GEORGE LATSHAW is a master puppeteer known throughout the United States and the world. His work for motion pictures and television includes the musical-drama version of James Thurbers The Great Quillow for NBC; The Convertible Crocodile , a part of a CBS-TV special; and assistance to Walton and ORourke with the hand puppets in MGMs Lili .
He has twice represented the United States at the International Puppet Festival in Great Britain. His commissions include three from the Theatre Arts Department of the Detroit Institute of Arts to design and direct experimental productions with the Detroit Symphony. He wrote and directed To Dream a Dinosaur and adapted Pinocchio for live actors and marionettes. His written works include AJLA Childrens Theatre Manual , a chapter on Puppetry in Childrens Theatre and Creative Dramatics , and numerous articles in periodicals.
Mr. Latshaw served as consultant on Childrens Theatre for the Association of Junior Leagues from 1960 to 1972, and as special consultant to the Department of Education in Puerto Rico. He is a former president of the Puppeteers of America and a former board member of the Childrens Theatre Conference and UNIMA (International Puppetry Association)USA Center. He has been a member of the Board of Advisors for the United States Center of the International Association of Theatres for Children and Youth. In 1971 he was the recipient of the Jennie Heiden Award for professional excellence in Childrens Theatre from the American Theatre Association.
One of five art specialists sent to China by Very Special Arts International, Mr. Latshaw demonstrated special methods that enable people with disabilities to participate in the arts. The Chinese observers included 100 teachers and administrators from 20 provinces. From 1983 to 1999, Mr. Latshaw was editor of The Puppeteers of America quarterly, The Puppetry Journal , and was proclaimed Honorary Dean of American Puppetry by UNIMAUSA. He served as artistic associate for the National Puppetry Conference at the Eugene ONeill Theater Center in Waterford, Connecticut, from 1991 to 1998, and has also been a member of The Jim Henson Foundation Board.
Mr. Latshaw and his wife, Patricia, are the parents of two grown sons, Christopher and Michael. The Latshaws have retired to Wesley Chapel, Florida.
BIBLIOGRAPHY
Arnott, Peter D. Plays Without People . Bloomington: Indiana University Press, 1964.
Baird, Bil. The Art of the Puppet . New York: Macmillan, 1965.
Batchelder, Marjorie. The Puppet Theatre Handbook. New York: Harper & Row, Publishers, 1947.
Batchelder, Marjorie, and Comer, Virginia Lee. Puppets and Plays: A Creative Approach. New York: Harper & Brothers, Publishers, 1965.
Beaumont, Cyril W. Puppets and Puppetry . London, New York: Studio Publications, 1958.
Bhmer, Gnter. The Wonderful World of Puppets, trans. by Gerald Morice, based on the Puppet Collection of the City of Munich. Boston: Plays, Inc., 1971.
Boylan, Eleanor. Puppet Plays for Special Days. Rowayton, CT: New Plays for Children, 1974.
Bramall, Eric. Puppet Plays and Playwriting. London: G. Bell & Sons Ltd, 1961.
Brhalji-Merin, Oto. Great Masks, trans. by Herma Plummer. New York: N. H. Abrams, 1971.
Brown, Forman. The Pie-eyed Piper, and other impertinent plays for puppets . New York: Greenburg, 1933.
. Punchs Progress. New York: Macmillan, 1936.
Chess, Bruce, and Armstrong, Beverly. Puppets from Polyfoam: SPONGEES. 1975. Early Stages Publications, P. O. Box 5027, Walnut Creek, CA 94596.
Cummings, Richard. 101 Hand Puppets. New York: David McKay Company, Inc., 1962.
Drama Review, The. Issues T38 Winter 1968 and T47 (no date), articles on the Bread and Puppet Theatre.
Engler, Larry, and Fijan, Carol. Making Puppets Come Alive . New York: Taplinger Publishing Company, 1973.
Fettig, Hansjrgen. Hand and Rod Puppets . English version by John Wright and Susanne Forster. Boston: Plays, Inc., 1973.
Fling, Helen. Marionettes, How to Make and Work Them . New York: Dover Publications, Inc., 1973.
Fraser, Peter. Introducing Puppetry. New York: Watson-Guptill Publications, 1968.
French, Susan. Presenting Marionettes. New York: Reinhold Publishing Corp., 1964.
Grater, Michael. Paper People. New York: Taplinger Publishing, 1969.
Halas, John, and Manvell, Roger. Design in Motion. New York: Hastings House Publishers, 1962.
Joseph, Helen Haiman. A Book of Marionettes. New York: B. W. Huebsch, 1920.
Keene, Donald. Bunraku: the art of the Japanese puppet theatre. Tokyo: Kodansha International Ltd. (Distributed by Japan Publications Trading Co., Rutland, Vermont), 1965.
Kline, Peter. The Theatre Student: The Actors Voice. New York: Richards Rosen Press, Inc., 1972.
Lano, David. A Wandering Showman, I. East Lansing: Michigan State University Press, 1957.
Lipman, Jean, ed., with Nancy Foote. Calders Circus. New York: E. P. Dutton & Co., Inc., in association with the Whitney Museum of American Art, 1972.
Mahlmann, Lewis, and Jones, David Cadwalader. Puppet Plays for Young Players. Boston: Plays, Inc., 1974.
McPharlin, Paul. The Puppet Theatre in America: A History: 1524 to Now. With a supplement, Puppets in America Since 1948, by Marjorie Batchelder McPharlin. Boston: Plays, Inc., 1969.
Meilach, Dona Z. Soft Sculptures and Other Soft Art Forms. New York: Crown Publishers, Inc., 1974.
Nicoll, Allardyce. Masks, Mimes and Miracles. New York: Cooper Square Publishers, 1963.
Obraztsov, Sergei. The Chinese Puppet Theatre. London: Faber and Faber, 1961.
. My Profession, trans. by Ralph Parker and Valentina Scott. Moscow: Foreign Languages Publishing House, 1950.
Open Stage Technical Manual. 1964. Prepared by James Hull Miller, 3415 Reily Lane, Shreveport, LA 71105. (Millers ideas on free-standing construction are adaptable as puppet environments.)
Paludan, Lis. Playing with Puppets . Trans. by Christone Crowley. Boston: Plays, Inc., 1974.
Pinocchio. Adapted by George Latshaw. Chicago: The Coach House Press, 1959.
Pinocchio for the Stage. Dramatized and illustrated by Remo Bufano. New York: Alfred A. Knopf, 1929.
Puppet Theatre of the Modern World, The. Compiled by the Editorial Board of UNIMA under the chairmanship of Margareta Nicu-lescu, 1st American ed. Boston: Plays, Inc., 1967.
Rawson, Ruth. The Theatre Student: Acting. New York: Richards Rosen Press, Inc., 1970.
Reiniger, Lotte. Shadow Theatres and Shadow Films. New York: Watson-Guptill Publications, 1970.
Riley, Olive, Masks and Magic . New York: Studio Publications and Thomas Y. Crowell Company, 1955.
Rottger, Ernst. Creative Paper Design. New York: Reinhold Publishing Corp., 1961.
Schnewolf, Herta. Play with Light and Shadow. New York: Reinhold Book Corporation, 1968.
Severn, Bill. Shadow Magic. New York: David McKay Company, 1959.
Simmen, Rene. The World of Puppets. New York: Thomas Y. Crowell Company, 1975.
Spolin, Viola. Improvisation for the Theater. Evanston: Northwestern University Press, 1963.
Theatre Crafts. Puppetry for the Theatre. Special issue: March/April 1975.
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