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Daniel Lezano - 100 Ways to Take Better Portrait Photographs

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Daniel Lezano 100 Ways to Take Better Portrait Photographs
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100 Ways to Take Better Portrait Photographs: summary, description and annotation

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100 Ways to Take Better Portrait Photographs is a practical and informative guide to every aspect of portrait photography from informal pictures of family and friends to professional studio techniques. It contains:Straightforward, practical tips and adviceOver 100 inspirational portrait photographsInvaluable digital manipulation techniquesWhether youre earning a living as a professional portraitist or snapping informal social shots just for fun, this latest reference volume offers clearly presented advice on the many aspects of digital and film portraiture:Composition and posingOutdoor and st. Read more...
Abstract: 100 Ways to Take Better Portrait Photographs is a practical and informative guide to every aspect of portrait photography from informal pictures of family and friends to professional studio techniques. It contains:Straightforward, practical tips and adviceOver 100 inspirational portrait photographsInvaluable digital manipulation techniquesWhether youre earning a living as a professional portraitist or snapping informal social shots just for fun, this latest reference volume offers clearly presented advice on the many aspects of digital and film portraiture:Composition and posingOutdoor and st

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100 WAYS TO TAKE BETTER PORTRAIT PHOTOGRAPHS DANIEL LEZANO BJORN THOMASSEN - photo 1

100 WAYS TO TAKE BETTER PORTRAIT PHOTOGRAPHS

DANIEL LEZANO & BJORN THOMASSEN

100 WAYS TO TAKE BETTER PORTRAIT PHOTOGRAPHS

DANIEL LEZANO & BJORN THOMASSEN

100 Ways to Take Better Portrait Photographs - image 2

To all my family, especially Jo and Ellie.
Both are my inspiration.
Daniel Lezano

To the sweetest young person in the whole
world, my son Keian and to all of my family
whom I love so dearly.
Bjorn Thomassen

A DAVID & CHARLES BOOK

Copyright David & Charles Limited 2006

David & Charles is an F+W Publications Inc. company
4700 East Galbraith Road
Cincinnati, OH 45236

First published in the UK in 2006

First US paperback edition 2006

Text copyright Daniel Lezano 2006

Illustrations copyright Bjorn Thomassen and
Daniel Lezano 2006

Daniel Lezano and Bjorn Thomassen have asserted
their right to be identified as authors of this work in
accordance with the Copyright, Designs and Patents
Act, 1988.

All rights reserved. No part of this publication may be
reproduced, stored in a retrieval system, or transmitted,
in any form or by any means, electronic or mechanical,
by photocopying, recording or otherwise, without prior
permission in writing from the publisher.

A catalogue record for this book is available from
the British Library.

ISBN-13: 978-0-7153-2322-9 hardback

ISBN-10: 0-7153-2322-9 hardback

ISBN-13: 978-0-7153-2325-3 paperback

ISBN-10: 0-7153-2325-0 paperback

Printed in by
for David & Charles
Brunel House Newton Abbot Devon

Commissioning Editor Neil Baber

Assistant Editor Louise Clark

Art Editor Sarah Underhill

Design Assistant Eleanor Stafford

Design Assistant Emma Sandquest

Production Controller Beverley Richardson

Visit our website at www.davidandcharles.co.uk

David & Charles books are available from all good
bookshops; alternatively you can contact our Orderline
on 0870 9908222 or write to us at FREEPOST EX2
110, D&C Direct, Newton Abbot, TQ12 4ZZ (no
stamp required UK only); US customers call 800-289-0963 and Canadian customers call 800-840-5220.

acknowledgments

Producing a book like this requires the cooperation of many, and my thanks go to everyone who helped Bjorn and me put it together. I would like to thank my family for their support (in particular my partner Jo who must have wondered when I would return to normal life), my daughter Ellie and her friend Ruby for being such wonderful child subjects, and the various professional models we worked with, in particular Charlie and Vanessa. Finally, many thanks to Canon UK for providing a superb range of digital SLRs and lenses to shoot with, The Flash Centre in London for the use of their superb Elinchrom studio flash outfits, Lastolite for their reflectors and diffusers and Manfrotto for their support.

Daniel Lezano

Well, Dan has said it all really, but I would like to reiterate a special thank you to Chris Whittle of Elinchrom and all the wonderful staff at The Flash Centre, the great people at Canon UK, especially Angela, Ashley and Hayley for their continued support, Charlotte Thomson for her contributions as a model and a PA, and all of the models without whom this book would not have been possible.

Bjorn Thomassen

contents Introduction Over the years I have tried just about every branch - photo 3
contents
Introduction
Over the years I have tried just about every branch of photography from - photo 4

Over the years I have tried just about every branch of photography, from product shots of three-piece suites to landscape and even aerial photography. However, my natural passion for people has driven me to specialize in portraiture. I enjoy all aspects of portrait photography, almost without exception, from capturing the endearing first smiles of a baby to the challenges of a more formally composed corporate portrait. I even enjoy covering weddings, with all the pressure of highly charged emotions and limited time that they bring.

I believe that to be a good portrait photographer, you must be in touch with your feelings and emotions. It is vital that you are able to form a relationship with your subject so that they feel comfortable with you taking pictures of them. If the atmosphere in the session is stiff and awkward, your subjects will communicate this in their pose and expression, and there is no chance that you will get the sort of warm and relaxed portraits youre after. I sometimes feel that the success of a session ultimately has more to do with interpersonal skills and psychology than it does with technical know-how.

That is not to say that you dont need technique though, and, as with all genres of photography, light is everything. Early in my studies I learnt that expanding my knowledge of lighting enabled me to tackle portraits, even in the most difficult situations, with a greater degree of confidence. My consequent study of light has led to a fascination that still consumes me today. I am constantly in awe of the lighting masters, and still hungry for knowledge. I believe that you could study lighting for a lifetime and still run out of time.

This book covers a diverse range of styles, techniques, ideas and tips, the majority of which do not involve complex or expensive equipment and are therefore within the reach of any keen photographer. I hope that this will provide some enlightenment and inspiration and help you take better portraits. I wish you every success with your portraiture.

Bjorn Thomassen

Photography dominates my life both at home and at work When Im not writing - photo 5
Photography dominates my life both at home and at work When Im not writing - photo 6

Photography dominates my life, both at home and at work. When Im not writing about it, Im reading about it or best of all taking pictures. Although I am keen on all types of photography, I am most passionate about portraiture. I certainly get a buzz from shooting landscapes, still lifes and other subjects, but nothing comes close to the excitement and enjoyment of taking portraits. Why? Well, among other things, its great to receive a positive reaction from the subjects themselves, and satisfying to capture a moment in somebodys life. Above all though, I find people incredibly interesting. I am a naturally gregarious person, and although I enjoy the solitude that comes with shooting scenics or nature, I far prefer interacting with other people.

I also think that portraiture is a challenging and stimulating form of photography. There is far more to taking a portrait than simply pointing the camera at your subject and pressing the shutter. A good portrait reveals something of the subjects character, whether its a mood, a hint of humour, or some other aspect of their personality or lifestyle. The skill to revealing this is in how you interact with the subject; if you can gain their trust and put them at ease, youre halfway there.

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