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Alibar - Juicy and Delicious

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Alibar Juicy and Delicious
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Juicy and Delicious: summary, description and annotation

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Critical acclaim for Beasts of the Southern Wild:

This movie is a blast of sheer, improbable joy...A lot of thinking has gone into Beasts of the Southern Wild, about themes as well as methods, about the significance of the story as well as its shape. And it is certainly rich enough to invite and repay a healthy measure of critical thought.

- The New York Times

One of the most striking films ever to debut at the Sundance Film Festival, Beasts of the Southern Wild is a poetic evocation of an endangered way of life and a surging paean to human resilience and self-reliance. Hollywood Reporter

Brilliant, compelling and powerful, this offbeat look at a part of a world we live in but know nothing about is not going to disappear without at first making a noise. NY Observer

... a stunning debut that finds its dandelion-haired heroine fighting rising tides and fantastic creatures in a mythic battle against modernity....likely to register strongest...

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JUICY AND DELICIOUS The play that inspired the motion picture Beasts of the - photo 1
JUICY AND DELICIOUS The play that inspired the motion picture Beasts of the - photo 2
JUICY AND DELICIOUS
The play that inspired the motion picture
Beasts of the Southern Wild

by Lucy Alibar
Copyright

Diversion Books
A Division of Diversion Publishing Corp.
80 Fifth Avenue, Suite 1101
New York, New York 10011
www.DiversionBooks.com
Copyright 2012 by Lucy Alibar All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever.
For more information, email info@diversionbooks.com.
First Diversion Books edition June 2012.
ISBN: 978-1-938120-54-1 (ebook)
A Note From the Author

Once There Was a Hushpuppy
Several years ago, my wild, brilliant, invincible father started getting sick. Really sick. Prostate cancer led to heart complications, which led to stroke and more heart complications. He lost an eye and had a huge scar across his chest.

Could be checkout time, Boss, Daddyd say. All of a sudden I felt breathtakingly stupid. I couldnt wrap my head, or my heart, around my parents mortality. I wrote a play about it, called Juicy and Delicious, about a frail, cowardly kid in the hot red clay of South Georgia named Hushpuppy, and Hushpuppys daddy, who was a lot like my Daddy, and Hushpuppys brilliant and ferocious teacher, Miss Bathsheba, who was a lot like many teachers Ive had, and a herd of aurochs. I dont know where the herd of aurochs came from.
We did it at the Tank/Collective Unconscious in Soho, and I had a great time doing it, and then it ended, and I went back to waitressing and writing more plays.
A few months later, I was exhausted and covered in bacon grease from a brunch shift, and I met my friend Benh Zeitlin on the roof of the Russian Turkish baths. Benh and I won a teen playwriting contest when we were 14.

If memory serves, his play was about a bunch of vulgar and poetic drunks, and mine was about a Southern Baptist sex-ed class gone horribly wrong. We became friends instantly, and even though he lived in New York while I was in Florida, wed trade books and mix tapes. He introduced me to Nick Cave; I turned him onto Gram Parsons. I kept writing plays, he made movies. That afternoon on the roof, as he was drinking Czech beer and I had carrot juice, he asked me if I wanted to do my play as a movie, set in Louisiana. I said yes.

He pulled out a portfolio of sketches hed done, pictures hed taken, and talked to me for I dont know how long about telling Hushpuppys story in Louisiana, the Aurochs coming from Antarctica, the causeway on the water. Suddenly I forgot that I was tired and smelled like old bacon and burnt coffee and had half-and-half in my hair.
It took us a year and a half to adapt Juicy and Delicious into what was, for most of us working on the film, our firstBeasts of the Southern Wild. Hushpuppy changed from a little boy to a little girl, because finally I could make the story about a girl. Benh had a long-standing love affair with Louisiana, and after my first week living in a fishing marina outside of Point au Chien, I did too. Have you been there? Sweet Jesus.
The red clay hills of Georgia became the bayou and Gulf. And the confrontation between Hushpuppy and the ferocious aurochs became infused with a grace that it took me several years of working through all of my deepest fears and furies to reach.
This is the play as I wrote it many years ago, covered in bacon grease, raw, angry, and, like Hushpuppy, realizing that there is an order to the whole universe.

Even if I am too stupid to see it.
Lucy Alibar, author of Juicy and Delicious
("Once There Was a Hushpuppy appears by permission of Zoetrope: All-Story)

Critical Acclaim for "Beasts of the Southern Wild"

This movie is a blast of sheer, improbable joyA lot of thinking has gone into Beasts of the Southern Wild, about themes as well as methods, about the significance of the story as well as its shape. And it is certainly rich enough to invite and repay a healthy measure of critical thought.
The New York Times

One of the most striking films ever to debut at the Sundance Film Festival, Beasts of the Southern Wild is a poetic evocation of an endangered way of life and a surging paean to human resilience and self-reliance.
Hollywood Reporter

Brilliant, compelling and powerful, this offbeat look at a part of a world we live in but know nothing about is not going to disappear without at first making a noise.
NY Observer

a stunning debut that finds its dandelion-haired heroine fighting rising tides and fantastic creatures in a mythic battle against modernity.likely to register strongest among critics and cineastes.
Variety

The sensation of this years Sundance Festival, where it won the top award for dramatic (fiction) film and for cinematography, Beasts is the odds-on favorite to take the Camra dOr prize for best Cannes first feature. Expect more hosannas when the movie opens in the U.S. June 27.
Time
Dedication

Childhood is the kingdom where nobody dies. Edna St. Vincent Millay Quiero hacer contigo lo que la primavera hace con los cerezos. Pablo Neruda
Cast of Characters
HUSHPUPPY: A sweet little Southern boy.
DADDY: Hushpuppys daddy.
DADDY: Hushpuppys daddy.

A big, scary Southern man with a glass eye and a Georgia Bulldogs hat.
MAMMA: Hushpuppys mamma. She disappeared after Hushpuppy was born, so shes just a figment of his imagination. No one else in the play can ever see or hear Mamma except Hushpuppy. When she touches Hushpuppy, its a Ghost Touch, a few inches above his body.
MISS BATHSHEBA: The School Teacher.
MISS BATHSHEBA: The School Teacher.

She wields a paddle and carries a bullwhip.
JOY STRONG: A big, scary Southern girl.
BIRFDAY CAKE: A Southern Harpo Marx. Hes always holding an egg.
AUROCHS: Big, scary, extinct bulls, as seen in cave paintings at Lascaux.
STRIPPER/WAITRESS.

THE END OF ANATOMY

HUSHPUPPY
Science: The End of Anatomy.
STRIPPER/WAITRESS.
THE END OF ANATOMY

HUSHPUPPY
Science: The End of Anatomy.

Also Possibly the End of the World. Hushpuppy picks up a banjo. Plays. Its not good.While he plays, lights up on a Nurses office.The NURSE stands with DADDY, holding an X-ray. She is holding it up to the light. Another. Another. Another.

Another.In Hushpuppys room, and in the Nurses office, some grits fall from the sky and flythrough the open window.The three stare at the grits, curious.A lemon flies in through the window.Blackout.

DON'T CRY LIKE A BABY

HUSHPUPPY
Dont Cry Like a Baby.
Hushpuppy and Daddy are in the truck, hunting for dinner. Hushpuppy is cryinghysterically.
DADDY Stupid possum. Stay! Stay there! (He swerves and misses.) HUSHPUPPY
Nobody never told me I was gonna die! I dont wanna die! So am I gonna die too?
DADDY
At some point. Dont they teach yall that at school?
(HUSHPUPPY cries harder.)
HUSHPUPPY
We just learn about manners and how not to look like trash!
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