blackbirder

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Dorothy Belle Hughes The blackbirder

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A classic World War II-era noir with a page-turning plot, a cast of colorfully sinister characters and a protagonist who is thrust into the heart of political intrigue, this captivating 1943 novel parallels the spy novels of Grahame Greene, Eric Ambler, and the films of Hitchcock and Lang. But in -signature Hughes fashion, The Blackbirder has a genre-bending twist: its hardboiled protagonist is a woman.Born of American expatriate parents, Julie Guilles was a pretty, sheltered rich girl growing up in Paris, a favorite of the Ritz Bar set. But everything changed when the Nazis rolled into the City of Lights. After three years of life underground, Julie is hiding out in New York; but she knows trouble is coming when the corpse of an acquaintance appears on her doorstep. With a host of possible dangers on her tailthe Gestapo, the FBI and the New York copsshe embarks on a desperate journey to Santa Fe in search of her last, best hope. The Blackbirderis a legend among refugees, a trafficker in human souls who flies under the radar to bring people to safety across the Mexican borderfor a price.With no resources at her disposal but a smuggled diamond necklace and her own razor-sharp wits, Julie must navigate a tangle of dangersand take a stand in the worldwide struggle that has shattered the lives of millions. In contrast to the typical representations of wartime women as Mrs. Minivers guarding home and hearth, Dorothy B. Hughes gives her intrepid heroine a place at the heart of the actionDorothy B. Hughes (19041993) is the author of numerous hardboiled mystery novels. Three of her books became successful films: The Fallen Sparrow (1943), Ride the Pink Horse (1947), and In a Lonely Place (1950), reprinted by the Feminist Press in 2003. In 1978 she was named a Grand Master by the Mystery Writers of America.

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Chapter Three
UNSAVORY BUSINESS

Julie slept late. Breakfast and lunch were one in the old Spanish kitchen which served as the Cantina. Afterward she walked into the patio, dallied over a cigarette in the bright, hot sun. She didn't want to leave this pleasant town. She didn't want to go to Santa Fe. Something held her back, perhaps the grim woman's final remark: An unhealthy place. But the woman had mentioned refugees. That held hope.

She packed, bought the local papers. The New York ones hadn't caught up with her yet. The locals didn't mention Maxl's death. New York was far away. She took the three o'clock bus. It pushed over the highway, past the same scenic barrenness of yesterday's long train ride, endless flat brown land spotted with scrub trees, barren, low-lying mountains on the far horizons. There was but one town, a half hour out, a Mexican village where some passengers left the bus. In the next hour there was nothing but the barren land, occasionally a small brown mud house, twice filling-stations.

The bus went on and on, climbed through a steep cut, and again there was wasteland. The sun was still high when the bus came into the town, past small tin buildings, past beautiful Spanish pueblo buildings, past the long sprawling barracks of an Army hospital. The wheels crawled through narrow, unattractive streets to the tiny bus station.

She took a cab two blocks to La Fonda, the inn at the end of the trail. It had been recommended in Albuquerque. It was large and handsome, a dust-colored building in Spanish and Indian style with terraced roofs, a walled garden. The lobby was not as rich as that of the Alvarado but it was pleasant and spacious, beautifully decorated. It opened to a patio, on either side covered portals.

She followed the boy down the right-hand portal to the lone elevator. Her room was on third; it was unlike a normal hotel room. The windows, opening to a tiny wooden balcony, were curtained with bright hangings. The furniture was painted in Spanish color and design. She had deliberately taken a higher-priced room; she must appear to be well-to-do, well able to pay, when she made inquiries about Mexico. If what Maxl had insinuated was true, blackbirding wasn't a political venture it was for gain.

She unpacked. She must buy one or two dresses. The chambermaid might be inquisitive about an empty closet. She would have to get away quickly. She couldn't afford to be Julie Guille here for long. At this moment it wasn't fear driving her, as much as economy. She had lost her imminent fear. The lack of news in the papers, the undisturbed sleep of the night before, her acceptance at face value at both hotels. Above all being released from what she had believed was the surveillance of the gray man. It had been foolish of her to be suspicious of him simply because he rode the same train west with her. That sort of coincidence was certainly a frequent one with a traveler leaving New York for the West. If he had been from the New York police, he wouldn't have wasted time on this trip; he would have taken her into custody before the Century departed. She had been silly. Fear created such distortions. Fear magnified curiosity into suspicion. She must remember to keep fear sublimated. Remember the lesson she had learned escaping from France. If you act unafraid, you are not suspected of being afraid.

What actually had she to fear? The agents of Paul Guille? They hadn't caught up with her in the cities where the representatives of the new order multiplied like rats. They would never have heard of this out-of-the-way village. The F.B.I.? They had not sought her in New York; only if she were brought to their attention would they learn she was an unauthorized visitor. The New York police? Yes. If the identity of the girl with Maxl became known.

But she was certain she had covered her tracks leaving New York. Only by chance would she come into that again. If her name was given she would learn it from the newspapers in time to twist away on another covered trail. There was no imminent fear to face. There was time to breathe, time to make her arrangements with the Blackbirder. Ticklish business but she wasn't without resources as she had been three years ago. She had learned the tricks of evasion, of escape. She had learned to be sly and wise; she'd learned the animal importance of self-preservation without heed to the method. Only if some uncounted ill fortune touched her, need her plans be changed. If Dame Fortuna would but hold the wheel steady a few more days...

She would gather information about Popin here, write to him to get in touch with Fran, before she departed. And if Popin did live in Mexico, she could see him personally after the blackbirding ship carried her across the border. Together they could work to effect Fran's release from prison, and his escape too on the Blackbirder's wings. Her heart beat more quickly. If the Dame were kind, she and Fran would be together so soon.

She was slightly apprehensive of carrying with her any longer the diamonds and the large amount of money. Tickets for escape were seldom bartered for in savory surroundings. No need to add to her burden with fear of possible loss while the hotel safe was below. She removed her money belt, keeping out $50 for current expenses. She rolled the belt neatly; thrust it into her handbag, went down again to the lobby. At the desk she signed a statement, the amount of money; personal jewelry, one necklace. The white-haired woman behind the desk sealed the belt into an envelope, placed it in the safe. She smiled at Julie, This is your first trip to Santa Fe?

Julie nodded.

It has an interesting heritage. There are many things you'll want to see. She passed across a folder.

Julie walked out onto the sidewalk. She stood motionless there for a moment and then unaccountably she shivered. It could be the small wind that had crept into the golden afternoon, a warning of the falsity of early spring. It could be that the blueness of sky had become flawed by the faintest brush of cumulus white. She didn't know. She looked up the street to the right. The cold brown-gray Cathedral stood rampant on its terrace, its squat towers dwarfed by the mountains pressing behind them. She turned her head quickly to the left. Beyond the straggle of narrow street stood another mountain.

Mountains. She shivered again. She didn't like mountains. The unyielding, unholy mass of inert matter dwarfed human mind and spirit.

She turned swiftly, crossed cater-corner to the barren Plaza. It was deserted. The shabby old men huddled together on the soiled stone benches only added to its desolation. They spoke in Spanish to each other. They did not see her. Perhaps in the summer when blades of green might push against the flagstones, perhaps when the trees leafed again, there might be a remnant of the gay festivity here which the word Plaza connoted. Perhaps not. It would still face on three sides the motley shops in their old brick buildings. A few were covered over in copy of Indian architecture, the bank shone marble white, but the faded brick dominated.

Julie walked slowly, past the ugly stone monument, to the far corner of the square. This was a grim little town. She hadn't known it would be so small. She hadn't known it would be a mountain town. She was familiar with others, in Germany, Switzerland, the Tyrol. Save for language, modifications of architecture, she might again be in one of them. Even in the winter-sports season, she had realized that gayety was not spontaneous in such villages, it was deliberately generated in defiance of the oppression of nature. The mountains only tolerated man.

She turned on her heel, started back to the hotel. She walked more rapidly now. Lingering in a sinister town was out of the question. She must find the Blackbirder without delay, make arrangements. Get out of this trap. Not only the encirclement of the merciless hills but the very smallness of the village trapped her. If she were followed here, there would be no place where she might hide. Anonymity would be out of the question. If she could set the wheels in motion, it might be better to return to Albuquerque, wait for passage there. She would be safer in a city.

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