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McDougall - Throes of Democracy

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McDougall Throes of Democracy
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And then there came a day of fire! From its shocking curtain-raiserthe conflagration that consumed Lower Manhattan in 1835to the climactic centennial year of 1876, when Americans staged a corrupt, deadlocked presidential campaign (fought out in Florida), Walter A. McDougalls Throes of Democracy: The American Civil War Era, 1829-1877 throws off sparks like a flywheel. This eagerly awaited sequel to Freedom Just Around the Corner: A New American History, 1585-1828 carries the saga of the American peoples continuous self-reinvention from the inauguration of President Andrew Jackson through the eras of Manifest Destiny, Civil War, and Reconstruction, Americas first failed crusade to put freedom on the march through regime change and nation building. But Throes of Democracy is much more than a political history. Here, for the first time, is the American epic as lived by Germans and Irish, Catholics and Jews, as well as people of British Protestant and African American stock; an epic defined as much by folks in Wisconsin, Kansas, and Texas as by those in Massachusetts, New York, and Virginia; an epic in which Mormon prophet Joseph Smith, showman P.T. Barnum, and circus clown Dan Rice figure as prominently as Herman Melville, Walt Whitman, and Henry Ward Beecher; an epic in which railroad management and land speculation prove as gripping as Indian wars. Walter A. McDougalls zesty, irreverent narrative says something new, shrewd, ironic, or funny about almost everything as it reveals our national penchant for pretensea predilection that explains both the periodic throes of democracy and the perennial resilience of the United States.

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Throes of Democracy

The American Civil War Era 18291877

Walter A. McDougall

To all my former teachers and professors thanks to whom I became a historian - photo 1

To all my former teachers and professors
thanks to whom I became a historian

By blue Ontarios shore,

As I mused of these warlike days and of peace returnd, and the dead that return no more,

A Phantom gigantic superb, with stern visage accosted me,

Chant me the poem, it said, that comes from the soul of America, chant me the carol of victory,

And strike up the marches of Libertad, marches more powerful yet,

And sing me before you go the song of the throes of Democracy.

(Democracy, the destind conqueror, yet treacherous lip-smiles everywhere,

And death and infidelity at every step.)

WALT WHITMAN , By Blue Ontarios Shore, Leaves of Grass (18811882 edition)

Contents


A New American History 15851828

Pretenders?

The Melees and Masks of White Mans Democracy Post-1830

Old Hickory, Indians, Bankers, and Whigs

The Politics of Anger Breeds a New Party System, 18291840

Migrants, Farmers, Mechanics, and Clowns

The Anxious, Exciting Birth of an Industrial People, 18301860

Romantic Revelators, Reformers, and Writers

Social Perfectionism and Cultural Pretense, 18301860

Conquistadors

The Glory and Fraud of Manifest Destiny, 18411848

Forty-Niners, Filibusters, Free-Soilers, and Fire-Eaters

Gospels of Slavery, Commerce, and Christ Sunder the Civil Religion, 18491860

Horsemen of the Apocalypse

The Sanguinary Salvation of American Myths, 18611865

Radicals, Klansmen, Barons, and Bosses

Reconstructed, the Great White Republic Flees to the Future, 18651877

Truth-Tellers?

Gimlet Eyes on a Republic of Pretense

MAPS

The maps are from the Encyclopedia of American History (New York: Harper, 1953), ed. Richard B. Morris; and Harpers Atlas of American History (New York: Harper, 1920).

Y ears ago, while stuck in a railroad station cursing a tardy train, I noticed a man in a jacket bedecked with insignia from Vietnam. Experience had taught me that veterans still advertising their service decades after the fact were probably bitter and down-at-the-heels. But to relieve the tedium I mentioned that I, too, was a Vietnam veteran and struck up a conversation. We exchanged the usual questionsWhen were you there? What was your outfit? Where were you based?but then the dialogue flagged. His speech, demeanor, and clothing suggested that he had a blue-collar background and no success in civilian life. We had little in common. But then he surprised me by saying, Im glad I went, cause I learned the lesson of Vietnam. What was that, I inquired. Say no to bullsht, he replied. I feigned a cynical chuckle, then quickly waved good-bye to him because I suddenly found myself choking back tears.

Thank you for sampling this book. If you love history, or just love the United States of America, you may relish this volume. That is not to say you will find all its judgments congenial. Indeed, I hope you do not, because we truly engage the past only when confronted with evidence and arguments that challenge our preconceptions. I found my own challenged repeatedly while researching this book, with the result that I was led into subjects and down paths of argument I never could have anticipated. That is the joy of empiricism. But it harbors a danger as well. The history written by those of us who imagine ourselves the clay and the evidence the sculptor (instead of the other way around) is often misunderstood by fans and critics alike. That is a risk I am willing to run, because the only way a historian can avoid misunderstanding is to distort the past in pursuit of some unmistakable present agenda. Such a procedure leaves no doubt as to where the author is coming from, but it prostitutes history. So where am I coming from? If obliged to put it all in a nutshell I guess I would venture the following. I believe the United States (so far) is the greatest success story in history. I believe Americans (on balance) are experts at self-deception. And I believe the creative corruption born of their pretense goes far to explain their success. The upshot is that American history is chock-full of cruelty and love, hypocrisy and faith, cowardice and courage, plus no small measure of tongue-in-cheek humor. American history is a tale of human nature set free. So how you, the reader, respond to this book will depend in good part on how you yourself (all pretense aside!) regard human nature.

As for me, I have just tried to teach myself American history with two precepts in mind. The first oneWrite as if you are already deadI learned from Nadine Gordimer via the Los Angeles Times s book editor Steve Wasserman. The second precept I learned in a railroad station from an anonymous veteran to whom I feel obligated in ways I cannot explain.

Throes of Democracy: The American Civil War Era 18291877 is the sequel to Freedom Just Around the Corner: A New American History 15851828 (HarperCollins, 2004). That earlier volume traced the colonial and early national history of the American people until the election of Andrew Jackson to the presidency. The present volume carries the story to the end of Reconstruction. You are free to tackle Throes without first having experienced Freedom . Each book is meant to stand alone. But in that case I recommend you peruse the synopsis of the first volume that follows this preface. It will alert you to various themes that inform the present volume as well.

Two admonitions are in order. First, the endnotes are meant to be read, or at least glanced at, because many of them contain substantive, sometimes humorous details I could not bear to leave out. However, to keep the sheer volume of endnotes under control I often insert them after every second or third paragraph rather than every one. So please dont be frustrated when you encounter quotations lacking immediate citations. Just refer to the next endnote and you will find what you seek. Second, you will notice that periodically I interrupt the narrative with sidebars celebrating the entry of new states into the Union. I began this project determined to pay due attention to all regions and states because most general American histories do not. They proceed as if Kansas, for instance, did not exist except when it was bleeding. My solution was to craft thumbnail biographies describing the origins, distinctive characteristics, and local color (again, often humorous) of every new state. The sidebars also illustrate larger themes in the book. But if you are eager to press on with the main narrative, you may skip these sidebars or else return to them at your leisure.

Philadelphia, Pennsylvania
December 2006

A New American History 15851828

T he creation of the United States of America is the central historical event of the past 400 years. If some ghostly ship, some Flying Dutchman , were transported from the year 1600 into the present the crew would be amazed by our technology and the sheer numbers of people on the globe, but the array of civilizations would be recognizable. The crew would find today, as in 1600: a huge Chinese empire run by an authoritarian but beleaguered bureaucracy; a homogeneous, anxious, suspicious Japan; a teeming mosaic of Hindus and Muslims trying to make a great nation of India; an amorphous Russian empire pulsing outward or inward in proportion to Muscovys projection of force; a vast Islamic crescent hostile to infidels but beset by rival centers of power; a dynamic, more or less Christian civilization in Europe aspiring to unity but vexed by its dense congeries of nations and tongues; a sub-Saharan Africa plagued by poverty, disease, and tribal feuds; and a Latin America both blessed with a rich Iberian-Amerindian culture and cursed with strategic impotence. The only continent that would astound the Renaissance time travelers would be North America, which was primitive and nearly vacant as late as 1607, but which today hosts the mightiest, richest, most creative civilization on eartha civilization that perturbs the trajectories of all other civilizations just by existing. Not only was the United States born of revolution; it is one.

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