A good idea for a book starts out like a young horselots of promise but its all in the follow-through. Over the four years weve worked on this book, there have been some significant people who have entered our lives and given us counsel on this project. Special thanks goes to Betsy and Forrest Shirley, Tom Brokaw, Robert Redford, Patrick Markey, Bernie Pollack, Kathy Orloff, Donna Kail, Craig and Judy Johnson, Suzanne and Paul DelRossi, John and Jane Reynolds, Lindy Smith, Verlyn Klinkenborg, Chas Weldon, Joe Beeler, Elliott Anderson, Adrianne Fincham, Steve Price, and Jesse Douglas. At The Lyons Press, we thank Tony Lyons for seeing the vision and Ricki Gadler for putting up with us.
Our biggest thanks goes to the two women who believed in us all alongMary Brannaman and Kristin Reynolds.
M Y LIFE RELATIONSHIPS with horses started after childhood, but I had wanted a pony as far back as I can remember. As a child of the 1950s and of a father who was a pioneer in television, I was never unaware of the impact of the TV western in my life. It fed my need for horseflesh at an addictive rate. This ultimately alarmed my parents. We were urban-bound and landlocked on three sides, so to slip a pony into the backyard would have been quite impossible without the fabric of the neighborhood coming apart at the seams. Of course, I knew and actually understood the problem, but I refused to let the pressure off my parents. They tried valiantly with riding lessons and trips to dude ranches during school vacations, but it was never enough.
My first horse, unlike the Will James book of the same name, arrived during my early twenties. She was a young liver chestnut Quarter Horse mare with a flaxen mane and tail and was, if in my eyes alone, perfect. I should have sensed some trouble when it took us three hours to load her into a neighbors trailer. It required all sorts of ropes and pulleys, with lots of yelling and screaming, but we got her in. My adventure had begun.
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I met Buck Brannaman in 1985. He was at a local arena in Malibu, California, and to see a Montana cowboy work with a bunch of hunter/jumper riders was a sight I didnt want to miss. I had heard a little bit about Buck from my friend Chas Weldon, the legendary saddlemaker in Billings, Montana. Chas spoke quite highly of him, and said he was designed to ride horses. When I first saw Buck, I knew Chas was right. Buck is three-quarters leg, the kind of rider who can touch his heels under the belly of a horse at the lope. I later found out that he was rather short going through high school, but grew a full six inches in his senior year, which landed him on the basketball team. Is he tall? The man could hunt geese with a rake.
The first time you see Buck ride is a moment of lasting impression. It isnt just the way he sits a horse, although that in itself is rather impressive. As he rides, he seems to disappear into the action. People speak of becoming one with something. Buck doesnt ride a horse, he merges with it. The essence of this merger is a friendly takeover.
Ive seen him ride hundreds of different horses, and it happens every time. There is a moment when these two beings open doors to each other and communication happens. He creates an environmentunique to each horse he ridesthat enables the two of them to work together. It still astounds me every time I see him ride a new colt. Each one is different, each is unique, and thats how he treats them. If this sounds like a good way to be with people, youre catching on.
Buck has done more good for families, as well as their horses, than any man I know. He does this by getting people to slow down and listen: listen to their horses, their kids, their husbands, and their wives. He is about respecting others, whether they are people or horsestheyre all the same to him.
THE FARAWAY HORSES opens a door into the life of Buck Brannaman. He has chosen to open it and let us all in. In his own words, he takes you through his difficult childhood and his youth growing up in a foster home. It is the story of a life of discovery, of pain and tragedy, and of finding ones way and then giving back to the ones who saved him. For Buck, it was horses. The horses saved his life.
These stories make up a significant young mans life, a young man who changes for the better the lives of every horse and rider he comes in contact with. I am proud to call him my friend and to have worked on this book. Quite simply, we need a lot more like him.
Bill Reynolds
Santa Ynez, California
2001
T HE STORIES IN THIS BOOK are scenes from the private movie of my life. They have helped me understand the big picture, and they have influenced directions Ive taken since the events happened. In many ways they have affected the way I work with certain horses. I know they have influenced me in the way I deal with people, but horses have always meant a certain level of consistency in my life. They respond with all their being. All they know is honesty.
On my way to a horsemanship clinic I was putting on in Ellensburg, Washington, I decided to make a little detour through Coeur dAlene, Idaho. Its a peaceful town, and its beauty is magnetic. I can see why so many people have come here to retire.
I sat looking out my truck window, with my horses standing quietly in my trailer, at the old house at 3219 North Fourth Street. Thats where my older brother, Smokie, and I lived with our mom and dad for a few years in the mid-1960s. Seeing it more than thirty years later brought back a flood of memories.
The shed, not much more than an overhang to the back of the house, made me think of milking cows there, and how, in the eyes of a kid just four feet tall, that pitiful little shed seemed like a huge barn. When I saw the basement window, I remembered struggling to drag a hose through it so I could water our horses, cows, and pigs, and how more often than not that hose would hang up at the hose joint a few feet short of the stock tank.
The yard was where Smokie and I learned to ride and spin a rope, little knowing we would soon be performing on TV and at rodeos and fairs around the country as The Idaho Cowboys, Buckshot and Smokie, from Coeur dAlene, Idaho.
The number on that beat-up old mailbox stared back at me: 3219. I was tempted to knock on the door to see who lives there, and maybe walk around a little.