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Kooshyar Karimi - Leilas Secret

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Kooshyar Karimi Leilas Secret
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    Leilas Secret
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Leilas Secret: summary, description and annotation

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Spellbinding and heartbreaking, the true story told by Kooshyar Karimi in Leilas Secret shows us everyday life for women in a country where it can be a crime to fall in love.
Born in a slum to a Muslim father and a Jewish mother, Kooshyar Karimi has transformed himself into a successful doctor, an award-winning writer, and an adoring father. His could be a comfortable life but his conscience wont permit it: he is incapable of turning away the unmarried women who beg him to save their lives by ending the pregnancies that, if discovered, would see them stoned to death.
One of those women is 22-year-old Leila. Beautiful, intelligent, passionate, she yearns to go to university but her strictly traditional family forbids it. Returning home from the library one day among the few trips shes allowed out of the house she meets a handsome shopkeeper, and her fate is sealed. Kooshyar has rescued countless women, but Leila seeks his help for a different reason, one that will haunt him for years afterwards and inspire an impossible quest from faraway Australia.
For all its tragedy, this unforgettable book is paradoxically uplifting, told from the heart of Kooshyars immense sympathy, in the hope that each of us and the stories we tell can make a difference.
[A] remarkable book . . . Karimi earns our trust through his experiences and his sympathy with the plight of the marginalised. Owen Richardson, Saturday Age
A profoundly moving story, beautifully told with extraordinary insight, and filling us with awe at the strength of the authors moral courage. Robin de Crespigny, author of The People Smuggler
A riveting account of one girls innocent spirit defying the tyranny of Irans crushing regime. It is a masterpiece of moral impossibilities and climactic suspense. Bob Brown
An absolutely stunning book. Leilas story is deeply affecting and Kooshyar Karimi is a consummate storyteller. Shirley Walker, Author of The Ghost at the Wedding
Leilas Secret brims with compassion and yearning and eloquently shares the story of a regime suffocating its people and losing all that was great about it. To read this book is to see inside a culture and understand the desperation of its people. The Hoopla
Compelling and powerful. Sunday Age
Inspiring . . . often harrowing . . . Offers insight into how and why one man is willing to put the welfare of others before his own safety. Townsville Bulletin

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About the Author

Kooshyar Karimi was born in Tehran and now lives in Sydney. He is the author of several books on Iranian, Chinese and Assyrian myths and history, one of which was banned from publication by the Iranian government. His memoir I Confess: Revelations in Exile was published in Australia in 2012. He is also an award-winning translator of Gore Vidal, Kahlil Gibran and Adrian Berry, among others.

Acknowledgements

I am enormously indebted to my daughter, Newsha, and to Robert Hillman and Nancy Hill for assisting me with the writing of the original manuscript.

Thanks to two remarkably talented and extraordinarily precise editors from Penguin, Meredith Rose and Rebecca Bauert. To Pippa Masson and Fiona Inglis, my superb literary agents at Curtis Brown, who made this dream come true, I owe thanks for advice and support.

I would like to express special gratitude to Ben Ball, Publishing Director of Penguin Books. I also owe boundless thanks to the men and women who are the characters of this nonfiction. Some carry their real names, but the identities of most have been veiled by pseudonyms.

Authors Note

This is the true story of some of the many women, and of one woman in particular, who under the laws of Iran have faced execution for becoming pregnant or losing their virginity outside marriage. While the events described in this book occurred in the late 1990s, nothing has changed in respect of these laws, and Iranian women continue to suffer at the hands of extremists.

According to many historians, Iran is the oldest intact civilisation in the world. The Persian Empire, as Iran was known, endured wars with the Greek and Roman empires, had the worlds longest continuous royal dynasty, and in 550 BC became the first realm to issue a declaration of human rights. But in 1979 this ancient cradle of civilisation underwent a fundamentalist Islamic revolution that re-established seventh-century Islamic rules in its constitution, turning the country into a nest of fanaticism and intolerance. Today Iran is one of the largest jailers of journalists of any country, and it still executes minors, stones women to death for adultery, and hangs men for homosexuality.

Sadly, the story of Leila echoes that of millions of women in Asia and Africa. Every year in the Islamic world, more than twenty thousand women are murdered in so-called honour killings. I have written this book in the hope that one day we will start tolerating and stop tormenting; in the belief that if we learn to forgive, freedom will come.

While this is a true story, it has been necessary to change the names of some people and places in order to protect identities. I have also taken the liberty of elaborating on the details of an individuals thoughts, interior life and surroundings, while never altering crucial facts.

Kooshyar Karimi, January 2015

Also by Kooshyar Karimi

I Confess: Revelations in Exile

Leila

Holding my chador together with my hands, I push through the crowd on the footpath. The wind blows the black fabric about like a flag. It annoys me, this garment. Whenever I put it on or take it off, I wonder if the world would really end if I left the house without it. But I know the answer to this already, and you know the answer too, Doctor Karimi, with all your understanding of what women endure in our country. The world would end, at least for me. If I left the house not wearing my chador my father and brothers would swoop upon me like vultures and tear me limb by limb. On such trivialities people in Iran construct monstrous conceits that can, and do, end in state-sanctioned murder.

I have been folding myself into this dark fabric since the age of seven, yet I still have moments when I long to tear the cloth from my head, from my body, to breathe freely. But I dare not speak such thoughts aloud. My fear of the consequences remains more powerful than my desire to be rid of the chador. I lie awake at night in dread, wondering if a time will come when I cant control this urge any longer. I say to myself, Leila, have some sense.

Aunt Sediqa fans these flames, without realising it. Whenever she visits us I treasure the time she dedicates to being alone with me. The two of us talk fearlessly of things I would never utter aloud to anyone else. And it has saved me, so often, being able to have these moments; however few and far apart they are, at least I know that I am not alone in this desire for freedom, in thinking dangerous thoughts. But while Aunt Sediqa is a beacon in my life, there are times when my thoughts make me feel like a monster, or if not a monster, one of those people in circus shows who attract the horrified attention of an audience because they are so different to everyone else. In such shows (I have never attended one because they only visit Tehran) I have heard that a woman will display a long beard on her face, or a man will cross his legs behind his head; another man will reveal that he has six fingers on each hand. Freak is the word I am looking for. I am a freak. Something in my mind craves to think in a way that makes me stand out, like a freak.

Here is an example: I think women should fly aeroplanes. And another: I think women should be allowed to walk freely on the streets at any hour of the day or night. And visit a library to choose any book she wishes, and read it under a tree in the park. There are many other examples. I should be horrified to find my imagination harbouring such appetites. And I am horrified, sometimes. You see, this is the problem. I have too much imagination for my own good, too strong a desire for learning and freedom. I am the bearded lady. There are times when I wish I could change my brain for one that would cause me less anxiety.

And it is Aunt Sediqa who infected me with my love of books. She describes to me the wonderful volumes of literature she has in her home, stacked up to the roof, as she says (an exaggeration). When I was younger she would sneak a novel or history book to me and I would greedily eat up every word on every page. Now, as I have grown older, my sister Samira and I are sometimes granted an hour out of the house, away from our chores, to visit the local library. But you see how it is? I did not ask for the mind I have, and Aunt Sediqa did not ask for hers. And both of us must deal with the thoughts that come our way.

I continue to press through the dense throng of people, draping my chador back over my head when it slips. I try to pretend that I am not in the small town of Quchan with its cracked roads, but walking the streets of a modern Iranian city instead, with tall, shiny buildings. I envisage myself dressed as the fashionable women are, in a beautiful long beige coat with golden buttons, my hair pinned behind a colourful scarf that frames my face. I picture the pretty pink leather gloves I have seen in an advertisement, and imagine how they would feel on my hands. I can see myself in white boots, carrying a stylish purse, and proudly wearing a pair of sunglasses that give me an air of mystery. I can almost smell the imaginary perfume, night flower and ocean breeze, floating in the air around me. And just as quickly as the fantasy comes it is gone, with a shove from a passing stranger in the crowded street.

Perhaps if this vision had even the slightest possibility of becoming reality, I would yearn for it with even greater longing. But of what use are such desires? I may never in my life leave this decaying town. I may never in my life know the freedom of coats and coloured scarves. I may never see the sparkling buildings of the city kissing the skies. I cannot yearn for what cannot ever be.

I hear Samira calling my name distantly. I have been so lost in my daydreams that Ive drifted away from her to the other side of the road. She quickly crosses over, avoiding the speeding cars and bikes that kick up storms of dust.

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