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Tibetan prayer flags spell out Om mani padme hum, a mantra repeated by Buddhists.
Cover design, Jess Morphew. Details, Vasil Chebanik and Margaret Shepherd.
Library of Congress Cataloging-in-Publication Data
Shepherd, Margaret.
Learn world calligraphy: discover african, arabic, chinese, ethiopic, greek, hebrew, indian, japanese, korean, mongolian, russian, thai, tibetan calligraphy, and beyond / Margaret Shepherd. -- 1st ed.
p. cm.
Includes index.
eISBN: 978-0-8230-8230-8
1. CalligraphyTechnique. I. Title.
NK3600.S534 2011
745.619dc22
2010035341
Designed and handlettered by Margaret Shepherd.
v3.1
In a calligram from the 9th-century Masoretic Bible, Hebrew letters outline a little creature riding a donkey.
Working with a large brush, this Korean calligrapher adds a vertical signature to his work.
Dozens of peoplenot just my own friends and relatives but their friends and relatives, toogave generously of their time and expertise to help me write and correct this book.
Greeks say efharisto, thank you, for an answered prayer by tying a silver tag on their saints icon.
Kwezi Arthur
Adrienne Ingrum
Annie Zeybekoglu
Lois Russell
Saki Mafundikwa
Calestous Juma
Marion Kilson
Chaz Maviyane-Davies
Carolyn Newberger
Imam Razokov Gafurjon
Barbara Whitesides
Sheila Sondik
Rick Doubleday
Smith College students of Abdelkader Berrahmoun
Anita Lincoln
Kitty Clark
Patricia Watts
Emily Neumeier
Grethe Shepherd
Marilyn Brandt
Paula Cronin
Christy and Hali Tsang
Gail Bernstein
Lisbeth Shepherd
Erica Wessmann
Wei Yang
Nancy Boulton-LeGates
Anna Davol
Sharon Hogan
Felix Doolittle
Sallie Gouverneur
David Thomas
Haile Getachew
Nesanet Alemayhu
Fetelulork Alemayhu
Bettie Abebe
Andrew Staad
Joy, Stahis, and Dafnis Panagides
Robert Fitzwilliam
Pam Steel
Jay Boggis
Marina Hatsopoulous
Daphne Hatsopoulous
Hannah Sarvasy
Peter Banos
Elliot Rothman
Abby Rosenfeld
Cynthia Bell
Amelie Bell-Kamen
Liz and Ethan Offen
Rev. Stephen Kendrick
Jonathan Kremer
Indira Peterson
Aye Moh
Swami Kumaresan
Ruby Seung He
Theodore Kim
Christopher Atwood
Nancy Atwood
Purevjav Jambalragchaa
Elena Napier
Clark Abt
Francis Randall
Crystal Woodward
Galina and Viktor Khatutsky
Theodora Shepherd
Ron Sampson
Sherman Lewis IV
Alison Lewis
Gordon Shepherd
John Wawrzonek
Steve Dunwell
Deborah Paddock
Cathleen Schaad
Stephanie Luke
Lisa Abitbol
Katya Popova
Leslie Miller
Candace Raney
Autumn Kindelspire
Jessica Morphew
Alyn Evans
Alison Hagge
Colleen Mohyde
In addition, many calligraphers, photographers, and other artists contributed their work; they have my deepest gratitude.
Enya Keshet
Richard Widhu
Konrad Tuchscherer
Andrew van der Merwe
Jocelyne Santos
Lalla Essaydi
Hamed Saber
Valerie Elliott
Monica Dengo
Chun Liu
Anne Garland
Shinichi Maruyama
Linda Liu
Thch Nhat Han
Xu Bing
L Quc Viet
Sandy Diamond
Haji Noor Deen
Y.T. Feng and Ti Fen Wang
Diedrik Nelson
Peter Williams
Carl Rohrs
Kan Kozaki
Jan Owen
Hambis Tsangaris
Marc Michaels
Robert Indiana
Minh c Tri Tm nh
Betsy Teutsch
Kensaku and Michiko Mori
Sivia Katz
Muhammad Akbar Daftari
Rabbi Lawrence Kushner
Stewart Thomas
Ed Scher
Kyle McCreight-Carroll
Claudia Wang
Krista Basis
Tashi Mannox
Gary Westergren
Jeane Redmond
Yoo Sung Lee
Myoung-Won Kwon
Ju-hyung Jo
Zolbayar Sukhbaatar
Delger
Leonid Pronenko
Dmitry Babenko
Ivan Gulkov
David Oei/Carol Hesselink
Jean-Franois Bodart
Tatiana and Yuri Zieman
Tom Costello
Alexander Mikaberidze
Ron Esplin and Julie Woods
Rick Cusick
Sallie Porfido
Michael Schwartz
Carl Hostetter
Patrick Wynne
Mehdi Saeedi
S PECIAL T HANKS
David Friend
Lily, Zo, Zack, Jasper
Turn to the for a list of all artists and sources.
This practical guide to calligraphy helps you understand how to write every script in the world. I do not try to explain how each language soundsa different, much longer bookbut how it looks when an artist writes it. You will get to know each kind of calligraphy by looking carefully at its shape, studying its masterpieces, grasping its structure, and learning its basic techniques.
Once your fingers have written a foreign script, your eyes own it. It becomes part of your world. Learning to write letters you dont read, however, is only the first step. That souvenir you picked up can be a tool that applies your new scripts techniques and tools to the familiar Roman alphabet.
Many of the worlds scripts have survived by rejecting outside influences; Roman letters thrive by embracing them. The Roman alphabet makes friends easily; when it meets a new script, it has always liked to get married and give birth to vigorous hybrid offspring. Whenever you copy a Roman hybrid or create your own, you carry on a tradition that started thousands of years ago. Those second-generation virtual alphabets make this book more than just a package tour marching you through the written world. It encourages you to spend time in exotic places without stumbling over language barriers, absorb what you see, and bring home new ways to write.