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Chris Urquhart - Dirty Kids: Chasing Freedom with Americas Nomads

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Chris Urquhart Foreword by MICAH WHITE Photos by KITRA CAHANA Copyright - photo 1

Chris Urquhart

Foreword byMICAH WHITE

Photos byKITRA CAHANA

Copyright 2017 by Chris Urquhart Foreword copyright 2017 by Micah White 17 18 - photo 2

Copyright 2017 by Chris Urquhart

Foreword copyright 2017 by Micah White

17 18 19 20 21 5 4 3 2 1

All rights reserved. No part of this book may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, without the prior written consent of the publisher or a license from The Canadian Copyright Licensing Agency (Access Copyright). For a copyright license, visit www.accesscopyright.ca or call toll free to 1-800-893-5777.

Greystone Books Ltd.

www.greystonebooks.com

Cataloguing data available from Library and Archives Canada

ISBN 978-1-77164-304-7 (pbk.)

ISBN 978-1-77164-306-1 (epub)

Editing by Jennifer Croll

Copyediting by Shirarose Wilensky

Proofreading by Paula Ayer

Cover design by Peter Cocking

Text design by Nayeli Jimenez

Cover and interior photographs by Kitra Cahana

Every reasonable attempt has been made to secure permissions for the images in this book. Information that will allow the publisher to rectify any credit is welcome.

We gratefully acknowledge the support of the Canada Council for the Arts, the British Columbia Arts Council, the Province of British Columbia through the Book Publishing Tax Credit, and the Government of Canada for our publishing activities.

For Kuba CONTENTS by Micah White FOREWORD THE SCARCEST AND most - photo 3

For Kuba.

CONTENTS

Picture 4

by Micah White

FOREWORD

Picture 5

THE SCARCEST AND most precious resource is not oil, gold, or water. It cannot be found in the ground, grown on farms, or manufactured in a laboratory. The thing, if we may call it a thing, most crucial for the survival and prosperity of humanity is not a material substance at all. Instead, the rare resource upon which the fate of our civilization depends is sovereignty, an immaterial attribute that grants the possessor the power to make decisions and dictate how our communities shall live.

Sovereigntylike its sibling, power, and cousin, wealthhas a tendency to accrue to small numbers of people. Even in democracy, a system of government that was intended to fairly distribute sovereignty to the many rather than to the few, we find that the power to decide the rules of social life is not something that many people ever possess. We are often ruled over and rarely the ruler. Few of us have ever experienced the freedom of being sovereign.

The uneven distribution of sovereignty is the fundamental problem plaguing contemporary life. More than income inequality, the inequality of sovereignty is the motivating force behind social unrest. Protests in the streets are a symptom of the fact that the wrong people are enforcing decisions that affect us all. The essence of protest is a call for the redistribution of sovereignty.

Dirty Kids is a thought-provoking, vibrant, and essential memoir for diagnosing our times, because it gives us a fresh, and much-needed, perspective on the pursuit of sovereignty outside established channels.

What is at stake is the question of how to expand sovereignty, how to create real physical spaceswhether they be festivals in forests or gatherings in dilapidated houseswhere the external political powers, the police, and the elected representatives lose their gravitas and a new decision-making power and a new social organization bubbles up from the ground. An important part of the answer is found in the wild cast of characters who animate this book.

One of the themes that recurs throughout Chris Urquharts journey is home. She voluntarily becomes houseless in search of home. There is a close relationship between sovereignty and home: within our homes, and when we feel at home, each of us is a sovereign. (This connection remains codified in the law of Belgium, for example, where police are barred from raiding private homes during the night in pursuit of criminal suspects. From 9 PM to 5 AM, the walls of these homes become a barrier to external power.) Early in her travels, Urquhart experiences this sense of sovereignty outside of a traditional house. She writes, I feel, for a split second, like I am part of something. I feel like Im home. And having experienced a self-governed community for the first time, Urquhart wonders if she should stop taking the antidepressants that have helped her cope with Babylon, the other reality most of us inhabit. Maybe I should go off my meds... If theres any place to do it, I think this would be it, she confides in Kitra, her traveling companion.

The quest for home leads to sincere moments of transcendent joy. But it also results in a debilitating anxiety and paralyzing fear of violence. It is this tension between momentarily finding utopia and uncovering a longer-lasting unease that makes Dirty Kids honest and worth reading. This is not a sanitized picture designed to glorify destitute poverty or blindly celebrate life on the streets. The reader is not forced into becoming an oogle, the derogative term for hanger-on hipsters who try to act tough like travelers but have money or homes and a whole other life. Instead, it is a truthful encounter with the limits of social and political possibility.

In her travels with the nomadic cultures of America, Urquhart reveals an alternate path to sovereigntya sovereignty without power and wealthat the same time as she questions whether it is viable. The travelers that Urquhart introduces us to grant the reader an insight into the precursor communities and experiments in temporary self-governance that profoundly influenced the consensus-based structure of revolutionary social movements like Occupy Wall Street. Those who experienced the autonomous encampments of Occupy will see many similarities in the Rainbow Gatherings, for example. And the radical, free nomadic culture that Dirty Kids documents is likely to continue shaping the form of social protests to come.

Ultimately, the question remains whether sovereignty without political power is possible and desirable. Are the brief moments of finding a joyful communal home in the forest worth the terrible anxiety of financial and physical precariousness? Is it possible to conceive of a permanent sovereignty without power, a lasting ecstasy of belonging that does not come with painful anxiety? The value of Dirty Kids is that it provokes us to think about, and start talking about, these revolutionary questions.

In the final analysis, the only solution to the global challenges facing humanityfrom catastrophic climate change to economic crisiswill be to solve the fundamental underlying problem of the scarcity of sovereignty. We must discover a way to multiply, and redistribute, sovereignty so that more of us have it and better decisions are being made. Reading Dirty Kids gives me hope. Chris Urquharts memoir inspires me to believe that the people might be closer than ever to discovering the path to an abundance of sovereignty and a proliferation of joyous community.

MICAH WHITE, Co-Creator, Occupy, and author of The End of Protest: A New Playbook for Revolution

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