Ruth Campbell - Hearing by eye II: advances in the psychology of speechreading and auditory-visual speech
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Hearing by eye II: advances in the psychology of speechreading and auditory-visual speech
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This volume outlines some of the developments in practical and theoretical research into speechreading lipreading that have taken place since the publication of the original Hearing by Eye. It comprises 15 chapters by international researchers in psychology, psycholinguistics, experimental and clinical speech science, and computer engineering. It answers theoretical questions what are the mechanisms by which heard and seen speech combine? and practical ones what makes a good speechreader? Can machines be programmed to recognize seen and seen-and-heard speech?. The book is written in a non-technical way and starts to articulate a behaviourally-based but cross-disciplinary programme of research in understanding how natural language can be delivered by different modalities.
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Advances in the Psychology of Speechreading and Auditory-visual Speech
edited by Ruth Campbell Barbara Dodd Denis Burnham
Page iv
Some images in the original hard copy book are not available for inclusion in the netLibrary eBook.
1998 by Psychology Press Ltd, a member of the Taylor & Francis group All rights reserved. No part of this book may be reproduced in any form, by photostat, microform, retrieval system, or any other means without the prior written permission of the publisher.
Psychology Press Ltd, Publishers 27 Church Road Hove East Sussex, BN3 2FA UK
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
ISBN 0-86377-502-0
Typeset by DP Photosetting, Aylesbury, Bucks. Printed and bound in the United Kingdom by T J International Ltd, Padstow
Page v
CONTENTS
List of contributors
vii
Introduction
Ruth Campbell, Barbara Dodd And Denis Burnham
ix
Section 1 Audio-Visual Speech Processing: Implications for Theories of Speech Perception
1. The use of auditory and visual information during phonetic processing: implications for theories of speech perception
Kerry P. Green
3
2. Language specificity in the development of auditory-visual speech perception
Denis Burnham
27
3. Time-varying information for visual speech perception
Laurence D. Rosenblum And Helena M. Saldaa
61
Section 2 Engineering Models of Visible and Audio-Visual Speech
4. Ten years after Summerfield: a taxonomy of models for audio-visual fusion in speech perception
Jean-Luc Schwartz, Jordi Robert-Ribes And Pierre Escudier
85
5. Computational aspects of visual speech: machines that can speechread and simulate talking faces
N. Michael Brooke
109
Page vi
6. The moving face during speech communication
Kevin G. Munhall And Eric Vatikiotis-Bateson
123
Section 3 Psychological and Neuropsychological Factors in Speechreading
7. Conceptual constraints in sentence-based lipreading in the hearing- impaired
Jerker Rnnberg, Stefan Samuelsson And Bjrn Lyxell
143
8. Effects of facial image size on visual and audio-visual speech recognition
Timothy R. Jordan And Paul C. Sergeant
155
9. How brains see speech: The cortical localisation of speechreading in hearing people
Ruth Campbell
177
10. Impaired speechreading and audio-visual speech integration in prosopagnosia
Beatrice De Gelder, Jean Vroomen And Anne-Catherine Bachoud-Levi
195
Section 4 Deafness, Language and Speechreading Speech-Based Approaches
11. What makes a good speechreader? First you have to find one
Lynne E. Bernstein, Marilyn E. Demorest And Paula E. Tucker
211
12. Early lipreading ability and speech and language development of hearing- impaired pre-schoolers
Barbara Dodd, Beth McIntosh And Lynn Woodhouse
229
Section 5 Deafness, Language and Speechreading: Sign and Augmentation
13. Mouth movement and signed communication
Marc Marschark, Dominique LePoutre And Linda Bement
245
14. Touch and auditory-visual speech perception
Michael Oerlemans And Peter Blamey
267
15. The effect of exposure to phonetically augmented lipspeech in the prelingual deaf
Jacqueline Leybaert, Jsus Alegria, Catherine Hage And Brigitte Charlier
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