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Kate DiCamillo - The Miraculous Journey of Edward Tulane

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Kate DiCamillo The Miraculous Journey of Edward Tulane

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From School Library Journal Grade 3-6Edward Tulane, a china rabbit, is the main character in this thoughtful tale by Kate DiCamillo (Candlewick, 2006). Edward is dearly loved by a young girl named Abilene. One day he is lost over the side of a boat. His journey leads him to a older couple who dress him like a girl rabbit, a hobo and his dog, a young girl and her brother and, finally, to a doll shop. Along the way, Edward learns to love the people he encounters. He also learns that family members can be cruel to one another; that hobos have family that they love dearly and dont want to forget; that no matter how much you love someone, she may still die; and that no matter what happens in life, never give up on love. Tony Award-winner Judith Ivey infuses each character that Edward encounters with a unique accent and aura, and accurately portrays their emotions. A beautifully crafted telling.*Veronica Schwartz, Des Plaines Public Library, IL* Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist *Starred Review* Gr. 2-4. As she did in her Newbery Medal Book, *The Tale of Despereaux *(2004), DiCamillo tucks important messages into this story and once more plumbs the mystery of the heart--or, in this case, the heartless. Edward Tulane is a china rabbit with an extensive wardrobe. He belongs to 10-year-old Abilene, who thinks almost as highly of Edward as Edward does of himself. Even young children will soon realize that Edward is riding for a fall. And fall he does, into the sea, after mean boys rip him from Abilenes hands during an ocean voyage. Thus begins Edwards journey from watery grave to the gentle embrace of a fishermans wife, to the care of a hobo and his dog, and into the hands of a dying girl. Then, pure meanness breaks Edward apart, and love and sacrifice put him back together--until just the right child finds him. With every person who taouches him, Edwards heart grows a little bit softer and a little bit bigger. Bruised and battered, Edward is at his most beautiful, and *beautiful* is a fine word to describe the artwork. Ibatoulline outdoes himself; his precisely rendered sepia-tone drawings and color plates of high artistic merit are an integral part of this handsomely designed package. Yet even standing alone, the story soars because of DiCamillos lyrical use of language and her understanding of universal yearnings. This will be a pleasure to read aloud. *Ilene Cooper* *Copyright American Library Association. All rights reserved*

Kate DiCamillo: author's other books


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Also by Kate DiCamillo Because of Winn-Dixie The Magicians Elephant The Tale - photo 1

Also by Kate DiCamillo Because of Winn-Dixie The Magicians Elephant The Tale - photo 2

Also by Kate DiCamillo Because of Winn-Dixie The Magicians Elephant The Tale - photo 3

Also by Kate DiCamillo:

Because of Winn-Dixie
The Magicians Elephant
The Tale of Despereaux
The Tiger Rising

Mercy Watson to the Rescue
Mercy Watson Goes for a Ride
Mercy Watson Fights Crime
Mercy Watson: Princess in Disguise
Mercy Watson Thinks Like a Pig
Mercy Watson:
Something Wonky This Way Comes

Great Joy

This is a work of fiction. Names, characters, places, and incidents are either products of the authors imagination or, if real, are used fictitiously.

Text copyright 2006 by Kate DiCamillo
Cover and interior illustrations copyright 2006 by Bagram Ibatoulline

All rights reserved. No part of this book may be reproduced, transmitted, or stored in an information retrieval system in any form or by any means, graphic, electronic, or mechanical, including photocopying, taping, and recording, without prior written permission from the publisher.

First electronic edition 2009

The Library of Congress has cataloged the hardcover edition as follows:
DiCamillo, Kate.
The miraculous journey of Edward Tulane / Kate DiCamillo;
illustrated by Bagram Ibatoulline. 1st ed.
p. cm.
Summary: Edward Tulane, a cold-hearted and proud toy rabbit, loves only himself until he is separated from the little girl who adores him and travels across the country, acquiring new owners and listening to their hopes, dreams, and histories.
ISBN 978-0-7636-2589-4 (hardcover)
[1. Toys Fiction. 2. Rabbits Fiction. 3. Love Fiction. 4. Listening Fiction. 5. Adventure and adventurers Fiction.] I. Ibatoulline, Bagram, ill. II. Title.
PZ7.D5455Mi 2006
[Fic] dc22 2004056129

ISBN 978-0-7636-3987-7 (paperback)
ISBN 978-0-7636-4367-6 (digest paperback)
ISBN 978-0-7636-4942-5 (electronic)

The illustrations for this book were done in acrylic gouache.

Candlewick Press
99 Dover Street
Somerville, Massachusetts 02144

visit us at www.candlewick.com

For Jane Resh Thomas,
who gave me the rabbit and told me his name

The heart breaks and breaks
and lives by breaking.
It is necessary to go
through dark and deeper dark
and not to turn.

from The Testing-Tree, by Stanley Kunitz

O NCE IN A HOUSE ON EGYPT STREET there lived a rabbit who was made almost - photo 4

O NCE, IN A HOUSE ON EGYPT STREET, there lived a rabbit who was made almost entirely of china. He had china arms and china legs, china paws and a china head, a china torso and a china nose. His arms and legs were jointed and joined by wire so that his china elbows and china knees could be bent, giving him much freedom of movement.

His ears were made of real rabbit fur, and beneath the fur, there were strong, bendable wires, which allowed the ears to be arranged into poses that reflected the rabbits mood jaunty, tired, full of ennui. His tail, too, was made of real rabbit fur and was fluffy and soft and well shaped.

The rabbits name was Edward Tulane, and he was tall. He measured almost three feet from the tip of his ears to the tip of his feet; his eyes were painted a penetrating and intelligent blue.

In all, Edward Tulane felt himself to be an exceptional specimen. Only his whiskers gave him pause. They were long and elegant (as they should be), but they were of uncertain origin. Edward felt quite strongly that they were not the whiskers of a rabbit. Whom the whiskers had belonged to initially what unsavory animal was a question that Edward could not bear to consider for too long. And so he did not. He preferred, as a rule, not to think unpleasant thoughts.

Edwards mistress was a ten-year-old, dark-haired girl named Abilene Tulane, who thought almost as highly of Edward as Edward thought of himself. Each morning after she dressed herself for school, Abilene dressed Edward.

The china rabbit was in possession of an extraordinary wardrobe composed of handmade silk suits, custom shoes fashioned from the finest leather and designed specifically for his rabbit feet, and a wide array of hats equipped with holes so that they could easily fit over Edwards large and expressive ears. Each pair of well-cut pants had a small pocket for Edwards gold pocket watch. Abilene wound this watch for him each morning.

Now, Edward, she said to him after she was done winding the watch, when the big hand is on the twelve and the little hand is on the three, I will come home to you.

She placed Edward on a chair in the dining room and positioned the chair so that Edward was looking out the window and could see the path that led up to the Tulane front door. Abilene balanced the watch on his left leg. She kissed the tips of his ears, and then she left and Edward spent the day staring out at Egypt Street, listening to the tick of his watch and waiting.

Of all the seasons of the year, the rabbit most preferred winter, for the sun set early then and the dining-room windows became dark and Edward could see his own reflection in the glass. And what a reflection it was! What an elegant figure he cut! Edward never ceased to be amazed at his own fineness.

In the evening, Edward sat at the dining-room table with the other members of the Tulane family: Abilene; her mother and father; and Abilenes grandmother, who was called Pellegrina. True, Edwards ears barely cleared the tabletop, and true also, he spent the duration of the meal staring straight ahead at nothing but the bright and blinding white of the tablecloth. But he was there, a rabbit at the table.

Abilenes parents found it charming that Abilene considered Edward real, and that she sometimes requested that a phrase or story be repeated because Edward had not heard it.

Papa, Abilene would say, Im afraid that Edward didnt catch that last bit.

Abilenes father would then turn in the direction of Edwards ears and speak slowly, repeating what he had just said for the benefit of the china rabbit. Edward pretended, out of courtesy to Abilene, to listen. But, in truth, he was not very interested in what people had to say. And also, he did not care for Abilenes parents and their condescending manner toward him. All adults, in fact, condescended to him.

Only Abilenes grandmother spoke to him as Abilene did, as one equal to another. Pellegrina was very old. She had a large, sharp nose and bright, black eyes that shone like dark stars. It was Pellegrina who was responsible for Edwards existence. It was she who had commissioned his making, she who had ordered his silk suits and his pocket watch, his jaunty hats and his bendable ears, his fine leather shoes and his jointed arms and legs, all from a master craftsman in her native France. It was Pellegrina who had given him as a gift to Abilene on her seventh birthday.

And it was Pellegrina who came each night to tuck Abilene into her bed and Edward into his.

Will you tell us a story, Pellegrina? Abilene asked her grandmother each night.

Not tonight, lady, said Pellegrina.

When? asked Abilene. What night?

Soon, said Pellegrina. Soon there will be a story.

And then she turned off the light, and Edward and Abilene lay in the dark of the bedroom.

I love you, Edward, Abilene said each night after Pellegrina had left. She said those words and then she waited, almost as if she expected Edward to say something in return.

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