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Steventon - DJing For Dummies

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Steventon DJing For Dummies
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    DJing For Dummies
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DJing For Dummies: summary, description and annotation

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pt. I. Introduction -- 1. Stepping up to the decks -- Catching DJ fever -- 2. Starting up with the bare bones -- Considering input devices -- Turntables -- CD decks -- MP3s and PCs -- Mixers -- Headphones -- Amplifiers -- Figuring out the furniture -- Ergonomics and stability -- Store-bought stands -- Killing vibration with bricks and air -- Locating your DJ setup -- 3. Shopping for equipment -- Budgeting -- Brand new -- Second-hand -- Making sure that your kit works -- 4. Retro chic or PC geek? Buying records, CDs and MP3s -- Sizing up -- Researching and buying your tunes -- Weighing up classic and current -- Protecting your records and CDs -- Storing -- Cleaning -- Repairing vinyl -- Fixing warped records and CDs -- Repairing scratched/cracked CDs -- Backing up digital libraries -- pt. II. Stocking up your DJ toolbox -- 5. Keeping up with the tech-revolution : format choices -- CDs vs vinyl -- Analogue or digital -- Functionality -- Hybrid turntables -- Digital DJing -- 6. Getting decked out with turntables -- Pitch control design -- Identifying key turntable features -- customising your sound with advanced turntable features -- Setting up turntables -- Servicing your turntables -- 7. Perfecting your decks : slipmats and needles -- Friction -- Needles and cartridges -- Counterweight settings -- 8. Spinning with CDs -- Requirements of the DJs CD deck -- adjusting the pitch -- Smoothing out vibrations -- Working with cue -- Special features -- 9. Bits and PCs : digital DJing -- Designing your digital DJ setup -- Controlling the digits -- Adding hardware controllers -- Software -- Taking control -- Alternatives -- DJing with iPods and USB drives -- Mixing on the move -- 10. Stirring it up with mixers -- Mixer controls -- Seamless mix DJ -- Scratch DJ -- Effects DJ -- Rock/party/wedding DJ -- Servicing your mixer -- 11. Ear-splitting advice about not splitting your ears : headphones -- Earplugs -- 12. Letting your neighbors know that youre a DJ : amplifiers -- Suitable amplification -- Working with monitors -- Noise pollution : keeping an ear on volume levels -- 13. Plugging in, turning on : set-up and connections -- Getting familiar with connectors -- Plugging in the mixer -- Troubleshooting set-up and connections -- pt. III. The mix -- 14. Grasping the basics of mixing -- Beatmatching -- Pitch control -- Introducing your headphones -- 15. Picking up on the beat : song structure -- 16. Mixing like the pros -- Placement -- Mixing breakdowns -- Controlling the sound of the mix -- Using mixing tricks and gimmicks -- Mixing different styles of music -- 17. Scratching lyrical -- Setting up equipment the right way -- Preparing for the big push -- Scratching on CD, MP3 and computer -- Mastering the technique -- Juggling the beats -- pt. IV. Getting noticed and playing live -- 18. Building a foolproof set -- Choosing tunes to mix together -- Developing a style -- 19. Creating a great demo -- Preparing to record the demo -- Looking after sound processing -- Performing the demo -- Making a demo CD on computer -- Sending off the mix -- 20. Getting busy with it : working as a DJ -- Marketing yourself -- Joining an agency -- Networking your way to success -- Marketing yourself on the Internet -- 21. Facing the music : playing live -- Investigating the venue -- Preparing to perform -- Knowing what to expect -- Playing your music -- pt. V. The part of tens -- Ten resources for expanding your skills and fan base -- Ten answers to DJ questions youre too afraid to ask -- Ten great influences on me -- Ten DJing mistakes to avoid -- Ten items to take with you when DJing.;Provides novices with the technical know-how to start and build a successful career as a DJ, featuring tips on the essential equipment, the basics of mixing and song structure, building a foolproof set, and creating a great demo.

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DJing For Dummies - image 1

DJing For Dummies, 2nd Edition

by John Steventon

DJing For Dummies - image 2

DJing For Dummies, 2nd Edition

Published byJohn Wiley & Sons, LtdThe Atrium, Southern Gate, Chichester, West SussexPO19 8SQEngland

Email (for orders and customer service enquires): cs-books@wiley.co.uk

Visit our Home Page on www.wiley.com

Copyright 2010 by John Wiley & Sons, Ltd, Chichester, West Sussex, England.

Published by John Wiley & Sons, Ltd, Chichester, West Sussex.

All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except under the terms of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, W1T 4LP, UK, without the permission in writing of the Publisher. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc, 10475 Crosspoint Blvd, Indianapolis, Indiana 46256, United States, 317-572-3447, fax 317-572-4355, or online at www.wiley.com/go/permissions

Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc and/or its affiliates, in the United States and other countries, and may not be used without written permission. All other trademarks are the property of their respective owners. John Wiley & Sons, Ltd, is not associated with any product or vendor mentioned in this book.

Limit of Liability/Disclaimer of Warranty: The publisher, the author, AND ANYONE ELSE INVOLVED IN PREPARING THIS WORK make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional person should be sought. Neither the publisher nor the author shall be liable for damages arising herefrom. The fact that an organization or Website is referred to in this work as a citation and/or a potential source of further information does not mean that the author or the publisher endorses the information the organization or Website may provide or recommendations it may make. Further, readers should be aware that Internet Websites listed in this work may have changed or disappeared between when this work was written and when it is read.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

British Library Cataloguing in Publication Data: A catalogue record for this book is available from the British Library.

ISBN: 978-0-470-66372-1

ISBN: 978-0-470-97074-4 (ebk), ISBN 978-0-470-66404-9 (ebk), ISBN 978-0-470-66405-6 (ebk)

Printed and bound in Great Britain by Bell and Bain Ltd, Glasgow.

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Picture 3

About the Author

John Steventon, also known as Recess, was transformed from clubber to wannabe DJ by BBC Radio 1s 1996 Ibiza Essential Mix. Fascinated by what he heard, he bought a second-hand pair of turntables, his best friends record collection, and started to follow the dream of becoming his newest hero, Sasha.

With no other resource available when he first started DJing, John would take notes, writing articles to refer to if ever he felt like he needed help. Joining the Internet revolution meant 15 megabytes of free Web space, and as hed already written these notes about learning how to DJ, John thought it would be good to share that information with the rest of the world wide web. He created the Recess persona, and expanded the site as his knowledge grew. Originally a small, basic Web site, www.recess.co.uk has grown over the years both in size and reputation, to become one of the foremost online resources for learning how to DJ the place where newbie DJs turn to.

Having developed a career as a TV editor at the same time, now heading up post-production at a TV production company, he has scaled down the time spent DJing in clubs, but Recess is always online to help the new DJ overcome those first few hurdles, and offer advice to those who need that extra bit of reassurance.

John is 31, plays way too much squash and poker, is married to Julie, and they both live together with their daughter, cats and a smile on the outskirts of Glasgow, Scotland.

Dedication

This book is dedicated to my Dad, Richard Steventon, who Im sure would have got a kick out of seeing his son write a book.

To Julie: my best friend, my wife, my smile; without whom Id be half a person. You are my lobster. And for this second edition, a new addition; to Jaime Steventon, I still cant believe we made a person. I cant wait to know you.

Authors Acknowledgements

My list of acknowledgments is surprisingly long, but these are the people without whom this book would not have been inspired, created, or nearly as long as it ended up!

Thanks to Graham Joyce, who sold me his record collection and started me on this journey, who got me my first break in a roundabout way, and took me to the place that I eventually met my wonderful wife. My sister, Pamela Tucker, who claims if it wasnt for her, I wouldnt have made friends with Graham and is therefore responsible for everything good in my life! My mum, Mary Steventon for being my Mum and for helping with the text accuracy in this book (even if she had NO idea what it all meant). My uncle, David Steventon, for sowing the seed that maybe people would find my writing interesting; my lovely in-laws, Jim (sorry, Sir), Margaret (the lasagne queen), and Vicki Fleming for entertaining Julie while I spent months writing this book; Carol Wilson for making sure I wasnt signing away the rest of my life; and Lucky, Ziggy, and Ozzy for being my writing companions.

Ian, Jason, Nichol, Al, Gus, Jonny, Dave, Gary, Tony, Iain, and the other poker people for letting me blow off steam until 7 in the morning trying to take their money. All the staff and DJs at what used to be Caf Cini in Glasgow where I got my break as a DJ. Paul Crabb for inspiration and distraction (I know, I still cant believe I wrote a book before you!) and Flora Munro for work deflection and a hell of a cup of coffee.

This book wouldnt have had half the info in it if it wasnt for the following people helping me out and kindly granting me permission to reuse images of their gear: David Cross at Ableton, Adam Peck at Gemini, Stephanie Lambley for Vestax images, Sarah Lombard at Stanton, Tara Callahan at Roland, Mike Lohman at Shure, Sarah OBrien at PPLUK, Carole Love at Pioneer, Grover Knight at Numark, David Haughton at Allen & Heath, Wilfrid at Ortofon, Justin Nelson at NGWave, Ryan Sherr at PCDJ, Laura Johnston at Panasonic, Jeroen Backx at Freefloat, all at Etymotic, NoiseBrakers, Sony, and Denon, Mark Davis from Harmonic-mixing.com, Yakov V at Mixedinkey.com for his help with the Harmonic Mixing info, everybody on all DJing Internet forums for letting me bug them for the past eight months, all the visitors to my Recess Web site, and everyone else who has touched this book in any way I cant mention everyone, but thank you all.

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