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Norman Eisen - The Last Palace: Europes Turbulent Century in Five Lives and One Legendary House

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    The Last Palace: Europes Turbulent Century in Five Lives and One Legendary House
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The Last Palace: Europes Turbulent Century in Five Lives and One Legendary House: summary, description and annotation

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A masterfully told and immersive narrative about the last hundred years of European history, as seen through an extraordinary mansion and the lives of the people who called it home
When Norman Eisen moved into the US ambassadors residence in Prague, returning to the land his mother had fled after the Holocaust, he was startled to discover swastikas hidden beneath the furniture. These symbols of Nazi Germany were remnants of the residences forgotten history, and evidence that we never live far from the past.
From that discovery unspooled the twisting, captivating tale of four of the remarkable people who had called this palace home. Their story is Europes, and The Last Palace chronicles the upheavals that have transformed the continent over the past century. There was the optimistic Jewish financial baron Otto Petschek, who build the palace after World War I as a statement of his faith in democracy, only to have that faith shattered; Rudolf Toussaint, the cultured, compromised German general who occupied the palace during World War II, ultimately putting his life at risk to save the house and Prague itself from destruction; Laurence Steinhardt, the first postwar US ambassador, whose quixotic struggle to keep the palace out of Communist hands was paired with his pitched efforts to rescue the country from Soviet domination; and Shirley Temple Black, an eyewitness to the crushing of the 1968 Prague Spring by Soviet tanks, who determined to return to Prague and help end totalitarianism and did just that as US ambassador in 1989.
Weaving in the life of Eisens own mother to demonstrate how those without power and privilege moved through history, The Last Palace tells the dramatic and surprisingly cyclical tale of the endurance of liberal democracy.

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Copyright 2018 by Norman L Eisen All rights reserved Published in the United - photo 1
Copyright 2018 by Norman L Eisen All rights reserved Published in the United - photo 2

Copyright 2018 by Norman L. Eisen

All rights reserved.

Published in the United States by Crown, an imprint of the Crown Publishing Group, a division of Penguin Random House LLC, New York.

crownpublishing.com

CROWN and the Crown colophon are registered trademarks of Penguin Random House LLC.

GRATEFUL ACKNOWLEDGMENT IS MADE TO REPRINT FROM THE FOLLOWING:

Otto and Martha Petschek letters, Marc Robinson and Eva Petschek Goldmann Collections, Petschek Family Archives.

Dulcie Ann Steinhardt Sherlock unpublished memoir and other materials, courtesy of the Steinhardt Family Archive.

Excerpt(s) from The Journey: An Autobiography by Cecilia, Countess Sternberg, copyright 1977 by Cecilia Sternberg. Used by permission of The Dial Press, an imprint of Random House, a division of Penguin Random House LLC. All rights reserved.

They Broke the Mold: The Memoirs of Walter Birge, copyright 2007 by Virginia N. Birge.

Resistance and Revolution by Rob McRae. Montreal: McGill-Queens University Press, 1997. Print. http://www.mqup.ca/resistance-and-revolution-products-9780886293161.php.

The Velvet Revolution and Me, copyright 2014 by Robert Kiene.

Prague Diary by Shirley Temple Black, McCalls, January 1969, pages 74, 75, 91, 93, 94, 95. Originally published in McCalls magazine. All rights reserved.

Shirley Temple Blacks forthcoming autobiography and other materials, courtesy of the Black Family Archive.

PHOTOGRAPH CREDITS

: Fernando Rondon, courtesy of the Black Family Archive.

Library of Congress Cataloging-in-Publication Data is available upon request.

ISBN9780451495785

Ebook ISBN9780451495808

Map by Laura Hartman Maestro

v5.3.2

ep

To my mother, Frieda, my wife, Lindsay, and my daughter, Tamar, who helped me find my way around Pragueand everything else

Contents Authors Note The story told in this book is based primarily upon - photo 3
Contents Authors Note The story told in this book is based primarily upon - photo 4
Contents
Authors Note

The story told in this book is based primarily upon the diaries, letters, and other papers of the main protagonists, many of which have never before been made public. Additional details have been furnished through my interviews with their direct descendants and others who knew them, as well as other historical research.

Quotations serving as dialogue are drawn from correspondence or other materials, as detailed in the endnotes. There is one exception: my mothers story is substantially based upon more than a half century of my conversations with her. These are reconstructed from memory, including quotes attributed to her.

I thank the families of those who lived in the palace for providing me extraordinary cooperation. Without their generosity, the full story of Otto Petscheks palacesecret for so longcould not have been told.

The American Ambassadors Residence in Prague has been called the last palace built in Europe.He knew now why he felt so fond of the Ambassador and his wife, so safe in the Residence, and so subtly reluctant to leave. He was frightened of Europe.

J OHN U PDIKE, Bech in Czech, The New Yorker, April 20, 1987

P ROLOGUE

Over the Atlantic Ocean; April 10, 2010

I picked up the heavy white receiver of the phone beside my seat and asked the operator to place a call to my mother.

I listened in as he opened a line and dialed.

Hello, she answered with her distinctive Eastern European lilt.

Frieda Eisen?

Speaking.

Will you accept a call from Air Force One?

Yes, she replied, sounding excited but skeptical.

Hi, Mom, I said.

Oh, Nachman, she exclaimed, calling me by my Yiddish name. I thought it might be President Obama!

No, its just me.

Thats good, too, she said, laughing. What are you doing on Air Force One?

Im traveling with the president. To Prague.

What? Why?

He has asked me if I will take over as ambassador there.

Whose ambassador?

Ours, of course. The United States.

I waited for a cry of delight. My mother had been born in Czechoslovakia and immigrated to the United States from there. She sang me some of my first lullabies in Czech and Slovak. She venerated the father of the country, its first president, Tom Masaryk; his successor and protg, Edvard Bene; and their most brilliant modern successor, Vclav Havel. And she took great pride in my own accomplishments as a first-generation Czech-Jewish American, most recently my job as a White House lawyer. I thought she would be thrilled that I would be representing the United States in todays Czech Republic.

Instead, the line was silent.

Maminka? I asked, using the Czech diminutive for mother. Are you there?

Yes, she answered, clipping the word short, her voice suddenly flat.

Whats wrong?

Nothing.

You dont sound very excited.

Hmm.

Mom, what is it?

More silence.

Finally she spoke.

Im scared.

Of what?

That they will kill you.

I was stunned.

Who will? I asked.

She paused before answering.

You know what happened to us there.

In 1944, the Nazis deported my mother and her family from their small town of Sobrance to a ghetto, and then to Auschwitz. There her parents, most of her other relatives, and almost everyone she knew from her village were murdered. She had survived, eventually making her way to the United States and starting a new life.

I knew that her scars had never completely healed. But she loved and longed for all that she had lost, and I had been sure that she would see the presidents offer as I did: vindication. Coming full circle. An American success story.

I said as much.

I couldnt bear it if anything happened to you, she whispered.

I silently cursed myself. I should have seen this coming. But I had been so caught up in my own excitement that it hadnt occurred to me that she might react like this.

I had learned from our lifetime togetherthe hard waythat arguing with my mother was not effective when her anxieties flared. I had another idea.

Mom, guess where the ambassador lives?

Where?

Otto Petscheks palace.

Ohhh, she gasped. Really?

My mother may have been the poorest Czechoslovak Jew and Otto Petschek the richest. Otto and his family were famous among their fellow Czechsthe local equivalent of the Rothschilds or Rockefellers. Their Prague home was a Beaux-Arts masterpiece that conjured Versailles, with more than one hundred roomsso many that no one seemed to agree on an exact count. It was chockablock with antiques, old-master paintings, rare books, and other precious objects that Otto had collected and that remained in the house. The mansion spread out across a lush garden compound the size of an American city block. Erected after World War I, it had been called the last palace built in Europea final monument to a gilded era that definitively ended in 1938.

My mom thawed a little as we talked about the palaceenough for me to seize the moment.

Mom, I told her, we would love it if you would come with us. My wife, Lindsay, and I had agreed that we wanted Frieda to join us in Prague.

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