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Glover - Seasons: learn to paint seasons in acrylic step by step

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Seasons: learn to paint seasons in acrylic step by step: summary, description and annotation

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Seasons offers a creative approach to painting evocative scenes of the natural world as it changes year-round. Professional artist David Lloyd Glover guides readers through an exploration of painting a variety of seasonal landscapes in acrylic, covering basic painting concepts and techniques and rendering realistic textures. Building on these techniques, you can practice your craft with six easy-to-follow projects, where youll practice sketching strong compositions, mixing colors, and adding detail. From a rustic barn blanketed in snow to bright summer flowers blooming in a summer meadow, a variety of nostalgic views await.--Page 4 of cover.

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SEASONS As sunlight changes throughout the year so does the way we see - photo 1
SEASONS

As sunlight changes throughout the year so does the way we see color in - photo 2

As sunlight changes throughout the year so does the way we see color in - photo 3

As sunlight changes throughout the year, so does the way we see color in nature, and with acrylics, you can create compelling paintings that celebrate each season at its colorful best. With each project in this book, youll learn the methods and techniques that make painting seasons a joyful experience. David Lloyd Glover

TOOLS & MATERIALS
Paints

Paint varies in expense by grade and brand. Very inexpensive paints might lack consistency and affect your results, but buying the most costly color may also limit you. Find a happy medium.

Brushes Synthetic brushes are best for acrylic painting because their strong - photo 4
Brushes

Synthetic brushes are best for acrylic painting because their strong filaments can withstand the caustic nature of acrylic. Build a starter set with small, medium, and large flat brushes; a liner (or rigger) brush; a medium fan brush; and a hake brush.

Palettes Palettes for acrylic paint range from white plastic handheld palettes - photo 5
Palettes

Palettes for acrylic paint range from white, plastic handheld palettes to sheets of plexiglass.

Palette Painting Knives Palette knives are mainly used to mix colors on your - photo 6

Palette & Painting Knives

Palette knives are mainly used to mix colors on your palette; they come in various sizes and shapes. Some can also be used for applying paint to your canvas, creating texture in your work, or even removing paint.

Sponges Sponges are great for dampening your canvas and applying paint to - photo 7
Sponges

Sponges are great for dampening your canvas and applying paint to create texture.

Painting Surfaces Although you can paint on many surfaces canvas is the most - photo 8
Painting Surfaces

Although you can paint on many surfaces, canvas is the most popular choice. Pre-primed and stretched canvas, which is available at arts and craft stores, is stretched taut over a wood frame and coated with acrylic gessoa white primer that provides an ideal surface for holding paint.

Additional Supplies

Some additional supplies youll want to have on hand include:

Paper, pencils, and a sharpener for drawing, sketching, and tracing

Jars of water, paper towels, and a spray bottle of water

Blackboard chalk and/or vine charcoal for sketching over dry paint

Acrylic glazing medium or retarder

COLOR BASICS

A basic knowledge of color and color relationships is essential in learning how to paint. One of the easiest ways to approach color is by seeing it on a color wheel, which is a visual organization of color hues around a circle. Seeing the colors organized in this fashion is helpful for color mixing and choosing color schemes.

Color Wheel

The color wheel helps us see relationships between primary, secondary, and tertiary colors. Primary colors are blue, red, and yellow. We can create a multitude of other colors by combining blue, red, and yellow in various proportions, but we cant create the three primaries by mixing other colors. Secondary colors include orange, green, and violet. You can create these colors by combining two primaries. Red and yellow make orange, blue and red make violet, and yellow and blue make green. Tertiary colors are created by mixing each primary color with its neighboring secondary color. These colors include red-orange, yellow-orange, yellow-green, blue-green, blue-violet, and red-violet.

Complementary Colors Complements sit opposite each other on the color wheel - photo 9

Complementary Colors

Complements sit opposite each other on the color wheel. For example, red sits opposite green, blue sits opposite orange, and yellow sits opposite purple. These colors are considered opposites in their hues and yield the maximum amount of color contrast possible. When complements are mixed together, they form a dull gray, brown, or neutral color.

Neutral Colors Neutral colors are browns and grays both of which contain all - photo 10

Neutral Colors

Neutral colors are browns and grays, both of which contain all three primary colors in varying proportions. Neutral colors are often dulled with white or black. Artists also use the word neutralize to describe the act of dulling a color by adding its complement.

Color Temperature Color temperature refers to the feeling one gets when viewing - photo 11
Color Temperature

Color temperature refers to the feeling one gets when viewing a color or set of colors. Generally, yellows, oranges, and reds are considered warm, whereas greens, blues, and purples are considered cool. When used within a work of art, warm colors seem to advance toward the viewer, and cool colors appear to recede into the distance. This dynamic is important to remember when suggesting depth or creating an area of focus.

Cool Warm Color Value Within each hue you can achieve a range of - photo 12

Cool

Warm Color Value Within each hue you can achieve a range of valuesfrom dark - photo 13

Warm

Color & Value

Within each hue, you can achieve a range of valuesfrom dark shades to light tints. However, each hue has a value relative to others on the color wheel. For example, yellow is the lightest color and violet is the darkest. To see this clearly, photograph or scan a color wheel, and use computer-editing software to view it in grayscale. It is also very helpful to create a grayscale chart of all the paints in your palette so you know how their values relate to one another.

PROJECT ONE LIGHT SHADOW Winter scenes always evoke great nostalgia and give - photo 14
PROJECT ONE
LIGHT & SHADOW

Winter scenes always evoke great nostalgia and give people a warm feeling. A simple palette highlights the weathered maple sugar barn in the New England countryside.

A The shadows establish that the light source comes from the right side of the - photo 15
A The shadows establish that the light source comes from the right side of the - photo 16
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