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Pat Mora - Nepantla: essays from the land in the middle

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As a Chicana, educator, poet, mother, lecturer, and native of El Paso, Texas, Pat Mora is a denizen of nepantla--a Nahuatl word meaning land in the middle. In her first collection of essays this award-winning writer negotiates the middle lands many terrains by exploring the personal issues and political responsibilities she faces as a woman of color in the United States. Characterized by a keen sense of community, Nepantla is an important contribution to the growing body of Chicano nonfiction.Mora explores the issues of cultural preservation--preservation of her own Mexican American culture as a source for her creativity and for her sense of self. She then remembers her encounters with other cultures, which have taught her both to appreciate and to spotlight the stunning riches and injustices of her own country. Moras insights on bilingualism, education, women, and family are sometimes barbed and always exact. Sprinkled like blossoms on a springtime cholla, excerpts from Moras own poems crystallize her thoughts and insights into unforgettable images.

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Page i
Nepantla
Essays from the Land in the Middle
PAT MORA University of New Mexico Press Albuquerque Page ii - photo 2
PAT MORA
University of New Mexico Press
Albuquerque
Page ii
The author thanks Arte Pblico Press for permission to quote from her following poems: "Foreign Spooks," "Petals," ''Desert Women," "Bailando," "Fences," ''Don Jaime," "Abuelita Magic," "Diagnosis," "Immigrants," "Elena," "My Word-house," "Maanitas: Birthday Song," "Too Many Eyes," "Dominican Gold," "Bribe," "Bruja: Witch," "Curandera," "1910," and "Tree-wisdom." She also wishes to acknowledge the publication of previous versions of the following essays: "Living on the Border," The Christian Science Monitor; "To Gabriela, a Young Writer," English Journal and The Horn Book Magazine; "Endangered Species," Vista and Impresin; "Island Images," Focus; "Unseen Teachers," Calyx; and "Snapshots," "Lobo," and "Desert Women," Impresin.
1993 by University of New Mexico Press.
All rights reserved.
FIRST EDITION.
Library of Congress Cataloging-in-Publication Data
Mora, Pat.
Nepantla : essays from the land in the middle / Pat Mora. 1st ed.
p. cm.
Includes index.
ISBN 0826314546
1. Mora, PatBiography. 2. Poets, American20th century
Biography. 3. Mexican AmericansCivilization. I. Title.
ps3563.073z472 1993
811 '.54dc20
[B] 9239874
CIP
Book design by Kristina E. Kachele
Page iii
For my fine editor, Andrea Otaez,
who believed in this book,
a woman who listens, thinks, cares
Page v
Contents
Acknowledgments
ix
1
Bienvenidos
3
2
The Border: A Glare of Truth
10
3
Endangered Species
15
4
Used Furniture
38
5
The Dance Within My Heart
48
6
Desert Women
53
7
Remembering Lobo
73
8
My Fierce Mother
80

Page vi
9
A Conversation with My Three
85
10
Snapshots: Puerto Vallarta
90
11
Reading Poetry in Pakistan
95
12
Island Images: The Dominican Republic
101
13
A Haze in Guatemala
107
14
Escribe, Escribe
115
15
Poet as Curandera
124
16
Unseen Teachers
132
17
To Gabriela, a Young Writer
138
18
Emerging Voices: The Teaching of Writing
143
19
Universities: A Mirage?
149
20
A Poet for President
172

Page vii
Acknowledgments
I am grateful to the W. K. Kellogg Foundation for the fellowship that allowed me to visit museums, cultural organizations, and indigenous communities in this and other countries. I also wish to thank the University of Iowa, whose support provided the time for completing the essay "University: A Mirage."
I'm not at all sure that without Nicols Kanellos and Arte Pblico Press my books of poetry, Chants, Borders, and Communion would ever have been published. My thanks both to Nick for his steady interest in my work and to his fine assistant, Marina Tristn, for her steady support.
In a few of the more recent essays, I have tried to include references to some of the thinkers and writers who enrich me. Their works merit reading in their entirety.
Teresa McKenna, Elizabeth Mills, and Tey Diana Rebolledo, dear friends, fine teachers, loving, intelligent, strong women, graciously took the time to read drafts of this book. Diana and Libby encouraged me with their warm words, and Teresa covered the manuscript with questions. I send a big grin of gratitude to Dan and Kay Moore, Manuel Pacheco, and my Cincinnati friends Norma Jenckes and Murray Bodo for their always generous faith and affection. My thanks to Vern Scarborough, who lives with my turmoil, and to my sweet family who love me so unconditionally. I love the minds and hearts of each of these.
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